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Categories: Wolf Tattoo Designs | Author: admin 08.11.2013

Please note that the following are all original One Tribe custom Filipino tattoo designs which were researched and created specifically for each of the individuals shown.
The Chinese symbol was already on Brian's arm and One Tribe researched and designed the tribal piece surrounding it to represent his Visayan roots. Mark is a proud Visayan and wanted a tattoo to signify his cultural background and religious beliefs. Ashley is a Canberra Raiders rugby league junior and also a current player for the Philippine Tamaraws. Dave is a Fil-American who resides in Melbourne, Australia and is practising the traditional Filipino martial arts known as Arnis, Kali and Escrima.
Jeff is from California, USA who wanted a tattoo that best represented his character and one to show protection for his close-knit family.
Ronnie a Sydney resident was born in Luzon but his family were originally from Visayas and Mindanao. Calvin is a proud family man and requested a tattoo not only to represent his birthplace of Luzon in the Philippines but also to symbolise his love and strength for his young family.
Another Visayan-inspired tattoo design worn by Wayne to represent his mother's birthplace of Cebu and his ancestors who are Ilongo. As proud indigenous Filipinos we are doing our little bit to revive a vanished tradition of our native home land and we encourage other Filipinos to do the same. Let’s finally set the record straight…One of the longest running myths about tribal, non-Western tattooing is that it was “brought” to Europe and the West by sailors associated with Captain Cook’s voyages to Oceania. In 1566, a tattooed Canadian Inuit woman and her unmarked child were kidnapped by French sailors in Labrador and brought to Antwerp in The Netherlands.
Whilst I must confess that Antwerp is not in England (!), Martin Frobisher captured two Inuit in 1577 and brought them to England for display. Of course, anyone with knowledge of Micronesian and Marquesan tattooing practices and styles would tell you, as Tricia Allen (1991) did long ago, that Jeoly wore Micronesian tattoos that closely resembled those from the Caroline Islands.
Concerning the “Marquesan” attribution of Jeoly’s tattoos, I think the greatest fault does not lie with Scutt and Gotch.
Oh, and speaking of the most widely perpetuated (and recent) tattoo history myth of all…As of 2013, archaeological evidence indicates that the earliest form of human tattooing does not appear on the mummified corpse of the 5,300-year-old European Iceman. Each design is deeply symbolic and signifies one's cultural background and personal life story.

The image on the centre of his arm is the Ati-Atihan logo which Mark's dad designed for the "Ilongo Dinagyang Connection", an organisation which Mark's family are members of. Marine Corps and is representing his Filipino & Hawaiian roots by wearing a traditional chest tattoo. The Philippine sun and the neo-tribal pattern were already there and One Tribe added his contemporary "bikking" (chest tattoo) design which represents his Ilocano roots. Gerald's ancestors are from Cebu so One Tribe designed his piece incorporating motifs of that region and other traditional Visayan symbols. His tattoo is a symbol of his warrior spirit which also represents his roots from the western Luzon provinces of the Ilocos region through to Pangasinan and Zambales.
The "Superman" logo was already there and One Tribe designed the tribals around it to symbolise his Ilocano roots being from Isabella and Ilocos. One Tribe incorporated motifs from all those regions to represent his ancestors, his young family and to honour his late mother who was a recognised member in the local Filipino community. The centrepiece of his tattoo is a portrait of his late father which was already there and One Tribe designed the tribal piece surrounding it. The Philippine sun and stars were also included but the bold and repeating Visayan patterns dominate the overall design which extends from his forearm, trap and over to his chest. His design is inspired by the tattoo traditions of the Ilocanos, Visayans and Manobo tribespeople of Mindanao. It is important that we seek as much knowledge from our parents, grandparents and elders, share stories and learn from them before it’s too late. This is not true, of course, since there have been indigenous forms of tattooing practiced in Europe since the Neolithic (think Iceman) and onwards through time (Bosnian Catholics and Christian pilgrims to the Holy Land, etc.) prior to Cook’s return. Prince Giolo was purchased in India (via the Philippines) by William Dampier in 1691 and brought to England for display in a money-making venture. Here, they were put on display in 1567 for money at a local tavern and handbills survive documenting the sad event. One of his captives was a tattooed woman from Baffin Island who was later illustrated by John White.
However, I would like to add that elements of Jeoly’s tattoos closely match those documented for men inhabiting the Palauan island of Merir (see Kotondo 1928) and other isles in the Sonsorol group, islands that lie approximately 400 nautical miles due east of Miangis. One Tribe asks to please respect their work, the art and the wearer of tattoo by not copying any of the designs on this gallery.

One Tribe then designed the Philippine sun and tribal piece around it inspired by the extinct "Pintados" tattoo, and also included his surname in Baybayin (an ancient Filipino script). It also tells the stories of his ancestors who were from Northern Luzon's Abra & Apayao provinces. Gerald also requested for the Philippine sun be included to cover up an existing tattoo, which at the end tied in really well with the overall bold design. Henry was born and raised in Benguet but his ancestors came from the vast lands of Northern Luzon – Tarlac, Pangasinan and La Union. She wanted a tattoo to remind her of her roots which traces back to the northern provinces of Nueva Viscaya and Ilocos Sur. The most distinct part of his tattoo tells the story of his family who survived the volcano eruption of Mt. The reward is much greater and deeper than a tattoo - It’s about being enriched with the knowledge of our diverse Filipino cultures so that we may also educate future generations, create awareness and ensure the continuity of our old traditions!
His home island was recorded as the Spice Island of “Meangis” (today’s Miangis Island), located less than one hundred miles approximately due east of the southern coast of Mindanao. This woman was the first tattooed Native North American drawn from life (Sturtevant 1980), a fact that busts another widely perpetuated tattoo myth. Therefore, it seems that there were at least two Indigenous tattooed people exhibited in Europe prior to the Painted Prince’s arrival in 1691. So my friends, cosmetic tattoos have been around for a very long time, demonstrating that the human desire to adorn the skin is indeed a very ancient tradition. While touring in Australia, Henry took the opportunity to be tattooed by traditional hand-tattoo artist Marc Pinto.
Joni is an independent young woman and requested her tattoo to also symbolise intelligence, beauty and strength – just like the traditional tattoos of her ancestors from northern Philippines.
For example, many past and contemporary writers (too many to enumerate here) have wrongly identified John White as the creator of the “earliest” portraits of tattooed Native North Americans (1590), Algonquian-speaking peoples he encountered in coastal North Carolina in the late sixteenth century. Three straight days on the chair and a total of 22 hours being inked, and the outcome was amazing!

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