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Categories: Wolf Tattoo Designs | Author: admin 08.11.2013

One particular room was dark, with black walls, and the only light came from lights shining on the prints, one per photo. Speaking of lighting, one group of photos highlighted (ahem) Avedon’s love for backlighting his leading ladies.
One interesting section showed a set of test prints with comments written on them in pencil by Avedon himself.
My favourite Avedon photo of all time is Dovima with the Elephants (learn more about Dovima).
I have been exploring for a bit for any high quality articles or blog posts in this sort of house . After looking into a handful of the blog posts on your web site, I truly like your technique of blogging. The exhibit was divided into sections, each for a different decade of Avedon’s career. Very interesting approach, that had everyone wondering whether the photos popped because of the light, or whether they would have popped anyway.


In some images this had the effect of making the subjects appear as if photoshopped into the background, but most of the time it worked to Avedon’s advantage, giving his lovely models a bright aura.
I was hoping the curators wouldn’t have dared leave that photo out, and boy did they not! Better still, support EtL by making your online purchases through our affiliate stores—it costs you nothing extra and we get a small commission from every item. Purchases made from our affiliates through these links will benefit Enticing the Light at no extra cost to you.
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There was plenty of space to step back and examine prints as a group, which the curators had clearly planned for given how similar themed images were placed adjacent to each other.
Incidentally, all these photos were taken in ballrooms, bars, casinos and similar places, always seeking an image of glamour. In one of the last sections (the photo was taken in 1955) I found the print, and it was huge, by far the largest in the exhibit.


This seems like a major cockup to me, not shooting the appropriate orientation in the first place, but it prove that Avedon was indeed human.
Nevertheless, I did enjoy stopping in front of some photos trying to work out the particulars of the lighting.
I was accompanied by two fellow photographer friends and we all wondered whether Avedon had poses in mind or if he just turned the music on and let the models do what they wanted.
Some of the extremely tight framing in certain photos seemed to suggest that, if there had been planning, it hadn’t extended to pointing the camera at the right spot!




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