Strange pulsing noise in ear 2014,humming noise in ear tinnitus objetivo,tinnitus selbsthilfegruppe t?ging landwirtschaftsamt,glue ear tinnitus adults exclusive - PDF Books

16.03.2014
This charger is a multi LiIon chemistry charger that supports a wide variety of LiIon sizes. The charger can easily handle 70 mm long batteries and up to D cells in diameter (32 mm), with both flat and button tops cells.
When charger is disconnected from power, but with a battery in, it will draw below 300uA from the battery. Again the 300 mA setting has a lower final voltage than the 650 mA setting (This is strange).
All the noise on the curves above is because the charger turns off the current each 1.5 second to check the voltage.
But there might be another reason for this pulsing, the charging circuit does make a lot of electric noise.
Zooming in on the noise (Expanding the time scale 100000 times), show the actual noise pulses that makes the noise. The charger does not follow the recommended charge procedure for LiIon batteries, but it does charge to 4.2 volt and then turns off.
SHADOWCASTER sounds like a blend of chainsaw-synths, abrasive noise and industrial rhythms all thrown together with a slathering of world music, and orchestral accompaniment.
We regard performance as a sacred art and sometimes months (or even years) of preparation both meditatively, ritually, intellectually and physically are needed. Amdusias is associated with thunder and it has been said that his voice is heard during storms. For those interested in learning about how someone can utilize color and sound to tell a story here is a great little bit of light reading on the subject. HARMONY is a state recognized by great philosophers as the immediate prerequisite of beauty. The universe is made up of successive gradations of good, these gradations ascending from matter (which is the least degree of good) to spirit (which is the greatest degree of good).
It is highly probable that the Greek initiates gained their knowledge of the philosophic and therapeutic aspects of music from the Egyptians, who, in turn, considered Hermes the founder of the art. While the early Chinese, Hindus, Persians, Egyptians, Israelites, and Greeks employed both vocal and instrumental music in their religious ceremonials, also to complement their poetry and drama, it remained for Pythagoras to raise the art to its true dignity by demonstrating its mathematical foundation. One day while meditating upon the problem of harmony, Pythagoras chanced to pass a brazier’s shop where workmen were pounding out a piece of metal upon an anvil. Pythagoras thereupon discovered that the first and fourth strings when sounded together produced the harmonic interval of the octave, for doubling the weight had the same effect as halving the string. The key to harmonic ratios is hidden in the famous Pythagorean tetractys, or pyramid of dots. In the Pythagorean concept of the music of the spheres, the interval between the earth and the sphere of the fixed stars was considered to be a diapason–the most perfect harmonic interval. This diagrammatic sector represents the major gradations of energy and substance between elemental earth and absolute unconditioned force. To Pythagoras music was one of the dependencies of the divine science of mathematics, and its harmonies were inflexibly controlled by mathematical proportions.
Having once established music as an exact science, Pythagoras applied his newly found law of harmonic intervals to all the phenomena of Nature, even going so far as to demonstrate the harmonic relationship of the planets, constellations, and elements to each other. Since they held that harmony must be determined not by the sense perceptions but by reason and mathematics, the Pythagoreans called themselves Canonics, as distinguished from musicians of theHarmonic School, who asserted taste and instinct to be the true normative principles of harmony. Pythagoras evinced such a marked preference for stringed instruments that he even went so far as to warn his disciples against allowing their ears to be defiled by the sounds of flutes or cymbals. There is also an account of how Empedocles, a disciple of Pythagoras, by quickly changing the mode of a musical composition he was playing, saved the life of his host, Anchitus, when the latter was threatened with death by the sword of one whose father he had condemned to public execution. Pythagoras cured many ailments of the spirit, soul, and body by having certain specially prepared musical compositions played in the presence of the sufferer or by personally reciting short selections from such early poets as Hesiod and Homer. It is probable that the Pythagoreans recognized a connection between the seven Greek modes and the planets. Even today martial music is used with telling effect in times of war, and religious music, while no longer developed in accordance with the ancient theory, still profoundly influences the emotions of the laity. The most sublime but least known of all the Pythagorean speculations was that of sidereal harmonics. Pythagoras conceived the universe to be an immense monochord, with its single string connected at its upper end to absolute spirit and at its lower end to absolute matter–in other words, a cord stretched between heaven and earth.
The names given by the Pythagoreans to the various notes of the diatonic scale were, according to Macrobius, derived from an estimation of the velocity and magnitude of the planetary bodies.
