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Categories: Tattoo Fonts | Author: admin 16.12.2014

Updated on August 12, 2015: Lightricks announced it has raised $10 million from venture capital firm, Carmel Ventures of Israel, in its first round of external financing.
Updated on July 21, 2015, by Enid Burns: Lightricks has upgraded the Enlight app with support for the iPad.
Calling it the most comprehensive mobile photo-editing tool on the market, Lightricks, maker of the popular app Facetune, has released a new app called Enlight, which builds upon the technologies first implemented in Facetune. With its LTEngine image-processing engine and SafeBrush precision tool, Lightricks created the ultimate selfie-editing app when it released FaceTune. If you’ve used any photo-editing apps, then you’ll be familiar with the toolset of features like crop, filters, and special effects.
Other Photoshop-like features include image blending (Photo Mixer), Intelligent Photo Correction, tilt-shift focus, curves adjustment, and more. Speaking of Photoshop, Adobe is also increasingly enhancing its mobile apps to be more robust like its desktop offerings, while still focusing on ease of use. Sushmita Sen Created History On This Day 22 Years Ago When She Won The Miss Universe Crown! The main idea that let me started to code this app, was the need to share for example a screenshot of an email and blur out (or highlight) some sensible data like phone numbers I wont let other to see. The app can be invoked when you take a screenshot or a photo with its headless capabilities. You can easily put a watermark on your photos or write some text over it (choosing from a huge list of fonts) to make your memes. You can also paint with blur, motion blur or highlight some part of the image (ie some text) with finger paint, rectangles, ellipses or even with a stamp of some predefined icons (like animals, smiles etc) to make it more actractive.
Voce adora Selfies mas nao gosta de perder demasiado tempo trabalhando as suas fotografias no Photoshop? Em vez de depender de filtros no Photoshop que demoram varios meses a serem usados de forma profissional, separamos para voce uma lista com os 10 melhores aplicativos para fazer correcoes das suas imperfeicoes de uma forma mais rapida e intuitiva. Se voce, tal como eu, tem alguma dificuldade em perceber o que realmente esta mal na sua fotografia, este aplicativo e para voce. Ele tem ainda opcao de voce inserir a sua foto melhorada diretamente no seu perfil do Facebook.
Outro ponto interessante e a sua publicidade de fazer uma edicao em toda a fotografia,resolvendo problemas como a luminosidade, por exemplo. O Modiface tem uma opcao unica: a de transforma-lo em outra pessoa completamente diferente. Antes de compartilhar a sua fotografia no Facebook, o Modiface permite que voce crie filtros e molduras. Alem das opcoes habituais para realizar pequenas correcoes, esta app tambem permite que voce adicione selos, baloes de fala, bordas e filtros. Este aplicativo retoca sua imagem automaticamente pela aplicacao de pele e maquiagem dos olhos, remocao de brilho, suaviza rugas, melhora as cores e ate mesmo clareia os dentes, tudo isto de uma so vez. Vc falo aque todos os apps iriam ter no android e ios o meu e android, maas claro ne que os melhores apps nunca tem no android aff e ainda quando tem tem que pagar sacanagem isso pra auem usa android.
I’ve found joy in shooting and editing photos since I was very, very young, and I’m lucky to have been able to play with cameras and post-processing methods from both the film and digital eras. I’m also assuming that most of you are looking for a good photo editing app so you can polish your photos before posting to Instagram, Facebook, Twitter, Photo Stream, etc. After using such a large number of iOS photo editors, I can confidently say that the above criteria is actually a very tall order.
Before I get to those, though, I’d like to ask you a question: What do you think of when I say “digital photo manipulation”? If you said “Photoshop”, you’re right; if you said anything else, go directly to Jail and do not pass Go.
Having put that out of the way, let’s look at the three photo editors which I comfortably recommend, and why VSCO Cam is the best of the batch. If you follow some of the best and most popular Instagram photographers, chances are they use VSCO Cam. But before we dive in, let’s start with the bad news first: VSCO Cam’s user interface is a bit different. Tapping on an image thumbnail in the library view will display a row of icons across the bottom to deselect, flag, edit, export, or delete the image. Taping the edit button (the one that looks like a wrench and paintbrush), takes you into photo editing mode — where you can apply any one of VSCO Cam’s one-tap filters. VSCO Cam comes with ten free filters, while an in-app purchase of $6 unlocks the full array of 38 additional presets.
