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Categories: Tattoo Crosses | Author: admin 19.02.2015

It’s no easy job for a subtitled film to please both critics and audiences but Niels Arden Oplev’s adaptation of Stieg Larsson’s The Girl with the Dragon Tattoo did just that when released in the UK and USA back in 2010.
It’s the inclusion of the enigmatic Lisbeth Salander (Noomi Rapace), an intelligent goth computer hacker with severe social issues, as Blomkvist’s assistant that really lifts the story into the echelons. Dragon Tattoo also benefits from its director’s willingness to follow Larsson in the more unpleasant elements of the narrative. I have not read The Girl With The Dragon Tattoo by Stieg Larsson and I have not seen the original 2009 Swedish film by director Niels Arden Oplev, and as such I am unable to draw comparisons to David Fincher’s latest film and his source material. Journalist Mikael Blomkvist, played by the always-stern Daniel Craig, is hired by wealthy retiree Henrik Vanger (Christopher Plummer) to investigate a forty-year-old case involving the disappearance and probable murder of his niece.
The structure of the film is surprisingly appropriately lengthy given the nature of its whodunit thriller foundation. The climax of The Girl With The Dragon Tattoo would not seem out of place in a film such as American Psycho (2000). On a side note, I cannot help but address the initial promotion of The Girl With The Dragon Tattoo. Empire Magazine has unveiled some gorgeous new promo photos from The Girl With the Dragon Tattoo featuring the lead characters Rooney Mara and Daniel Craig in character as Lisbeth Salander and Mikael Blomkvist. The film also stars Stellan Skarsgard?, Robin Wright, Christopher Plummer, Joel Kinnaman, Goran Visnjic and Yorick van Wageningen. The Girl with the Dragon Tattoo is the first film in Columbia Pictures’ three-picture adaptation of StiegLarsson’s literary blockbusterThe Millennium Trilogy.
Here are a couple of new set photos of Rooney Mara and Daniel Craig on the set of David Fincher's The Girl with the Dragon Tattoo, which is currently filming and set for release on December 21, 2011.
Columbia Pictures has sent over a new green-band trailer for their upcoming thriller The Girl with the Dragon Tattoo. Photos & certain artwork used on FilmoFilia are copyright protected and are the property of their respective owners. One of the most talked-about foreign exports for some time, Dragon Tattoo was the ideal antithesis to Hollywood gloss as the grimy underbelly of Sweden unleashed a pounding thriller bursting with fallible heroes, corrupt corporations and violence of a deeply unsavoury nature. Recently convicted of libel and awaiting a prison sentence, disgraced journalist Mikael Blomkvist (Michael Nyqvist) is hired by aging business mogul Henrik Vanger (Sven-Bertil Taube) to uncover the killer of his niece, a mystery which has already stretched out forty years and that points solely towards a member of his own family. At once an abused victim and a supreme revenge-artist, Salander is a powerful 21st century heroine brought to scintillating life by Rapace in a career-defining performance. Beneath the blindingly white snow and ice that coats the isolate Vanger estate lies a world tainted by darkness.
What I can assure is that Fincher’s Girl is as expertly crafted a thriller as one would expect from him.


Vanger and his family live in isolation on an island four hours away from Stockholm; his family members live in neighboring houses and are not neighborly. The reason for this is the successful character development of Lisbeth that is typically lacking in genre films. In The Social Network, Mark Zuckerberg is socially secluded through his immature blogging and devotion to programming. I have mild forebodings about it, doesn’t seem like a film that really needed to be made.
Directed by David Fincher and starring Daniel Craig and Rooney Mara, the film is based on the first novel in the trilogy, which altogether have sold 50 million copies in 46 countries and become a worldwide phenomenon. Unwavering in its intensity, her portrayal is built upon small gestures, from the arch of a pierced eyebrow to the tensing of shoulders, all of which betray just how haunted and damaged she really is.
From the shadowy subway tunnels to the grimy interiors of the city buildings, Stockholm is a far cry from the crisp Scandinavian landscape but both, majestically captured by cinematographer Eric Kress, are equally terrifying, harbouring monsters that threaten to break out at any moment. Some of the breakthroughs that Blomkvist and Salander have are handled a tad clumsily, risking the undermining of both actors’ subtle performances with contrived dialogue. Download it, read it (multiple times), learn from it, and, if anything strikes you, feel free to come back and discuss the script down in the Comments! However, as with some of his previous efforts, such as The Curious Case of Benjamin Button (2008) and Panic Room (2002), the technical aspects are more involved and sophisticated than the story being told. She is the soul of the film; its most interesting aspects relate to her story as opposed to the investigation plot. The film’s score is an extensive industrial and droning collage of icy coldness and femininity created by Nine Inch Nails’ Trent Reznor and Atticus Ross, who recently won an Academy Award for their scathing score of Fincher’s previous film The Social Network (2010). With any luck, studios will cut it off at one, the books get progressively less interesting as they go on. HD Wallpaper and background images in the The Girl With The Dragon Tattoo (2011) Movie club tagged: girl the dragon tattoo wallpapers lisbeth salander mikael blomkvist. Her chemistry with Nyquist, reticent in his own endearing way, is what the film hinges upon, forging one of the finest, most unique partnerships in crime cinema. The original title for the novel was ‘Men Who Hate Women’; it doesn’t take a genius to realise that the real villain of the piece is misogyny. Yet, the film remains a compelling examination of sexual and social politics, as fraught as its hero and full of the fire of its inked and pierced heroine. Putting this into perspective, I was introduced to the character Lisbeth Salander (Rooney Mara) by way of a one hundred million dollar Hollywood feature.
Henrik ensures a hefty payment and provides a small house on the island for Mikael to conduct his research and sleep in.


Lisbeth is a young and fearful hacker who does not like to make eye contact with people unless she is comfortable or exerting her confidence in her work (investigating) and skill (hacking). Reznor and Ross’s work for this film is an indicator that they will probably deservedly become prominent Hollywood composers. In The Curious Case of Benjamin Button, the title character is segregated through his unnatural condition of aging in reverse.
As aggressive as the film may be, the advertising campaign should not feel obligated to strip Lisbeth in an attempt to showcase her dual-nature vulnerability and prideful confidence.
There’s a thin line between moralisation and exploitation but Oplev just about keeps it under control. A tense noir for the digital age, The Girl with the Dragon Tattoo is more than worthy of the hype.
And thus the procedure begins: the examination of old photographs, newspaper clippings, journal entries, and the questioning of family members. She has tattoos, piercings, a black mohawk, and wears black leather jackets and baggy clothes. The cinematography and editing are as sleek and clean as Zodiac (2007) and The Social Network. Those who are familiar with the actors in this movie can arguably detect the true identity of the antagonist early in the film simply by considering type casting.
The editors make this bulky material fast paced through rapid cuts and parallel plotting that keep a beat. The antagonist constantly knows the investigator’s whereabouts and the investigator knows he is being watched.
Lisbeth is told, “You need to be more sociable.” The first third of the film contains Lisbeth’s background information as well as a subplot that is not only introduced but also more-or-less resolved. We want her to break free from her purposeful isolation from others, but we know that she will remain self-imprisoned as long as her life continues down this path.
During this time, Lisbeth is forcibly bound and raped to receive some money for food and then exacts her violent revenge on the rapist in a subsequent scene. There are two sides of Lisbeth shown here: her ultimate vulnerability and her ultimate authority.



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