The Greek initiates also recognized a fundamental relationship between the individual heavens or spheres of the seven planets, and the seven sacred vowels. Many early instruments had seven Strings, and it is generally conceded that Pythagoras was the one who added the eighth string to the lyre of Terpander.
The Pythagoreans believed that everything which existed had a voice and that all creatures were eternally singing the praise of the Creator. The Greek Mysteries included in their doctrines a magnificent concept of the relationship existing between music and form. In constructing their temples of initiation, the early priests frequently demonstrated their superior knowledge of the principles underlying the phenomena known as vibration.
Since light is the basic physical manifestation of life, bathing all creation in its radiance, it is highly important to realize, in part at least, the subtle nature of this divine substance. In this diagram two interpenetrating pyramids are again employed, one of which represents fire and the other earth.
Among both civilized and savage peoples color has been accepted as a natural language in which to couch their religious and philosophical doctrines.
In the Mysteries the seven Logi, or Creative Lords, are shown as streams of force issuing from the mouth of the Eternal One.
There are numerous arbitrary arrangements setting forth the mutual relationships of the planets, the colors, and the musical notes. When the colors are related to the twelve signs of the zodiac, they are arranged as the spokes of a wheel. This arrangement of the colors of the spectrum and the musical notes of the octave necessitates a different grouping of the planets in order to preserve their proper tone and color analogies. In this diagram Fludd has divided each of the four Primary elements into three subdivisions.
Russian composer Alexander Scriabin is one of the most fascinating figures among composers of so-called post-Romanticism.
Weirdcraft has just reviewed our most recent live recordings in the first issue of their new magazine! But the slider that is connection to the battery minus pole does not slide easy enough, it will easily lock up and give a bad connection.
The charger keeps the current constant during the charge, but the final cell voltage is lower than above. This makes it possible to measure the actual cell voltage, ignoring any resistance both in the battery and in the connections. It is dual channel and can do many battery sizes, the charge time is reasonable for 18650 batteries.
Mostly made by brilliant breakcore, harsh noise, gabber and industrial artists with terrible senses of humor, it pokes fun at the christian right, the music industry and societal standards.
He is depicted as a human with claws instead of hands and feet, the head of a unicorn, and a trumpet to symbolize his powerful voice. In other sources, he is accompanied by the sound of trumpets when he comes and will give concerts if commanded, but while all his types of musical instruments can be heard they cannot be seen. Obviously, as a musician and composer who performs on stage without any instrumental accompaniment you could see why I enjoy this imagery.
Images here will be focused on both eastern and western esoterica, left hand path, indian and european paganism, shaktism, tantricism, archetypal symbolism, alchemy, hermeticism, and ritual magic.
According to one legend, this god constructed the first lyre by stretching strings across the concavity of a turtle shell.
Although it is said that he himself was not a musician, Pythagoras is now generally credited with the discovery of the diatonic scale. By noting the variances in pitch between the sounds made by large hammers and those made by smaller implements, and carefully estimating the harmonies and discords resulting from combinations of these sounds, he gained his first clue to the musical intervals of the diatonic scale. The tension of the first string being twice that of the fourth string, their ratio was said to be 2:1, or duple.


In all probability, therefore, Pythagoras actually worked out his theory of harmony from the monochord–a contrivance consisting of a single string stretched between two pegs and supplied with movable frets. The Pythagoreans averred that mathematics demonstrated the exact method by which the good established and maintained its universe. A notable example of modern corroboration of ancient philosophical reaching is that of the progression of the elements according to harmonic ratios.
He further declared that the soul could be purified from its irrational influences by solemn songs sung to the accompaniment of the lyre. It is also known that Esculapius, the Greek physician, cured sciatica and other diseases of the nerves by blowing a loud trumpet in the presence of the patient. And again, he employed other melodies against rage and anger, and against every aberration of the soul. As an example, Pliny declares that Saturn moves in the Dorian mode and Jupiter in the Phrygian mode. Firmly convinced of this, he agreed with Damon of Athens, the musical instructor of Socrates, that the introduction of a new and presumably enervating scale would endanger the future of a whole nation, and that it was not possible to alter a key without shaking the very foundations of the State. The interval between the element of earth and the highest heaven is considered as a double octave, thus showing the two extremes of existence to be in disdiapason harmony. Counting inward from the circumference of the heavens, Pythagoras, according to some authorities, divided the universe into nine parts; according to others, into twelve parts. Each of these gigantic spheres as it rushed endlessly through space was believed to sound a certain tone caused by its continuous displacement of the ?thereal diffusion.
