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16.10.2015
Many people has the experience of unbearable ring or noise sound in the ears, it is the normal cavitation, our professional research team has overcome this problem and the buzzing noise has reduced yet after years of study. Liposlim South Africa specializes in Salon supplies, salon equipment and slimming machines for the beauty industry, salons and individuals. This year the ARTEFACT festival in Leuven was themed around exploring the development of the city, and cultural practices relating to urbanism. Julia Eckhardt at Q-O2 had seen a presentation of mine at CRiSAP in 2011 in which I had talked about the importance of paying attention to the sounds of our local places. I was very nervous about having a much longer period of time to fill (30 – 40 minutes) and uncertain about how I could relate my explorations of my local environment to the exploration of foreign cities, and so I spent a great deal of time thinking about the presentation and assembled some images and words to show to the wonderful audience who showed up to go on a soundwalk with myself, Peter, and Pascal, and then to listen to us talk about our different perspectives on the sounds of urban places. I began my talk by explaining that there is a score by the composer Pauline Oliveros, the gist of which is “decide a moment in everyday life which catches your attention is an art moment. One sound I love here is that of the pizza shop on the nearby main road closing its shutters at night.
I began exploring the domestic soundscape because I realised that in daily life there are so many amazing sounds around us to which we do not give our full attention. I am interested in celebrating the wonder within the everyday; I find the idea that we can have an amazing experience listening to something as simple as frying an egg very liberating. Paying attention to the domestic soundscape has made me more accutely aware of all the sounds everywhere, and in Reading I have developed a beautiful sense of the town as a sonic space, with its own particularities and secrets, intimately wound with my errands and the unbroken lines that run between private life and public space as I move seamlessly between these two realms. There is a woman in Reading who reads out a huge long list of all the possible pies you could have, in the wonderful local treasure that is Sweeneys pie shop. I also know where there dwells a cunning Robin who has found himself a post from which to sing his beautiful song.
This is not the sound of a bird singing by a river; it is the sound that comforts people who are walking to or from work, or the shops, with their families and friends and partners, or alone. It is also not to be confused with a completely different Avian feature of Reading, the spot at the end of Cholmely Road, where all the families bring their bread and rice to give to the assembled crowd of swans, pigeons, geese and all manner of other savvy urban fowl. It is not only that we shape the city with our walks and explorations of it, but that it shapes us, too.
This is not the sound of birds by a river; it is the soundscape of a place where people take their children to feed the ducks. As well as recommending any Belgians visiting Reading to frequent the end of Cholmely road armed with snacks, I also explained that one of our most endangered sounds can be heard through the simple act of going into Jacksons department story with a five pound note, intending to buy a handkerchief for 75p. It’s very important to take the wrong change, because this is what occasions the cashiers in this last family-owned department store to pop your money into a tube, and send it upwards via the pneumatic system to an office where it will be dealt with. In 2009, Mark and I embarked on a cheeky adventure to treat Reading as a giant art exhibit.
I have explored many techniques for celebrating the sounds which I encounter in daily life both at home and in urban space. The readers who have followed this blog for years will remember SOUNDBANK, and the practice of writing about sounds in as much detail as I could which I embarked upon in 2009 and which I am still working on.
In Reading I have a soundmap of the city burned into my head, of which these examples are just a glimpse.
So how does one transpose such a subjective, rooted, home-loving, domestic appreciation for one’s local sounds to an art-market obsessed with International travel? At first I did not like the idea of going away from my little red brick house with my man and my cat inside it; I get homesick when I am away and dislike not being able to cook. Because the Tuned City soundmap had included input from so many different people connected with Tallinn as a place, it was a beautiful and personal guide into the sonic textures of the city. I walked and cycled all round Tallinn during Tuned City, but the sound I will retain the most vivid impression of while I was there, was the sound of the seagulls going crazy at the end of the concert on the last night of the festival.
In really committing to listen to Tallinn while I was there, and in using the Tuned City map, my ears, and Stav’s book for guidance, I found myself a creative home in Estonia, to which I gladly returned again in 2012 and to which I hope to return again this year.
Friendship and cultural exchange are absolutely key to understanding sounds in cities all over the world from a human, anthropological perspective. Make Sound Here makes use of the GPS and audio recording facilities on mobile phones, and the audio recording platform Audioboo, to create a map detailing the sonic potentials of places.
I was led to some previously undiscovered pathways and bridges, railings and passageways, armed with a stick that I had found, inspired by the project to revisit that simple childhood pleasure of playing the railings. In our cities, this means at least to me reclaiming urban space from developers and SHOPPING for the possibilities of playing, listening, cultural exchange, and daily joy.
