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Categories: Tattoo Fonts | Author: admin 10.11.2014

It has often been noted that the best general-purpose typefaces are those that were made with a specific function in mind.
Each December, the last issue of New York Times magazine is dedicated to the people who passed away during the year. Memoriam contains a lot of alternates, so it was divided into three separate fonts for the Postscript and True Type formats. A warning, though: due to the extreme thinness of the hairlines it is recommended to use Memoriam at large display sizes only. German designer Hubert Jocham is well known in the international magazine world for his luscious hand-lettering. Wigan by Bulgarian designer Svetoslav Simov is a constructed display face with a distinctive 1980s look.
The DIN typeface has a long history, which goes back to the lettering of the Prussian railways around 1900.
Designed in an era when most signage was hand-painted by anonymous workers, the original DIN alphabets are fool-proof: monolinear, geometric, easily made with ruler and compass. New to MyFonts are the improved Pro versions, enhanced with more weights, multilingual support and OpenType features in all styles. Bounce Script has the structure of a cursive script, yet it is so upright that is almost leans backward. The Rising Stars nameplate is set in Auto 3 and Bryant, and the Have your say quotation in PF DIN. Now’s the time to relax and enjoy this Brush-lettered Script Free Font for designers. Pablo submitted a project to Kickstarter to design and implement Fast Brush Script as a full web font that will be available to use on your websites using the Google Web Fonts service. This new Fast Brush Script font (yet to find a better name for it) feels like writing quickly with an inked brush. When making digital fonts, the more you refine the shapes of each letter, the more energy you take away from them.


The angles of the vertical strokes varies a little, and the positioning along the baseline jumps around, giving it a more rustic and natural feeling.
For the 2008 issue, art director Nancy Harris Rouemy commissioned Canada Type’s Patrick Griffin to design a new typeface especially for that project.
The OpenType version, Memoriam Pro, combines all three fonts, plus some extras, in one OT-programmed file. It is basically a bold slab serif (or block serif, hence the name), hatched with a marker or ballpoint pen.
In spite of its simple and modular structure its has a certain playfulness about it, and as geometric typefaces go Wigan is more human and charming than most. In the 1920s, the railways alphabet became part of that thorough German system of standards known as DIN (for Deutsches Institut für Normung, or German Institute for Standardization).
Based on the original standards, it was completely redesigned to fit typographic requirements.
With its wide range of weights and widths, extensive language support (including Greek and Cyrillic) and additional copyright-free symbols, the PF Din Pro series is an impressive superfamily — a versatile tool for corporate design, branding, signage and editorial design.
Inspired by the monumental capitals of ancient Rome, Jupiter recreates the alphabet of Roman antiquity in a way that no other printing typeface ever has. Feel free to share your thoughts or read other people’s comments at the MyFonts Testimonials page. This is an elegant and artistic typeface that is suitable for books, magazines, menus, logos, packaging, invitation cards, branding and signage. Also, most script fonts have long ascenders and descenders, and they look too small when used at normal sizes on the web. But even fancy display type may owe its inspiration to specific circumstances and precise briefings. Based on ideas found in the foundry’s Jezebel and Treasury typefaces, Memoriam decidedly takes a more luxurious approach, tapping into an elegant and contrast-rich brand of poster calligraphy.
Its effect resembles the mockups that art directors used to make to simulate display type: by hand-sketching the type exactly the way they wanted it set.


After making Mommie, Jocham got more into swirly ornaments – an interest which is apparent in his latest offering Narziss.
Besides the standard version, the series includes condensed, compressed, and display versions, with true italics for all. With its 30 alternate characters it allows the user to personalize the look of a headline or logo. Designer Patrick Griffin provided the font with an unprecedented number of variations and ligatures, and thus presented the design world with a splendid, useful alternative to Hollywood’s default titling font, Trajan.
I have optimized this font in the technical details to be very readable even when used as small as at 16 pixels. A great success with the editors and designers, the typeface ended up being used all over the magazine instead of just the cover – and, at the request of many, is now available for retail. As Sketch Block closely follows the shapes of the most famous and streetwise slab serif of all, Rockwell, it is a natural display companion to that font family. Not unlike Memoriam above, Narziss explores the extreme contrast of the neoclassical style, with thin hairlines and whimsical details. Jupiter Pro, the OpenType version, uses programmed features and stylistic sets to combine all these alternates to splendid effect. It works well as a standalone solution too, and the Light version is surprisingly readable at small sizes.
Choose the Drops style if you like ball terminals, and Swirls if you prefer your headlines curly.
Thanks to the new Condensed version, the Jupiter family has now become even more versatile and flexible. The Joomla!® & Wordpress name are used under a limited license granted by Open Source Matters the trademark holder in the United States and other countries.



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