The seven strings were always related both to their correspondences in the human body and to the planets. Man fails to hear these divine melodies because his soul is enmeshed in the illusion of material existence.
The elements of architecture, for example, were considered as comparable to musical modes and notes, or as having a musical counterpart.
A considerable part of the Mystery rituals consisted of invocations and intonements, for which purpose special sound chambers were constructed. If these elements are combined in a composite structure the result is a chord that, if sounded, will disintegrate the compound into its integral parts. That which is calledlight is actually a rate of vibration causing certain reactions upon the optic nerve. It is demonstrated according to the law of elemental harmony that fire does not enter into the composition of earth nor earth into the composition of fire. Not only is there a great deal more to light than anyone has ever seen but there are also unknown forms of light which no optical equipment will ever register. The ancient city of Ecbatana as described by Herodotus, its seven walls colored according to the seven planets, revealed the knowledge of this subject possessed by the Persian Magi. The first three dots represent the threefold White Light, which is the Godhead containing potentially all sound and color.
The first division of each element is the grossest, partaking somewhat of the substance directly inferior to itself (except in the case of the earth, which has no state inferior to itself).
It is much too long so I will give you a taste of it and let you decide whether you intend to go and read it for yourself. His music sprouts from his mystical- philosophical views and, as a result, is enigmatic in its various components, especially in its harmonic language.
He is regarded as being the demon in charge of the cacophonous music that is played in Hell. Also as a classically trained horn player, ritualist and harsh noise aficionado… you see where I am going here. Essentially, anything somehow related to my independent studies of both eastern and western mythography and my own practice will be here. The world is called beautiful and its Creator is designated the Good because good perforce must act in conformity with its own nature; and good acting according to its own nature is harmony, because the good which it accomplishes is harmonious with the good which it is. It therefore follows that his highest nature most readily cognizes good because the good external to him in the world is in harmonic ratio with the good present in his soul. Having first learned the divine theory of music from the priests of the various Mysteries into which he had been accepted, Pythagoras pondered for several years upon the laws governing consonance and dissonance. He entered the shop, and after carefully examining the tools and making mental note of their weights, returned to his own house and constructed an arm of wood so that it: extended out from the wall of his room. By similar experimentation he ascertained that the first and third string produced the harmony of the diapente, or the interval of the fifth. Energy is symbolized by Fludd as a pyramid with its base upon the concave surface of the superior Empyrean, and substance as another Pyramid with its base upon the convex surface of the sphere (not planet) of earth. Number therefore preceded harmony, since it was the immutable law that governs all harmonic proportions. While making a list of the elements in the ascending order of their atomic weights, John A. At the vernal equinox, Pythagoras caused his disciples to gather in a circle around one of their number who led them in song and played their accompaniment upon a lyre. It is also apparent that the temperaments are keyed to the various modes, and the passions likewise. Plato affirmed that music which ennobled the mind was of a far higher kind than that which merely appealed to the senses, and he strongly insisted that it was the paramount duty of the Legislature to suppress all music of an effeminate and lascivious character, and to encourage only s that which was pure and dignified; that bold and stirring melodies were for men, gentle and soothing ones for women. Apparently the Chaldeans were the first people to conceive of the heavenly bodies joining in a cosmic chant as they moved in stately manner across the sky.
It is signifies that the highest heaven, the sun, and the earth have the same time, the difference being in pitch. The twelvefold system was as follows: The first division was called the empyrean, or the sphere of the fixed stars, and was the dwelling place of the immortals. As these tones were a manifestation of divine order and motion, it must necessarily follow that they partook of the harmony of their own source. When these seven heavens sing together they produce a perfect harmony which ascends as an everlasting praise to the throne of the Creator.
The names of God were also conceived to be formed from combinations of the seven planetary harmonies. When he liberates himself from the bondage of the lower world with its sense limitations, the music of the spheres will again be audible as it was in the Golden Age.
Consequently when a building was erected in which a number of these elements were combined, the structure was then likened to a musical chord, which was harmonic only when it fully satisfied the mathematical requirements of harmonic intervals. A word whispered in one of these apartments was so intensified that the reverberations made the entire building sway and be filled with a deafening roar. The figures on the chart disclose the harmonic relationships existing between the four primary elements according to both Fludd and the Pythagoreans. There are unnumbered colors which cannot be seen, as well as sounds which cannot be heard, odors which cannot be smelt, flavors which cannot be tasted, and substances which cannot be felt. The famous zikkurat or astronomical tower of the god Nebo at Borsippa ascended in seven great steps or stages, each step being painted in the key color of one of the planetary bodies.
