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Categories: Shooting Star Tattoo | Author: admin 25.06.2015

Phoenix tattoos are most commonly used tattoos for men and women,theses are famous because of phoenix simplicity and its long life.
Normally Orange, red and yellow color is used for phoenix tattoos which represent the effect of vibrant life, fire and sun. With a passion for Knowledge, Smashinghub has been created to explore things like Free Resources For Designers, Photographers, Web Developers and Inspiration.
This view of the white tiger from above in a crawling stance looks great on the waist or forearm.
This cat means business and shows off the meaning of power very well; excellent placement on the upper chest. This white tiger done in just the black stripes and highlighting looks great on the forearm. This menacing white tiger at speed looks great on the upper body so it is seen easily by everyone. Investigating the details of Jesse Smith’s paintings and large-scale tattoo projects is like reading a story. Creamsicle-based memorial tats, bunnies with spraypaint can dicks, and collabos that pair dinosaurs and Elton John. I love art, so I’m always surfing the internet, and when I talk to my friends of course they point out people. Everything I do is self-serving, just so you know [laughs] I do do it for other people, but have you ever heard of the theory of simple subjectivism? Yeah, I wanna kill two birds with one stone, I wanna do it for me and the other person that’s involved, linking to their website or whatever.
Q: So you’ve been doing art forever but didn’t initially think you’d end up a professional artist. So at that point I was like I can be a caricature artist for the rest of my life, this isn’t hard. I’ve always told myself that if I’m ever put in a position like that again where I have a choice of jumping into something that’s not guaranteed but it’s following my passion, or staying with the stable thing, I’m always gonna jump. I think they’re all awesome artists, but I also like to have it for my own use too ‘cause its humbling. Q: Yea, you’ve said that Bugs really pushed you to keep getting better, and who else was it you worked with, Jason Stephan?
Yes, Jason Stephan is my best friend in the tattoo world, I mean, he’s one of those guys that keeps my head straight. I mean that’s true but, Craola is one of my favorite people in the whole wide world, and I probably wouldn’t like his artwork as much if he was some cocky bastard. I’m scared of tattoo artists now – I’m not really heavily tattooed, and a lot of tattoo artists hate that sh*t.
That’s the thing – I wanna make sure that the piece I get is something that pretty much inspires the world, ya know what I mean? I have a handful of artists who contact me and ask me for critiques on their art and stuff like that, and I’ve had a couple of apprentices, but it’s just that I’ve gotten to the point now where I just don’t have the time. Well my first interview I ever had in ITA, the chick asked me, “so what do you think about your artwork now?” and I was like, “If you asked me a year ago what I thought about my work then I would’ve told you I was the best artist in the entire world, but if you ask me now what I think about my art from back then I’ll tell you I sucked.” And of course, she wrote it exactly the way I said it, but then I started getting all these people chattering about it being like “Jesse thinks he’s the best artist in the world,” but they didn’t realize what I was really trying to say. So then I set up a waiting list, and I actually took deposits from everyone who got on the waiting list. Then I started taking submissions, and I have like 320 people on a waiting list right now and I’m not gonna be able to get to [all the submissions], I know I’m not gonna be able to get to ‘em, so I just go through and pick the one’s that…ya know ‘cause, back to the selfishness thing, I’m not doing this for other people, I’m doing it for me. Q: You’ve said that your artistic style is more aligned with Lowbrow than it is with New Skool – what’s the big distinction for you there?
Thing is, back in the day it didn’t bother me to do New Skool, because New Skool was this thing where you’re using bright colors and everything’s bent, toothbrush is bent, spark plug is bent, sacred hearts and all that stuff, and I feel like at that particular point that was “the new.” But now, that’s the old. Q: Both the world of tattoo art and lowbrow art are doing good things right now – they’re being lent so much more legitimacy. Q: Having grown up in Germany you have a strong background in graffiti – do you still do street art at all or have other obligations trumped any graffiti efforts? Well San Diego first, and then actually I got offered a job in San Francisco to do concept art for video games so I’ve been thinking about that. Well, it works out both ways – I’ll have a relatively shallow idea of where I’m going with something.