If you have a few bucks, I’d highly recommend the all-encompassing bundle which gets you all of the additional presets from the different filter bundles. There are also a couple of free sponsored preset packs available, one from Street Etiquette and one from Levi’s, and I recommend them both. From the photo editing view, tap on the white bar below the preset thumbnails and four options will appear: a paintbrush (the presets, selected), a wrench (advanced tools), a little arrow (undo one step), and a big arrow (revert to original). The split tone tools aren’t as advanced as Afterlight (more on Afterlight below), but the simplicity of the ones in VSCO Cam make it more discoverable for more people. VSCO Cam also includes access to VSCO Grid, which is Visual Supply’s attempt at creating a gallery experience specific to images created with the app.
Once you’ve got that sorted out, though, it’s like having a much nicer, simpler, more beautiful Instagram feed, with (probably) fewer photos of expensive San Franciscan toast. There are some really nice performance enhancements, too, which you’ll notice when you start the app. As for the camera view, it now includes a clever level, which is a welcome enhancement if you’re like me and have a hard time with lining up using a grid overlay alone.
My only quibble with this app, aside from the UI quirks, is that no other app seems to display it in the Share sheet. I recognize that there might be some who protest that its interface peculiarities and lack of iPad version preclude this from being the best photo editor for iOS. Kyle Steed has 165,000 followers on Instagram, and he posts some truly breathtaking images on a regular basis. Editing photographs should be enjoyable as I assume one rejoiced at taking them in the first place, so one day I deleted all the apps I had purchased and elected to master at least 2 of them: VSCO Cam and Snapseed.
Once I’ve selected a photo that I’m pleased with where both the exposure and focus is at its best, I import the image into VSCO Cam where I apply a filter according to the mood I’m looking to achieve. I wasn’t aware of a difference in quality between posting from the camera roll or posting from an app, but it’s very clear once you know what to look for. Most of my pictures are taken with the Camera app that is included in iOS (because it’s really quick to get to from the lockscreen). I do like to take my time on an edit and quite often import the images that I like and will perhaps partway edit them there and then.
Darkroom is a relative newcomer on the iPhone photo-editing scene, but already a promising one. All edits are non-destructive, and Darkroom provides a scrollable history of every edit you’ve made to each photo. Edited photos in the library viewer are marked by a little pencil icon with a blue circle around it. It also lacks any built-in social network or discovery features, a la the excellent VSCO Grid. The editing tools, at least on an iPhone 4s, actually obscure part of the photo so it’s harder to edit.
For one measly dollar, you can have a fast, beautiful, easy-to-use, and extremely advanced universal photo editor for iOS. When you first launch Afterlight, you’ll see two options: take a photo, or choose one from your library. If you’re willing to dive into the more advanced set of tools, you’ll be spoiled for choice. But if those are my two biggest problems with Afterlight, I’m pretty sure you’ll agree that this is a great app. If you’ve been involved in the digital photography scene for a while, you’ll probably be familiar with a little company called Nik Software. The filters are separated into a few categories — “Black & White”, “Vintage”, “Grunge”, and “Retrolux” — and they’re a mix of gorgeous and mediocre. The real gems are in the Retrolux and Grunge sets, though both take a little bit of finessing to work correctly. It’s a good app, and I have no qualms about recommending it, but that doesn’t mean I don’t have problems with Snapseed.
Despite these issues, Snapseed is a great piece of software to have in your toolbox, if for the Selective Adjustment tool alone. Most apps here are great for one-tap beautification and filtering, with a few advanced tools to satiate more serious photo geeks. Occasionally, though, the app seemed to be pushing the limits of what was possible on my iPhone 4S. If you’re kinda nutty, you can edit photos of up to 26 megapixels or RAW files on your freakin’ cell phone. This is mitigated somewhat by Photo Stream, but unfortunately Photo Stream doesn’t download full-quality images to iOS devices. But, like the initial release of iPhoto for iOS, many of these tools are hidden behind hidden, opaque gestures. While I think VSCO Cam is the best photo editing app for iOS, there are those of you who will disagree for various reasons. But that’s okay — all of the above apps are truly excellent, and I feel comfortable recommending them to you. If you do choose to layer your apps, be advised that you’re always editing with, and saving to, a JPG. Also, don’t worry about a bunch of photos all looking similar due to these recommendations.
