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admin 26.01.2015

Thousands of sparkling vintage gems, costume jewelry and Lucite vintage purses luster from floor to ceiling in the glass display cases inside Deco Jewels. Tag what you see on the picture : clothes, celebrities, bloggers, series, movies and brands. As I wrote about earlier this month in my Jewels For A Cause post, Sotheby’s Magnificent Jewels auction in New York this December will include a collection of jewels from Estee Lauder and Evelyn H. Accompanied by GIA repot no.1152045437 stating that the diamond is Fancy Intense Pink, Natural Color, Internally Flawless. The emerald-cut Fancy Vivid Yellow diamond weighing 52.73 carats, mounted in 18 karat gold, size 4?. Centered by an emerald-cut diamond weighing 6.23 carats, flanked by two shield-shaped sapphires and six single-cut diamonds, size 6, signed Yard.
Accompanied by ten GIA reports stating that the diamonds range from D to F in color, VVS1 to VS2 in clarity. Centered by a cabochon sapphire framed by amethyst surrounds, with six articulated chalcedony petals spaced by six cabochon amethysts set on articulated gold sprays, each accented by old mine-cut diamonds weighing approximately 1.45 carats, with partially rubbed workshop marks for Grone et Darde and French assay marks. The jewelry of Suzanne Belperron has experienced a recent surge in visibility, beginning with the sale of the Jewels of the Duchess of Windsor sold at Sotheby’s Geneva in 1987. Designed as a series of tapering fringes graduating in size from the center, set with numerous old European, old mine and rose-cut diamonds, spaced by vertical rows of smaller collet-set diamonds, all supported by a row of diamonds set in box links, the total diamond weight approximately 60.00 carats, length 15 inches, with findings for wear as a tiara but missing frame. Sotheby’s New York, October 25, 1995, Magnificent Jewelry from a Private Collection, lot 79. The spring auctions are right around the corner and the year looks to be off to a great start! The sale, which is expected to achieve in excess of $50 million, includes jewelry from the Collection of Riki and Jerome Shaw, the proceeds from which will benefit animal rescue, as well as the beautiful jewelry collection of Kathleen and Martin Field. Other highlights from the sale include an historic emerald and diamond brooch, by Van Cleef & Arpels (est.
Accompanied by supplemental letters from the Gemological Institute of America stating that both diamonds have been determined to be Type IIa diamonds. Suspending a briolette-cut diamond, weighing approximately 50.05 carats, with pave-set diamond terminals, from trapeze and triangular-cut diamonds, to the black cord neckchain, mounted in platinum, 15? ins.
With report 2155872567 dated 15 January 2014 from the Gemological Institute of America stating that the diamond is D color, Flawless clarity, with excellent polish and excellent symmetry. Accompanied by a supplemental letter stating that the diamond has been determined to be a Type IIa diamond. With report CS 58693 dated 16 January 2014 from the American Gemological Laboratories stating that it is the opinion of the Laboratory that the origin of this material would be classified as Burma (Myanmar).
With report 0608707 dated 22 August 2006 from the Gubelin Gem Lab stating that gemmological testing revealed characteristics consistent with those of rubies originating from Burma (Myanmar). Suspending a modified cushion-cut fancy vivid yellow diamond, weighing approximately 20.34 carats, within a circular-cut diamond surround, to the neckchain, designed as a line of modified cushion-cut diamonds, each within a circular-cut diamond surround, spaced by bezel-set circular-cut diamonds, mounted in platinum and gold, 17? ins. With report CS 59557 dated 13 March 2014 from the American Gemological Laboratories stating that it is the opinion of the Laboratory that the origin of this material would be classified as Colombia.