Q: I really like the Gruesome Gimp one, with the ball in his mouth and the shadows and all. Q: Well I have to tell you, sometimes when I’m looking at your work I just start laughing, so I guess that’s a good reaction by your standards.
I like it when people look at my artwork more than just looking at it, ya know what I mean? Q: I’m looking at the DJ in the Woods piece right now, and I remember it was the first piece of yours I ever saw.
It’s so frustrating to me, everybody loves that piece and I drew that sh*t probably like 6 years ago, and I really feel like its so immature compared to what I’m doing now. Q: So you’ve done quite a few collaborations with other artists, both on skin and on canvas.
Q: So you’re about to be heading to California for stops in San Diego, LA, and SF to guest spot at various tattoo shops, are you totally booked up or do you still have spots open? I am totally booked up for San Francisco, I have one spot in LA and two spots in San Diego. Q: Well even if people don’t have the chance to get tattooed by you this time at least there’s the potential for you moving out to California so we can have you around for good! Jyo John Mullor (Dubai) is the digital designer behind a series of helmet concepts that appear to leave the human head completely exposed. Alexis Diaz and Elian collaborated in Europe to complete a new mural on Hanbury Street in East London. Artist and contemporary muralist, Aryz recently finished a another massive installation in Spain. Freelance illustrator and graphic designer, Simon Prades creates surreal compositions and portraits that take you into the mind of the subject. In this series of animal portraits by Andreas Lie  the texture of forests, mountains, and skies are blended into the fur of the animals portrayed.
These pieces are more than just snapshots of moments in time – they offer fish-eyed glimpses into some twisted-ass tales. Whenever I find anything new I just wanna share it with as many people as I can, cause most of the time, if I find an artist I really like I’ll buy a piece of artwork off of them then promote the f**k out of ‘em and make ‘em as famous as I can make ‘em on my side and then my investment gets better.
I loved it and I always wanted to be an artist but never really expected to make money off it. I can just sell caricatures and get paid, or I can work my way up the line at Busch Gardens and become a manager and do all that, that’s where my mind was then. I’ve got clientele out the butt, I’ve got a great group of friends, I’ve got all this good stuff goin’ on for me in Richmond but I feel like I’m starting to feel too comfortable, and I feel like I need to get around these people who are gonna push me, I need to get to the next level. If I go through my links section all these artists are at a standard that is well above normal. Even though he’s always complimenting my stuff, if I ever slip up and I start trying to have a little to much of an ego, he’s like hey, get your ass back in line.

He’s an inspiration to me on a couple of levels, I wanna be like him as a person, not only as an artist. I basically drew everything, and then we both outlined it at the same time, and then he’s doing most of the coloring.
I don’t wanna get a piece just because its free – I know Craola ain’t gonna be drawin’ up a bunch of bodysuits, so I’ll probably be one of the only people in the world that has a Craola bodysuit.
If I were to give someone an apprenticeship I would wanna make sure that they’re gonna be the next best artist in the world as much as possible.
I’m hoping it’ll always be like that, that a year from now I’ll look back and be like I sucked.
I was like give me a deposit and as soon as I’m ready I’ll get you, I will tattoo anybody who wants to be tattooed by me. I enjoy doing art, I love it, and if I start doing things outside of what I wanna do, then it’s not gonna be fun for me. I’m not trying to say I’m better than the New Skool artists, I just feel like the majority of the New Skool genre has surpassed that label, so I feel like we’re pushing into a new label. I mean, people hate to hear me say that, but when it comes down to it I think that the tattoo world was so far behind the art world when it first started out.
He was doing mainly Celtic work, and then one day he got up and he was like ya know what I’m not doing this sh*t anymore, I wanna do Cubism. Do you imagine a concept first and then create a piece based around that or do you prefer to just start painting and let a concept develop organically along the way?