Is this behind-the-scene information going to completely transform your photographs into a work of art? We love VSCO Cam because of its incredible selection of one-tap filters and its powerful fine-tune image editing tools for those who want more. Google Photos is the best cloud management solution for photos for most people due to its low cost, ease-of-use, and helpful features.

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According to app developer Lightricks, an iPad version was the most-requested feature from user. Now, Lightricks is bringing those technologies (and more) to all types of photography with Enlight. However, advanced users will appreciate the presets, masking tools, brushes, text input, and other adjustment tools for fine-tuning color, tone, and so on.
The app costs $5, which is affordable for an easy-to-use app that’s loaded with powerful features. While most of these apps are free, they do require a subscription to Adobe’s cloud-based service, in order to get the most out of them.
Using this stroke with for ex the pen tool, you will reverse to original image pixels where you finger paint. O Pixtr faz todo o trabalho arduo, ou seja, ele deteta aquilo que deve ser modificado na sua fotografia! Ele tambem tem pre-definidos alguns modelos de maquilhagem para voce usar em poucos segundos.
Ele permite que voce transforme uma cara seria num sorriso mais interessante ou que amplie os olhos, por exemplo. Por ultimo mas nao menos importante, o Photo Makeover tem a opcao Handy Magic Shake que automaticamente faz algumas modificacoes no seu rosto. Com esta app, voce pode modificar o tamanho do nariz, dos olhos, deixar os seus dentes brancos ou ate mesmo fazer crescer o seu rosto! No entanto, isso acaba por retirar um pouco da seguranca do usuario no que toca as edicoes das suas proprias fotos.
Com esta app, voce tambem pode escolher uma das fotografias do seu celular e suavizar a pele ou retirar todos os pontos negros existentes. Com poucos cliques, uma imagem que a primeira vista parece nao ter qualidade, passa a ficar com um aspeto bastante profissional! Tudo que voce precisa fazer e selecionar areas com marcas ou espinhas e o aplicativo ira remove-lo(s) completamente. Much like the rest of the digital photo world, there’s the sense of experimentation at no additional cost, but the always-with-you nature of an iPhone and the software available for it have truly transformed the way I view digital photography.
But VSCO Cam still stands as our pick for the best iPhone photo editing app, and it may now be the best iPad photo editing app as well.
There are some tools, including all of the ones mentioned in this article, that can be used for photos you want to print and frame.
And I’m still not certain any one app perfectly executes all of these, but there are a few that come very close. It’s not bad, but it doesn’t quite fit in on the iPhone with all the other standard button layouts you find in most other apps. Though a peek in the iPhone app’s application package seems to indicate that one is in the works.
There’s a good reason for that admittedly bold claim: VSCO Cam is developed by the Visual Supply Company who are best known for building a fantastic series of plugins for Lightroom that mimic classic film stocks. I usually use the stock Camera app for this reason, but the VSCO Cam, er, camera comes with a few neat tricks built in. By simply adding a library and these tools, VSCO Cam jumps from being merely a photo editing tool to a full photo library tool, almost akin to having Aperture or Lightroom on your phone. Tapping on a thumbnail will activate that filter onto your photo, and tapping again will allow you to adjust the intensity of the filter on a twelve-step sliding scale.
The free filters are all quite fantastic and there’s no reason you can’t process some excellent photos without buying any of the additional filters. Presets are denoted by a letter-number categorization system, and can be purchased for $1 for each pack of three filters (listed below).
Having all of these filter presets can seem a little overwhelming at first, but they’re all great filters.
With VSCO Cam you don’t have many egregiously wrong choices of filters, just ones that look much better than others for a particular photo. I never noticed heavy artifacting or noise, and that inspires a sense of confidence in the ability to mess around with different looks to try to achieve the right mood for the photo.
There are the usual suspects — exposure, white balance, cropping, and straightening — as well as a few unique tools: there’s a button to add a vignette, another which adds some faux film grain, and one which fades the image and makes it look like it’s been sat in the sun for a few years. Rather than having distinct RGB sliders to precisely mix your tonal value, you get some preset colours (cream, blue, green) and can modify the strength of those colours.