I explained towards the end of my talk how my various adventures in exploring the domestic soundscape and the related soundscape of Reading informed my sonic adventures in Leuven.
I did what I always do, which is wander about in the streets, photographing the bricks and listening to the sounds. The bicycles are a massive feature of Leuven; many of the bicycles sound broken in some way, but the squealing, screeching, rattling cacophony of these bicycles is somehow very jubilant, accompanied as it often is by the laughter and voices of the students riding them.
As well as listening for these sounds, I appealed to various online communities for assistance in accessing the soundscape of Leuven.


Following her helpful instructions, I stood in Fonske Frituur, recording the sounds of frites frying and being parceled up in paper in a rhythm, and had the lovely sense that I was perhaps glimpsing the soundscape enjoyed by students waiting for their frites after a few Belgian beers together. Also, Tiffany wrote to me after I posted in The Yahoo Phonography Group to explain that a major feature of the Leuven soundscape is its historic carrilons.
I would not have heard this sound at all were it not for the fact that somebody who knew about it told me about it. I hope that I have shown how the subjective, personal, anthropological approach I adopt for exploring the domestic soundscape can be easily extended throughout cities all over the world. I love that the carrilons of Leuven are used in a contemporary way, and that they sing to the sensibilities of now.
To discuss any other uses of my work, please contact me directly on the telephone number and email address provided at the top of this blog. All the work shown here by Felicity Ford is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License. From time to time I feature images, sounds or words on this blog which are not my own: in all such cases the original copyright owner is named. Nowadays its more unusual not to have one, so if you stick one in your game, its got to be better than anything that others have done.
Take the chain gun, you’d think it would be a devastating area effect weapon with massive stopping power. During ARTEFACT, an exhibition at STUK runs alongside a packed schedule of workshops, lectures and performances. Julia wanted me to expand on the idea I had touched on in that presentation of relating the domestic soundscape to the urban soundscape. It is the sound of passing planes, and it is part of how I feel time during the days where I work at home. One day I will get my microphones set up to record it in a way that reflects how I hear it, tucked up in bed, waiting for the sonic full stop to my day to happen and send us all to sleep. We live in big cities for personal reasons, and paying attention to the sounds of our urban environments to me in my case at least is about listening to my life and being present to the existence that I find myself in.
I asked people in Leuven if they ever fried eggs, and if they have ever really listened to the act of frying an egg.
Since we all probably have at least fried one egg in our lifetimes, it would be worth taking 3 minutes to really listen to what that sounds like.
Unlike a photograph which takes place within a fraction of a second, field-recordings reflect the actual time that things take. We can never remember all the options, and we always have to check a few points before we order. Running out of town towards the Madjeski Stadium, the canal is flanked on one side by the A33 and on the other by the back of a long straight road of terraced houses. I have on occasion gone to this place specifically to hear the sounds that pigeons make cooing by your feet as you stand by the water. Several sucking and thunking and mechanical sounds later, your tube is returned with your change and receipt folded within.
Not only will there be far less interesting places to buy tea-towels, tapestry wool, handkerchiefs, tights, big knickers and flowery swimming hats in the Jacksons-less future, but also the closure of the shop will remove this distinctive sound from Reading forever. Many things we encountered or noticed in our wanderings were relabelled as art, especially this giant noisy bridge over which trains pass, and beneath which traffic flows continuously. I know when the bell-ringers practice at St Giles Church (Thursdays), the voice of the Big Issue seller by St Mary’s Butts, the Italian coffee-seller who sings to himself in a lovely baritone in his booth on Broad Street and the rosta of different street entertainers who fill Reading variously with brass, piano and gospel music. Stavroula Kounadea, or rather less formally, my friend Stav, had the foresight to make me a little book when I was first invited to work abroad, in Tallinn, for the Tuned City festival.
This map was produced by the combined efforts of John Grzinich, Patrick McGinley, Carsten Stabenow and Andreas Topfer, and the main content (i.e. I was completely enamoured with the soundmap and keen to find and hear many of the things documented within its pages. In this little bit of audio produced during Tuned City Tallinn, you can hear me and Kaisa exploring the significance of this sound. The more that people play with the project, the more detailed information will appear on the site about the sound-making fun that is to be had all over the world.
Its bells rained notes down on us, and I found myself listening very intently to all the features of the large square with its pedestrians and cyclists, its little fringe of gentle and quite distant traffic, the reflective faces of the buildings on all four sides of the square, and the benevolence and humour of the bells’ great tones, ringing out ABBA classics, James Bond, and loads of other tunes besides. If we share our listening experiences, we can perhaps appreciate the sounds which surround us in daily life a little more, and thereby hear ourselves and each other a little better. I am often struck by how such a small creature, weighing just a couple of ounces, can make such a big noise.