I tried to make it real subtle, I didn’t want it to be like BAM in your face, but I wanted people to be like aw I love this drawing, and then “ew!” [laughs]. At first I was like alright, whoa, bunny rabbits, and then you see the whole scene with the DJ and the mountains and everything and it goes so deep, but you don’t really see that until a few seconds after you first start looking at it.
What happened was there was this guy in Australia who contacted me about drawing a sleeve up for him, and I was like I’ll draw it up for you but only if you get it tattooed by this guy, who was Jason. Well, I know you have to get ready to leave for Miami so I’ll let you go, but thank you so much for taking the time to do this Jesse!
But starting in the mid-60s and on through the 70’s the options for men just kept  on growing.
Some people mark large phoenix tattoos on their body but some prefer to mark small phoenix tattoos on arms legs and stomach etc.
The white tiger is born missing a color pigment that results in white fur and black stripes with blue eyes. These tattoos have universal meanings such as power and might, pride, passion and sensuality. Like if a woman’s house is burning down and her kids are in there and she risks her life to go save them is she doing it to save the kids or is she doing it cause she can’t stand to live without them?
So I told my Dad I wanted to go to art school, and he was like “well how are you gonna pay for it?” My dad had never been to college before, my mother had never been to college before, so we weren’t aware of the proper way to get into college.
And then I met this guy at Busch Gardens named Biff, really cool guy, awesome caricature artist and graffiti artist, so we hung out all the time and eventually he introduced me to this guy named Carlos who was tattooing at his house. Everybody’s always like I can only think of this many artists that really inspire me in the tattoo world or whatever, but if you go through my links section you’ll see a lot more than that –I’ve got 410 links on there.
I’m real confident –that’s the thing, people are like aw that dude’s real pretentious and stuff like that – but I’m pretentious when it comes to playing basketball and I suck at basketball. You see a lot of artists that have just lost their personalities, especially tattoo artists. And then Dan Hazelton, his pieces are incredible, so I think it would be an awesome collaboration. I’m not gonna stop till I push them to the top, and I just don’t feel like I have the time to do that right now.
Honestly, my [original] goal was just to be a professional artist, and then it was Busch Gardens and then being a tattoo artist.
So when I had probably like 2 or $3,000 in deposits people started hitting me up like hey can I get my deposit back, I’m not gonna be able to get tattooed…I was like man this is ridiculous. I have to stay inspired and have to make sure I still enjoy this job in order to keep doing it. So Cool-Aid and Electric Pick and I, we’re all talking one day and we’re just like man we really don’t like that New Skool label, so we’ve all been trying to figure out a label to kinda push us into this new realm. I mean, you had your few artists like Guy Aitchison, but even them, you look at some of their older stuff…like I don’t understand some of Bugs’ old flash sheets. I like the fact that somebody can do something they love and stand by it no matter what people think about it. It’s like I can either go out and do a graffiti mural in the middle of nowhere, not gonna get paid for it and possibly get busted for it, or I can do graffiti on people and get paid for it and not have the possibility of getting busted. I just have these huge tattoos goin’ on right now, like this one chick I’ve got like 270 hours on her so far. I’m thinking specifically of pieces like Gary the Gruesome Gimp that seem to have a detailed story behind them.
Like, you know the “Corporate Consumption” piece, where it’s a politician and there’s a little kid in his mouth? I look at some artists and they can draw something, and you’re like wow, I love looking at that….but then after you’ve seen it, what else are you gonna see? So when this guy was talking about doing this collabo, I’m already having an interview telling people it’s gonna happen ‘cause he said he wanted it, and then it didn’t happen. The white tiger has power known to ward off evil spirits and give good luck to those in need. Some pieces seem to go on for miles, deep within the bodies that are so privileged as to be graced with such top-notch ink. So when it came time to re-enlist in the military, when they asked me if I wanted to re-enlist, I was really kinda trying to figure out what I wanted to do with myself. There are tons of great artists out there, the art scene is insane, so I gotta get out there. I’m on their mailing list, I’m on all these mailing lists – I got ‘em just throwing artwork at me all the time.