The biggest news with this version is that the social component, VSCO Grid, is now native and fully integrated, though it remains true to VSCO’s philosophy: there’s still no button to “like” an image, nor any way to comment on one.
If you tap “Grid” on the flyout menu, you’ll see VSCO’s curated grid, and a button to search for users by name — there’s no way to find your friends on Twitter or Facebook. When you enable it via the camera settings menu in the upper left, the level will be red; when the shot is perfectly straight, it turns VSCO green. The menu uses a lighter-weight variant of Proxima Nova, fitting with the iOS 7 aesthetic, and there are a few graphical tweaks here and there. Despite iOS’ limited inter-app sharing ability, most other photo apps include a button to pass the photo from their app to a different app in the Share sheet; that is, you can make a few edits in Filterstorm Neue, then tap “Export” in that app and select “Send to Afterlight” to open the image in Afterlight with no intermediary step.
We reached out to a few talented and popular Instagrammers who were kind enough to answer our questions about their photo editing workflow. Cory uses a combination of Snapseed, Afterlight, VSCO Cam, and Filterstorm, all of which are mentioned in this review. I then proceed to export the photo into the Camera Roll where I fine-tune elements such as vignetting, warmth and sharpness to the photograph.
Finding an interesting face or an interesting character is very exciting for me — people are interesting. When I need to, I will shoot in the VSCO Cam app if I need to make use of the Focus and Exposure tools (tap the screen with two fingers and it will identify two targets that you can drag around the frame at will).
I find myself becoming more critical of what I post and regularly go through my camera roll of pre-edits deciding whether to delete them or not. I’d estimate that out of the 2,300 images I have posted to Instagram, maybe 10 at the most are taken with my DSLR.
It doesn’t have nearly as many filters to choose from, but the ones it does have look great and you can actually create your own filters, plus it offers finer control over levels (brightness, contrast, saturation, etc) thanks to the gradual sliders it uses rather than incremental ones. For now, it will remain a great supplementary editor to VSCO Cam, should we ever need finer control over the editing process. After you choose an image, you’ll see six easy-to-understand icons across the bottom: revert, adjustments, filters, textures, cropping and straightening, and frames. The results you can create in just a few taps are varied, interesting, and always believable.
In a couple of minutes, using only these two tools, you can substantially alter or enhance an image’s mood. The split toning tools offer separate controls for highlights, shadows, and — unlike most applications — midtones as well. Most notably, a few filters are only available after committing to “liking” the app on Facebook, which seems like a cheesy publicity thing.
The only reason I’m not calling Afterlight the best is simply because VSCO Cam is just so darn good.
Nik was a German company that produced a range of pro-grade colour correction and grading software for digital photographers. Some of the Vintage presets are beautiful on nearly any image, while I struggled to find an application for others. The Retrolux filters often begin with their contrast and saturation cranked up, along with faux light leaks and scratches.
Say you took a photo of someone in a red jacket walking across a largely monochrome frame, and you really want to pop that red. Snapseed also works on the iPad and, if you have one of Apple’s camera connection kits, you can import and edit RAW files.
The problems I have are mostly the result of my expectations of an app made by a company which also makes tools for professional photographers.
If you’re anything like me, you want to present photos that defy others’ belief that they were created on your phone.
Never once did the app come across as an attempt to shoehorn a desktop app into a phone; a clone stamp tool doesn’t sound easy on a touch screen, but it’s very forgiving, for example. I experienced a couple of crashes after using masking tools; this didn’t occur on my Retina iPad Mini, so I suspect this was a case of the app hitting the smaller memory limits of my iPhone.
It keeps track of history states, so you can rewind to a particular point in your edit before things went completely awry. That’s a problem when you’re probably shooting photos on your iPhone; it’s much more convenient to edit them on the same device.
