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Because regardless of what style you play —or want to play— the basic fretboard layout  does not change. Here’s a simple example diagram showing you the names of all notes up to the 12 fret. London Guitar AcademyThe London Guitar Academy is London's only dedicated Rock Pop and Blues guitar school specialising in one to one guitar tuition in either electric or acoustic guitar.
Each lesson is tailored to suit each students individual taste and ability; offering a fresh and innovative approach to learning the guitar. Welcome to learning the Guitar Fretboard, an Adventure Learning Initiative in mentoring and instructing apprentice artists. I like to think of the guitar fretboard as an object with unlimited possibilities for creation and expression!
The first order of business is to find out how the guitar fretboard works and then to find ways to locate all the notes scattered around on the fingerboard. In total, there are only 12 notes on the fretboard, however, on a guitar with 22 frets, it leaves you with 132 notes, yikes! Understanding how the guitar fingerboard works is actually pretty simple if you understand Whole and Half Steps (also called Tones and Semi Tones respectively).
Whole Step: which is the distance between 2 frets on the guitar fingerboard, for instance, the distance from the 4th fret to the 6th fret. Unlike the English alphabet, the musical alphabet, or scale, only has 7 letters, namely, A, B, C, D, E, F and G. Something very important to keep in mind is that there is and will always be a half step between the notes B and C, and the notes E and F. Now, if youa€™ve been paying close attention, youa€™ll notice something very interesting happening here. If you feel you would like to mentor or instruct in a creative short course or program, simply complete the Creative Project Ideas Mentor Application form. You will eventually get to know your fretboard like the back of your hand, with plenty of practice, of course.
Horizontal lines represent the strings, tuning pegs to the left, body of the guitar to the right. I'm sure there are as many ways to learn this map as there are players, but so long as you remember the open string notes (EADGBE) and the fact that notes come in alphabetical order as they rise in pitch, you can never really get lost. Even if, at first, you need to go back to the open string work your way up through the notes to find whatever you're looking for, you'll be fine. Apart from the five lowest notes on a guitar a€” E, F, F#, G and G# a€” and some of the very highest notes, all the others have at least one other position. What we hear as music is the way these 12 notes, plus the repeats in other octaves, interact with each other.
Understanding the notes around the fretboard and their relation to 1 another is your initial step in studying guitar theory. The initial step in learning the fretboard is to remember the notes along strings five and six. Watch the video, and download this free fretboard training software if you want an interactive studying experience as well.


All experienced guitar and bass teachers are only too aware of the value of good preparation and by using a scanner or photocopier with these necks and fretboards you can easily build up a library of favourite or often used guitar or bass teaching content. The picture above shows just a few examples of the blank guitar necks and fretboards drawn from both the guitar and the bass teacher's toolkits. To master the fretboard, you need to trace out a map of what's in it: the guitar fretboard map. Many a guitar student thinks, mistakenly, that learning the names of all the notes on the fretboard is enough. Many a guitar student makes the mistake of looking for shortcuts that don't lead to an understanding of the big picture: they go straight to learning scale and chord fingering patterns, without understanding how they can be broken down. To go back to the fretboard map analogy, only learning fingering patterns is the equivalent of learning fixed routes to move around a city, without a bird's eye view of all the surrounding terrain. To get a full bird's eye view of the terrain —the guitar fretboard, download Fretboard Essentials today. If you've ever felt like you're trapped playing "the same old thing", and can't get to the sounds in your head, you're not alone! What you need is a map, a fretboard map with which to get a view of the complete terrain -the guitar fretboard. If, on the other hand you had a good map, with coordinates and all, you'd find out that moving around the fretboard is not so hard. Find out how to internalize the fretboard to the point you never have to think about it again: download Fretboard Essentials today to find out how.
If you think of these essential building blocks of music as fingering patterns, you won't understand the relationships between them. The seldom revealed secret is that these 5 elements of music are all part of the same tone-matrix. This means that the best way to learn the guitar fretboard is by cross-relation: a fully cross-related fretboard map. Fretboard Essentials gives you the knowledge you need in order to integrate these 5 key elements of music. Just to be clear, whole and half steps has nothing to do with walking, at least not in this context.
Youa€™ll notice in this diagram that the 6th string (thata€™s the thickest) is at the bottom and the 1st string (the thinnest) is at the top. If you look at the 2nd fret, youa€™ll see that F# and Gb fall on the same fret, is this a typo? If you're anything like me, it won't be the note names so much as shapes and patterns of music that can move along the fingerboard according to the key of the piece. Once you are familiar with the notes, studying to form chords, playing scale shapes, and even writing music will seem easy and effortless.
The teachwombat Guitar and Bass Teaching Toolkits contain loads of blank guitar necks and fretboards, chord grids, tablature and standard notation sheets designed so that you can use them as you go or better still prepare favourite or often used lessons and examles in advance. There are sheets that combine chord grids and necks with tab and notation so that there will always be a professional looking background to the information that you need to get accross. You could now have accurate reference points to help you remember where all your favorite spots are, and the shortest possible routes between them all.


More importantly, it gives you the tools to internalize that knowledge, so you can go from no-can-play to fretboard map to GPS. No, no, two notes that have different names and fall on the same fret are called enharmonic equivalents and every single sharpened or flattened note has got an enharmonic equivalent. This can be very confusing when you're first starting out, especially if you're learning a tune by ear. I'm sure that applies to most instruments, but the guitar is particularly suited to a graphic mindset. While it's important to know where all notes are, it's far more important to know where chords are, as chords carry much more information than notes a€” just as words carry more information than the letters of the alphabet.
If you're just starting out, you probably won't venture too far up the neck and won't really need to know the names of notes. On a piano they're color-coded black and white; there is no such distinction on a fretboard.
Of course it takes time, patience, and lots of studying, so lets just stick to the notes around the fretboard for now. You walk around for two hours, and then finally, as if by mere chance, you spot the train station in the distance. Just knowing a couple of scales and chord patterns is very much like knowing the way to the grocery store and back, but little else.
But what the hero of our story (You???!) hasn't found out is that the grocery store and the train station are only a block away(!!!). You can never be quite sure in what position you should be playing the notes you're hearing. That is not to say that knowing all the note names isn't important a€” it's very important a€” but let them filter in over time.
Notes repeat beyond the 12th fret, in other words 13 is the same as 1, 14 as 2, etc., but one octave higher.
This is what makes guitars so different from pianos, where only one of each note can be found.
But, after a while, we guitarists begin to realize how blessed we are to have this multiplicity of choices.
So you walk there, moving slowly, trying to take in every detail of every building along the way. That, coupled with the asymmetric tuning of the guitar a€” that 'kink' in the tuning a€” gives us all kinds of different ways to attack the same piece of music.
If it were simply the same pattern in a new location, that wouldn't be very useful, but it's not.
While this may not make you jump for joy if you're just starting out, later on you'll begin to see how handy that becomes, and how it enriches your playing, especially when you start dabbling with improvisation, making your parts up on the fly.



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