The problem with them is everyone and their mom gives them compliments – I used to get these compliments, people were like “You’re so awesome, I love your work,” and then I’d go look at somebody else’s portfolio who sucked, somebody who was tattooing out of his kitchen and he would be getting the same compliments as me. That was done by Dan Hazelton and myself, I drew everything and he colored it all, so I want a bodysuit kinda like that. I kept hitting these goals, so I was like I gotta make a new goal, so my new goal was to get a magazine article, then I got a magazine article, then I started getting a lotta magazine articles. I spent almost 6 months trying to get everybody their deposits back or getting ‘em in, or they’d come and have a consultation and we weren’t clicking, and I realized it wasn’t working so well.
Versus being stuck with this old genre that was associated with that type of work ‘cause we’re not doing that stuff anymore. Like a crescent moon with the little knob on top of the crescent had a piercing on it, real cheesy sh*t, ya know. I really respect Bugs a lots, as far as an artist he’s a really passionate person, and he does what he wants to do. I’m just trying to finish up all my obligations, ‘cause I can’t jump into doing concept art for a video game when I’ve got all these people’s tattoos I need to finish up, it’s not fair to them if I don’t finish them up.

So I like my work to have not only that candy effect but having people be like whoa there’s a concept behind this. I know it was decriminalized, but I just recently heard that they actually totally legalized it.
It is also known as fire bird in greek world. Anyone can inked Phoenix tattoos on any part of body. More often today white tiger tattoos are seen for their beauty alone and a meaning that is maybe only clear to the person who has the tattoo.
So my dad was like why don’t you go try and get into the military, that it’s a good way to start out and all that.
I was like if I stay in the military then I’m guaranteed stability for the next 20 years, I don’t have to worry about anything, I’m taken care of. And the problem is is, I would always talk sh*t about being the best at this and that, and the thing is when I first started tattooing I sucked.
It was like how can I have an ego when this dude is getting the same exact compliments as me. My boy Jason, he did my nautical stars, and I wanted to get tattooed by him so bad, ‘cause I tattoo him a lot and he’s always like I wanna be able to give you back a tattoo. If I have an apprentice I want that apprentice to represent me, and I want people to say yea I know he got apprenticed by Jesse ‘cause his sh*t’s legit. I kept setting these goals and it was just like all of a sudden I started getting all these e-mails, and I’m like “whoa.” So I’m answering all these e-mails and before long I don’t have time to draw anymore because I’m answering e-mails. So one day I was like ya know what, I’m only gonna tattoo the people who I can tell wanna get tattooed by me. Like if somebody comes in and wants me to do a bunch of devil-worshipping tattoos, and all of a sudden you see a bunch of [those] tattoos, that reflects my work and me as a person.
So we started playing around with different words and we came up with “lowbrid,” ya know cause hybrid is a mixture of a couple of different things, and I felt like “lowbrid” is like a mixture of comic book art, and New Skool, and graffiti art, and lowbrow, and all that stuff, all the things that inspire me.
And then if I’m gonna be doing a video game my brain needs to be focused on that, I don’t wanna have to be thinking about all the stuff I left behind. I mean, I’m not a big pot head, I don’t really smoke that much, I just think it’s so stupid to waste your time on that sh*t, ya know what I mean? Either way, they make you look down at your own tats and wonder why you got ‘em done by some dude whose shop walls still sport flash from the 90s.
So when I got into the military I met this fella who was drawing caricatures at Busch Gardens and he was like why don’t you come draw characters at Busch Gardens? Tee shirts, Gelaskins, whatever, anything and everything that has to do with the type of art I’m trying to get into. So I would be bragging about how awesome I was but I really wasn’t, in my mind I knew I wasn’t. So then I set up and FAQ, which totally cut down on e-mails, but I was still overbooking myself, so even the clients who I had started on, they couldn’t get back in cause I was booking so far ahead. So I wanna make sure that everything I put out there follows some sort of continuity with the style I’m trying to push forward, as well as sending out that message of what I believe in. There’s lots of artists out there who do childish kinda artwork but it’s not as easy as it seems.