Apple engineers are smart, though, and foresaw this hurdle, so they built something into iPhoto called Beam. It’s got a plethora of multi-touch tools, not to mention a completely automated straightening tool. Did you know, for example, that tapping and holding on an area of an image, then dragging outward will allow you to adjust just that colour tone? You can create beautiful photo books right on the device — I’ve bought a few kinds of Apple’s printed photo products and they’re extremely nice. It doesn’t appeal to me on the iPhone and, though I enjoy some of the tools and printed products I can create on iOS, I don’t think it’s the only photo editor you should have. You may prefer to edit on your iPad, so you’ll want a universal app (for now); or, perhaps you may prefer the filter set of another app. That means that every time you save the photo, it compresses again, losing a little bit of data and, consequently, some image quality. I don’t even think this workflow instills that into my own photos because the most important aspect of photography is that you’re ultimately satisfied with what you shoot as you’re holding the camera regardless of what you may apply to it afterwards as a form of enhancement.

This new mobile photo-editing app is designed to be powerful like Photoshop on the desktop, but intuitively easy to use. A jitter paint, variable pen width based on velocity and transparency color is supported by this tool. A jitter paint, spacing, variable pen width based on velocity and transparency color is supported by this tool. Conhecida como sendo a opcao semelhante ao Photoshop mais barata, o Facetune pode remover cabelos que estao a mais, rugas ou ate mesmo olhos vermelhos. Outra das suas funcionalidades interessantes e a possibilidade de guardar modelos de edicao pre-definidos, que futuramente podem ser usados em outras fotografias.
Com outros aplicativos Modiface, voce tambem pode aplicar filtros com efeitos pre-definidos.
As redes sociais que voce pode compartilhar as suas fotos sao: Facebook, Instagram, Twitter e Pinterest.
A PicBeauty permite que voce elimine rugas e manchas, deixe os seus dentes mais claros e ainda compartilhe essas mesmas imagens no Facebook ou via iMessage. They can be divided loosely into two categories: those which enhance, and those which add silly or fun photo effects. Then, you’ll find that it has an unintuitive interface, and it’s slow, and it hasn’t been updated for iOS 7. All of these apps were tested with the same batch of ten images, all shot on my trusty iPhone 4S.
There are parts of the interface that feel a bit like they were ported from another platform, such as the gesture to close the side “hamburger” menu which doesn’t actually respond to a corresponding finger drag. Similar to a few other advanced camera apps, you can separately define focus and exposure points; unlike most other apps, though, you can also lock white balance independently as well.
They span the gamut of high contrast and over-saturated to faded black and white, and they always look natural.
But, as I said, the filters all appear quite natural; the warming filters add a warm tone, but they don’t make the photo look as though it was taken on the Sun.
The Grid is supposed to be a way for you to exhibit your best photos in a simple and non-distracting environment. Similarly, vertical axis level markers on either side are red when you’re pointing the camera upwards or downwards, but they turn green when the camera is flat. There is no app, as far as I can tell, that will share to VSCO Cam, necessitating the additional step of exporting then importing manually from the camera roll. At this point, the majority of photo editing apps have the ability to import your final image directly into Instagram, which may seem like the sensible thing to do but the reason I never opt for that route is because doing so degrades the image quality of your photograph. There is no way to filter the library to display only edited photos unless they’ve already been exported to the Darkroom folder. For those of us who tend to edit in batches, the process of exporting multiple photos in a row quickly becomes tiresome.
It’s completely free to download, with a $3 in-app purchase that unlocks the ability to edit RGB curves. Tapping on any of these, aside from revert, presents myriad additional tools, but it’s never overwhelming. These filters are of superlative quality, too; as with VSCO Cam, I didn’t notice significant artifacts.
Unlike in most apps — even desktop applications — the sharpening tool doesn’t completely ruin your image.
But, these “locked” filters become available after the UIWebView appears, so you don’t actually have to log in to Facebook.
So, when they released their first piece of consumer-grade software in the form of Snapseed, people took notice.
Tapping on one leads to one of the more interesting interaction models I’ve seen in a while: vertically scrolling on the image itself will allow you to select what attribute of the tool to edit, while scrolling horizontally on the image will alter the value of that attribute.
Once you reset those options to more reasonable values, there are some beautiful options hidden behind the star-shaped button.
In Snapseed, you can drop a Selective Adjustment point on that jacket, pinch to change the adjustment’s boundaries, and really punch that jacket’s color. I dislike the way Snapseed always applies edits destructively; there’s no way to change an effect after you’ve applied it.
Among its many, many tools, you’ll find a clone stamping brush to remove distractions, and a curves tool to perfect the tones of your highlights and shadows.