International copyright law requires that in order to republish their content, you must seek out their permission. Sadly, in every respect, all of the weapons in Doom 3 are lacklustre at best and terrible at worst.


You can quite happily pump half a clip from the machine gun into an advancing imp before he drops but with each weapon having a small ammo clip it becomes tediously hard to remain an effective fighter if you have to reload all the time. It is, but then id go and cripple it with a stupidly small ammo clip of only 60 rounds, effectively rendering it useless for mowing down large numbers of oncoming monsters. It avoids effectively the uncomfortable feeling bring by the homogeneous distribution of radio frequency.
It is the soundscape of hanging out the laundry and of weeding the plants or taking out the compost. It is a poem of pie that can be heard for the modest price of an actual pie, and one of my favourite Reading sounds.
It is right beside a railway bridge, but the sounds of the trains thundering over every few seconds only make the little quiet sounds in between seem more precious. The bridge goes over the ring road and resonates loudly with the sound of all the cars beneath. I know where you can go to hear the exciting turbo-whirr of a Dyson airblade hand-drier, and which coffee shops have an acoustic which makes them nice to meet a friend in (and which ones are so loud you get a stress headache the second you enter them). Exploring these sounds formed a rich cultural encounter with both the cultural landscape of Tallinn. In fact we could have screamed with laughter and nobody would have heard us… it was incredibly loud. If you use a smartphone to take the photo, record the sound and upload to Audioboo.fm, the sound will automatically be geo-tagged. All you need is a little sense of mischief and a desire to explore the world with your ears as well as with your eyes. We had a great chat about the sounds of Leuven, where she had lived for five years, and she kindly sent me an email reflecting on some of the sounds that had been important to her in her daily life when she had lived there. And that must be the most portentous version of the James Bond theme I have ever heard in my life.
We have parakeets around here and in the summer they are very noisy when they are roosting. The BFG is as good as ever, but for some reason, given the superb (if way too dark) game engine, it feels that it should be better and more impressive, which it isn’t.
This was a really exciting opportunity for me, especially because I got the opportunity to work with Peter Cusack exploring the sounds of Leuven, because I got to meet Pascal Amphoux, and because I got to hear a Carrilon playing James Bond! Then I had talked about the jam that I made from the fruits of that tree, and about the links between the civic gardens where the tree grows and my own kitchen, and about the detailed knowledge of the sounds of a place that you glean by living in it and listening.
And once you have paid close attention to those beautiful spluttering sonorities, all eggs for ever after taste better and seem somehow eggier for having been appreciated in the fullness of their sonic splendour.
Industrial metal buildings on the A33, the shining expanse of the Kennet & Avon, and the tall brick surfaces of the terraced houses combine to make a resonant chamber, into which this Robin can throw his song, cheering a grey, wintry walk home with his notes.
Like my own mental soundmap of Reading, it brought a human element to the sounds of Tallinn, and contextualised them in relation to the lives of the people who actually live there. Listening to the sounds of the turrets in its medieval walls and cycling out to the song festival grounds to hear the acoustics of the Music Shell were very experiential ways to learn about the architectural past of Tallinn and the Estonian National Song and Dance Festivals, for example.
The seagulls are a major feature of the soundscape of Tallinn and it was amazing to listen to them responding to Tuned City with their own voices.
However it’s also possible to create recordings using another device and to manually add in photos, geo-location etc. However perhaps the appreciation I have developed for my own place in the world through listening to it can be applied in other places, and exchanged with other communities?
But most importantly, it makes me want to go walking around my own town and listen out for specific Brighton noises. Then we have a machine gun, a mini-gun, hand grenades, a plasma rifle, rocket launcher, chainsaw, BFG and soul cube, all lifted directly from previous versions of Doom and given the 2004 re-mix.
This idea remains lodged in my head as a memory of enjoying Reading with fresh eyes and ears, and playing in the urban environment with my partner, authoring our own version of this town. Would I have gained such an acute impression of these places and their significance in Estonian culture if I had not specifically listened to them and learnt of them via the soundmap? I certainly hope this can be my contribution towards fostering a greater collective appreciation for the sounds which surround us each and every day, and which we live with, and which are such a huge part of how we understand our place in the world.
All the instructions are provided here on the Make Sound Here website, where you can also download the labels. I’ve got a nice big sub sitting under my desk and even with the boost cranked right up it still sounded like every weapon noise was recorded in a steel lined bathroom.



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