It’s weird, as you’re drawing you’re thinking of everything, ya know, you’re thinking of how you’re gonna make this shape, but when you’re coloring it you’re not really thinking about the shape or anything, you’re starting to think about where is this piece going, what does this piece mean to me and stuff like that.
Honestly from my perspective I was like no way, there’s no way I’m good enough to draw at Busch Gardens, that’s big money.
Then I was like if I go and try to be an artist, and I don’t make it at least I know that I tried. And then I kinda shifted to this point where people actually started thinking I was good and then when I’m talking like that they’re like aw this motherf**ker’s got an ego. And I told him the idea I wanted and all that stuff, and then I just got cold feet, ya know? And I just thought it was cool because “lowbrid” seems like the opposite of “high-brid,” a little play on words. But yea, I’d say a lot of the time like with Gary the Gruesome Gimp… I was actually gonna create an adult ABC book, I had all these characters that I wrote down, I had Adumb the African Albino, Ryan the Retarded Rabbit, Dave the Drooling Drycleaner, I had Laura the Legless Lesbian, I had Wayne the One-eyed Wigger. So I went to go get a job and they gave me an 8-hour class and just threw me out into the park. But it was just me doing the same thing I’ve always done, I just finally got to that level where people were actually thinking I was serious.
I knew that if he did it, it would be done by one of my best friends, the meaning behind it was really good, he’s a great artists, all of the above, but I just couldn’t do it! A couple of the guys weren’t really into it but I was like, ya know what, I can name my sh*t whatever I want! When somebody tells me I have to do a tee-shirt design and I can only use 5 colors, it’s like NO!!! I had tons of characters and what I was gonna do is basically draw each character in a cool way and then I was gonna create a story behind them, and by the end of the story some of the characters would overlap with other characters. I can name my sh*t “lowbrid” and if they wanna associate themselves with a different title that’s fine.
I have the whole story written down – but it sucks ‘cause I really fell off that whole idea, ‘cause it was really just very ambitious. And the funny thing is people were like “Oh my God, where’d you learn how to do that?” And they’re all sayin this sh*t behind me and in my mind I have this little paranoid thing goin’ on in my head, I feel like…man, Busch Gardens hired these people specifically to say these things to boost my ego for me to do better at making caricatures. So I shot up to VCU in Richmond here, and went to school, and just tried to keep on getting better. There’s a guy under my links section, ARO – his stuff is super simple, and I just love that stuff. I did maybe 7 of ‘em myself and each one took me probably 50-60-70 hours apiece, between the actual conception of the art and the story and then the layout, how it would look inside the book and all this stuff.
What I was thinking actually is, I’m going to Comic Con this July, and I’m gonna be hanging out with Craola for a day or two when I’m down there, ‘cause he’s always like why don’t you get tattooed, what’s goin’ on?
I like the fact that you can see my work and say hey, that’s a Jesse Smith tattoo.  It’s the same way Lowbrow started, Robert Williams started Lowbrow through Juxtapoz magazine. I think it would be really funny when it’s done but what are there, 26 letters in the alphabet? So I’ve decided, if I can talk him into drawing me up a bodysuit then I’m gonna have him draw it up and I’m gonna get my boy Dan Hazelton to color it.
I mean I did 7 and I started it when I was in college, it took me 2 semesters to get 7 characters together. I was actually one of the better caricature artists at Busch Gardens, ya know for it being my first year there. But in my mind when I first started doing art I never in a million years thought I was at a level where I could be making money off it as a job. I’d love to take it to the next level – maybe one day I will, maybe one day I’ll come back to it but I’d have to draw all the characters over again.

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