Designed as a series of three old European and fancy-cut diamond openwork plaques, joined by old European-cut diamond links, mounted in platinum, circa 1930, 7 ins.
Designed as an openwork enamel foliate plaque, set with rose-cut diamonds and enhanced with collet-set circular-cut diamonds, to the foliate link neckchain, set with collet-set old European-cut diamonds; and a pair of ear pendants en suite, mounted in platinum and gold, circa 1900, 14? ins. Suspending a detachable pendant, centering upon an oval-cut sapphire, weighing approximately 29.59 carats, within a circular-cut diamond surround, from a tapered circular-cut diamond and calibre-cut sapphire plaque, to the circular-cut diamond neckchain, mounted in platinum, circa 1920, 14? ins. With report 13100319 dated 19 November 2013 from the Gubelin Gem Lab stating that this sapphire possesses a combination of gemmological characteristics which does not permit a sufficiently secure identification of origin.
With report CS 59302 dated 21 February 2014 from the American Gemological Laboratories stating it is the opinion of the Laboratory that the origin of this material would be classifed as Classic Ceylon (Sri Lanka). With report CS 54809 dated 1 May 2013 from the American Gemological Laboratories stating that it is the opinion of the Laboratory that the origin of this material would be classified as Classic Ceylon (Sri Lanka).
Designed as a series of circular-cut diamond birds, set with calibre-cut sapphire detail and circular-cut emerald eyes, mounted in 18k white gold, 2? ins.
Please be sure to check back after the sale as I update each lot with its realized sale price.
I have been in love with the Egyptian Revival Pharaoh brooch by Gustave Baugrand for years. This has got to be one of the most incredible selections of jewelry going to auction for overall design and creativity in addition to rarity and value. Sourced from antique shows and flea markets, the brooches, bracelets, necklaces and cuff links all date from the 1920’s through the 1960’s, and the age alone makes each piece a treasure. Lauder, the Windor Heart yellow diamond and Oscar Heyman pink diamond ring, please see Sotheby’s Related Content for this auction.
5151045416 stating that the diamond is D color, VVS1 clarity, with excellent polish and symmetry, together with the original working diagram stating that the stone may be potentially flawless. Also with a letter from the GIA stating that the diamond has been determined to be type lla.
13284009 stating that the diamond is D color, Flawless clarity, with excellent polish and symmetry. 2155002731 stating the diamond is D color, VVS2 clarity, together with the original working diagram stating that the stone may be potentially flawless.
17183746 stating that the 3.76 carat diamond is Fancy Vivid Yellow, Natural Color, VVS2 clarity. 14863615 stating that the 3.63 carat diamond is Fancy Vivid Yellow, Natural Color, VS2 clarity. 12015088 stating the emerald is of Colombian origin, with no indications of clarity enhancement. CS 50078 stating the 2.01 carat sapphire is of Madagascar origin, with no indication of heating. CS 50079 stating the 1.91 carat sapphire is of Madagascar origin, with no indication heating. CS 50776 stating the 34 sapphires are of Sri Lankan origin, with no indications of heating. Please note that the four pear-shaped diamonds are accompanied by original working diagrams stating that the stones may be potentially flawless.


1201089 stating the 12.15 carat sapphire is of Sri Lankan origin, with indications of heating.
1201087 stating the 11.59 carat sapphire is of Sri Lankan origin, with indications of heating. B39610152012 from Belperron, LLC. stating that the brooch was manufactured in Paris between 1932 and 1955 from a design by Suzanne Belperron.
In the years preceding this sale, knowing how to recognize a Belperron jewel was a bit like being part of an exclusive club. This piece, like the Duchess’ chalcedony brooch pictured in the accompanying Cecil Beaton photograph, epitomizes Belperron’s abstract take on naturalism. The piece was later inherited by Queen Mary in 1910, who then passed it onto her daughter-in-law Queen Elizabeth, later the Queen Mother, who loaned the tiara as the ‘something borrowed’ on the wedding days of her daughter, now Queen Elizabeth II, and her granddaughter, Princess Anne.
Type IIa diamonds are the most chemically pure type of diamond and often have exceptional optical transparency. The sculptural handbags come from the glamorous days of the ‘40’s and ‘50’s, and they all have their own special features with the mirror, lipstick and powder compartments that are hidden inside.
During her lifetime, Madame Belperron was intensely private and never signed her work, preferring her designs to speak for themselves. The sculptural, articulated petals are meant to capture the “pliant grace of a living flower” while the colors and materials are meant to play with the boundaries of what a “living” flower actually could be. Type IIa diamonds were first identified as originating from India (particularly from the Golconda region) but have since been recovered in all major diamond-producing regions of the world.
What began as a dazzling hobby for collector Janice Berkson has become a full-blown business, and her rare and perfect condition finds keep people come back.
When Belperron was asked to explain this choice, she infamously answered, “My style is my signature.” The Belperron style is sculptural and abstract, deriving inspiration from nature and world travel. Like Suzanne Belperron’s other designs, this piece is not signed, challenging us to recognize the Belperron signature style.
Models in precious stones were worn by Russian aristocracy from the time of Catherine the Great and had become popular in Western Europe by the 19th Century.
If you can’t find what you’re looking for in Berkson’s SoHo boutique, she will start searching for your dream piece on her next buying trip. Rather than following the trends of the time, Belperron created her own interpretation of modernity, utilizing unique combinations of materials and gemstones to create one-of-a-kind, bespoke pieces of jewelry.
With its playful mix of semi-precious and precious materials and the timelessness of the floral motif, this brooch is as wearable today as it was when it was created.
Belperron’s unwavering commitment to her individual design principles helped her to acquire a loyal clientele that included Hollywood stars, royalty, artists and designers.
This ability to transcend time and trends is true testament to the continuing legacy of Suzanne Belperron.



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