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Categories: Hawaiian Tattoos | Author: admin 29.04.2016

I am grateful for my friends and mentors who always give me good advice; and for the happiness my family, Stefanie and our son Te Amo give me, without which my work would be incomplete. Katera Maihi (Kutz) Eugene, Iwi, Stefanie & Ian Wayne Grant (Reihana)Te hope a TutanekaiIwi Le Comte's Business Class window design for Westpac. Most recent project so far was for Westpac Bank in Rotorua, the construction of Te Hope a Tutanekai - a real challenge. A big mountain cannot be moved along, But a great wave can be pierced by the prow of a canoe.

Brought up around my Whare tipuna (ancestral meeting house), I was naturally attracted to the Maori art of carving. The course included 3 years of training under master carvers, Clive Fugill and Albert Te Pou. Not only was it an honor and privilege to have a carving unveiled in the centre of my hometown, but also to leave something behind that future generations can aspire to. At the age of 15 I was too young to apply for a carving scholarship at New Zealand Maori Arts & Crafts Institute (Te Puia), so I travelled to Australia where I lived for the next 10 years.

This included structural design for the Te Kakano Waka at Shanghai World Expo 2011 and carvings for Hamilton Gardens.

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