The filters are, for the most part, subtle and natural, and there are soft brushes to edit specific areas of an image. It’s kind of awesome to have a professionally-bound hardcover book of photos you’ve taken in the last year on your coffee table. It makes more sense to me to edit photos in VSCO Cam, Afterlight, or Snapseed and then use iPhoto for minor touchups or to create printed products. Sometimes, for example, I like to start my edit in Snapseed because of its powerful Selective Adjustment tool, then hop over to VSCO to finish up. Using any more than three of these apps in succession to edit one photo will likely start showing artifacts of compression, so I strongly advise a conscious choice of which apps you’ll use per photo.
Regardless of your specific processing workflow, you can only edit with what you already have in the image. The heal tool helps users fix defects in photo; it also allows users to clone parts of an image with accurate results. Any mobile photographer knows there are a lot of photo-editing apps available, but Lightricks says the easy-to-use format is the difference between Enlight and other apps.
For those unfamiliar with the more advanced functions, the app offers helpful instructional guides. Uma pele cheia de espinhas, um cabelo demasiado despenteados ou olheiras podem ser o suficiente para transmitir uma ma imagem a nivel pessoal e profissional. For this review, I only looked at those which enhance and improve — I am not interested in adding stickers to my photos, turning them into a meme, nor adding icy white irises to a friend’s portrait.
We’re assuming the vast majority of photos you take with your iPhone will be seen on screens and distributed digitally. Meanwhile, the cooler filters give an edge to photos without making them look like the Blue Man Group. While I’m extremely comfortable in Photoshop and Aperture, in many ways, I prefer the simplicity of VSCO Cam. It also means that you can feel comfortable editing when you’re running low on battery power.
I believe this is an issue with VSCO Cam not providing the feature, and not entirely the fault of other developers not including it. It is the best app for taking a photo from bland to beautiful in just a couple of taps, and it does so with panache and grace. From experience the prime alternative would be to save your final image directly to your Camera Roll and proceed with launching Instagram and subsequently share it with the world. I’m fond of it because it makes me smile but it’s not a particularly flattering photo of the subject! There’s also an option to hide screenshots in case your library is cluttered with those. As of this writing, the local Camera Roll is not viewable as its own folder — only All Photos, which includes everything on your Photo Stream. Everything has been considered so well that it opens up a world of high-grade image editing to everyone. I’ve also found that some of the filters leave noticeable gradient banding across similarly-coloured areas, such as in the sky. Or, perhaps you prefer the sky and landscape from an HDR photo, but you want the silhouetted figures in the foreground from the original photo?
Edits are all completely non-destructive, too, and because it’s an Apple app, it can use private APIs to save directly on top of the original image in the camera roll (as I said, non-destructively).
The fact that there is an always-visible button to overlay hints on the app’s UI tells you that it isn’t necessarily going to be the easiest app to use. Using a combination of these apps is more powerful and perhaps more useful, in certain circumstances, than simply trying to use one app.
Focus on making great pictures straight out of the camera, and use these tools to enhance what already exists. System upgrades provide a seamless workflow when using Instafit, Duo Filter, Target, Tilt-fhift, Crop, and Re-fit tools. But, of course, it doesn’t require you to make these decisions; you can be perfectly happy to leave the camera in “Auto” and it will sort everything out. There’s something about having these limitations which demands that you create a beautiful image without fussing around in an overwhelming amount of advanced tools. I then will [use the] Filterstorm clone tool [to remove] any eye distractions in the photo and apply the filter to it using VSCO Cam or Afterlight. I think the thing I like most about this version of the app is that it’s non-destructive — I can revisit an image and tone down some of the edits I have made (or completely remove them).
There’s a simple slider to control how intense a filter is applied; thankfully, the filters are tasteful and realistic enough that you can usually leave the slider at 100%.
You can take the value of the first to 0 with the interaction model noted above; for the vignette, just pinch outwards like you want to zoom in on the image. Both devices have everything set up correctly, both are on the same Wi-Fi network, and both have Bluetooth on as a fallback (though I’ve also tried it with Bluetooth off). To be fair, Snapseed’s interaction model is not entirely intuitive either, but all of the tools behave in the same way. There’s also now “animated sessions” that show workflow edits, demonstrating a user’s creative process. Shooting this type of subject matter has inspired me to become more interested in street photography and to get out there with my camera.
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