The remaining seven dots are the colors of the spectrum and the notes of the musical scale.
The seven Creators, or Fabricators, of the inferior spheres were called by the Jews the Elohim. The sense of hearing has a much wider scope than that of sight, for whereas the ear can register from nine to eleven octaves of sound the eye is restricted to the cognition of but seven fundamental color tones, or one tone short of the octave. As the musical note B [the seventh note of the scale] requires 45 vibrations of air every time the note C at the lower end of the scale requires 24, or but little over half as many, so does extreme violet require about 300 trillions of vibrations of ether in a second, while extreme red requires only about 450 trillions, which also are but little more than half as many. The second division consists of the element in its relatively pure state, while the third division is that condition wherein the element partakes somewhat of the substance immediately superior to itself. I hope that the images tell a story of lineage, commonality, adaptation and application in a helpful and entertaining way. What man terms evil is therefore, in common with matter, merely the least degree of its own opposite.
Plato, in describing the antiquity of these arts among the Egyptians, declared that songs and poetry had existed in Egypt for at least ten thousand years, and that these were of such an exalted and inspiring nature that only gods or godlike men could have composed them. How he actually solved the problem is unknown, but the following explanation has been invented. At regular intervals along this arm he attached four cords, all of like composition, size, and weight.


The tension of the first string being half again as much as that of the third string, their ratio was said to be 3:2, or sesquialter.
These pyramids demonstrate the relative proportions of energy and substance entering into the composition of the fifteen planes of being. After discovering these harmonic ratios, Pythagoras gradually initiated his disciples into this, the supreme arcanum of his Mysteries. It is related that while observing the stars one night he encountered a young man befuddled with strong drink and mad with jealousy who was piling faggots about his mistress’ door with the intention of burning the house.
From this it is evident that music played a considerable part in the education of the Greek youth. The sun is the lower octave of the highest heaven and the earth the lower octave of the sun.
The second to twelfth divisions were (in order) the spheres of Saturn, Jupiter, Mars, the sun, Venus, Mercury, and the moon, and fire, air, water, and earth.
The Egyptians confined their sacred songs to the seven primary sounds, forbidding any others to be uttered in their temples. Harmony recognizes harmony, and when the human soul regains its true estate it will not only hear the celestial choir but also join with it in an everlasting anthem of praise to that Eternal Good controlling the infinite number of parts and conditions of Being. The very wood and stone used in the erection of these sacred buildings eventually became so thoroughly permeated with the sound vibrations of the religious ceremonies that when struck they would reproduce the same tones thus repeatedly impressed into their substances by the rituals.
The allegory of the walls of Jericho falling when the trumpets of Israel were sounded is undoubtedly intended to set forth the arcane significance of individual keynote or vibration.
Earth consists of four parts of its own nature; water of three parts of earth and one part of fire.
Man is thus surrounded by a supersensible universe of which he knows nothing because the centers of sense perception within himself have not been developed sufficiently to respond to the subtler rates of vibration of which that universe is composed. The colors and tones are the active creative powers which, emanating from the First Cause, establish the universe. By the Egyptians they were referred to as the Builders (sometimes as the Governors) and are depicted with great knives in their hands with which they carved the universe from its primordial substance. Red, when posited as the lowest color tone in the scale of chromatics, thus corresponds to do, the first note of the musical scale. When one musical octave is finished another one commences and progresses with just twice as many vibrations as were used in the first octave, and so the same notes are repeated on a finer scale. In the Mysteries the lyre was regarded as the secret symbol of the human constitution, the body of the instrument representing the physical form, the strings the nerves, and the musician the spirit. To the first of these he attached a twelve-pound weight, to the second a nine-pound weight, to the third an eight-pound weight, and to the fourth a six-pound weight. Likewise the second and fourth strings, having the same ratio as the first and third strings, yielded a diapente harmony.
It will be noted that the ascending pyramid of substance touches but does not pierce the fifteenth sphere–that of Limitless and Eternal Life.
He divided the multitudinous parts of creation into a vast number of planes or spheres, to each of which he assigned a tone, a harmonic interval, a number, a name, a color, and a form. The frenzy of the youth was accentuated by a flutist a short distance away who was playing a tune in the stirring Phrygian mode.
The greatest care was also to be taken in the selection of instrumental music, because the absence of words rendered its signification doubtful, and it was difficult to foresee whether it would exercise upon the people a benign or baneful influence. The lower octave (? to G) comprises that part of the universe in which substance predominate over energy. This arrangement of the seven planets (the sun and moon being regarded as planets in the old astronomy) is identical with the candlestick symbolism of the Jews–the sun in the center as the main stem with three planets on either side of it.
Thus Saturn, the farthest planet, was said to give the gravest note, while the Moon, which is the nearest, gave the sharpest.
The sphere of equality is a hypothetical point where there is an equilibrium of two parts of earth and two parts of fire. The seven are divided into two groups, one containing three powers and the other four a relationship also shown in the tetractys. Worship of the planets is based upon their acceptation as the cosmic embodiments of the seven creative attributes of God.
Continuing the analogy, orange corresponds to re, yellow to mi, green to fa, blue to sol, indigo to la, and violet to si (ti). The harmonic interval assigned to the lowest division of each element is one tone, to the central division also a tone, but to the higher division a half-tone because it partakes of the division immediately above it. Fluent in the techniques of Romantic composition, he developed bold new approaches to the tonal organization of his works. Thus deformity (evil) is really the least harmonious combination of elements naturally harmonic as individual units. Playing upon the nerves, the spirit thus created the harmonies of normal functioning, which, however, became discords if the nature of man were defiled. Likewise, the descending pyramid of energy touches but does not pierce the first sphere–the grossest condition of substance. He then proceeded to prove the accuracy of his deductions by demonstrating them upon the different planes of intelligence and substance ranging from the most abstract logical premise to the most concrete geometrical solid.
Pythagoras induced the musician to change his air to the slow, and rhythmic Spondaic mode, whereupon the intoxicated youth immediately became composed and, gathering up his bundles of wood, returned quietly to his own home. Popular taste, being always tickled by sensuous and meretricious effects, was to be treated with deserved contempt. Its harmonies, therefore, are more gross than those of the higher octave (G to g) wherein energy predominates over substance. Air is composed of three parts of fire and one part of earth; fire, of four parts of its own nature. The water pouring down the sides through specially arranged channels changed color as it descended, passing sequentially through all shades of the spectrum. The Lords of the planets were described as dwelling within the body of the sun, for the true nature of the sun, being analogous to the white light, contains the seeds of all the tone and color potencies which it manifests.
The eighth color tone necessary to complete the scale should be the higher octave of red, the first color tone. Fludd emphasizes the fact that as the elements ascend in series of two and a half tones, the diatessaron is the dominating harmonic interval of the elements.
Although Scriabin’s music still retains a sense of tonality, it often deviates from common practice tonality in various ways, especially in its harmonic language. Deformity is unnatural, for, the sum of all things being the Good, it is natural that all things should partake of the Good and be arranged in combinations that are harmonious. The third and fourth strings, having the same ratio as the first and second strings, produced another harmony of the diatessaron.
The plane of the sun is denominated the sphere of equality, for here neither energy nor substance predominate. From the common agreement of these diversified methods of proof he established the indisputable existence of certain natural laws. Thus earth and water bear to each other the ratio of 4 to 3, or the diatessaron harmony, and water and the sphere of equality the ratio of 3 to 2, or the diapente harmony.
Significantly, this language often reflects the composer’s philosophical and mystical views, apparent even from the titles of his works: Symphony no. The mundane monochord consists of a hypothetical string stretched from the base of the pyramid of energy to the base of the pyramid of substance. Fire and air also bear to each other the ratio of 4 to 3, or the diatessaron harmony, and air and the sphere of equality the ratio of 3 to 2, or the diapente harmony. As the sum of a diatessaron and a diapente equals a diapason, or octave, it is evident that both the sphere of fire and the sphere of earth are in diapason harmony with the sphere of equality, and also that fire and earth are in disdiapason harmony with each other. Austine Waddell, writing of Northern Buddhist art, notes that in Tibetan mythology “White and yellow complexions usually typify mild moods, while the red, blue, and black belong to fierce forms, though sometimes light blue, as indicating the sky, means merely celestial. The result is a mysteriously complicated and intense harmonic web of unusual or non-traditional harmonies and harmonic progressions.



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Comments Strange pulsing noise in ear 2014

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