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The Arthur Family Health Website is intended for informational purposes only and is not a substitute for medical advice, diagnosis or treatment, which only your healthcare provider can do.
Funding for the Arthur Family Health Website is provided by the WGBH Children's Educational Media Fund, whose donors include The Weezie Foundation. While fruitlessly shopping his flexi around London, Brown had a chance meeting with the engineer of the Reading sessions in a pub; within a couple weeks the two were in Paris, and his music career was finally underway. Invited to record by the German division of Polydor, Brown founded a new band of a significantly different character in 1971. Early in 1980 Brown relocated his family to Austin, where he resumed his music career on a much smaller scale. Arthur and his friends are here to help with games, videos, and resources designed to help keep your family safe and strong.
Exposure to music arrived by way of his piano-playing father and his first performances took the form of singing duets with his brother in church, with participation in local jazz bands following close behind.
A highly theatrical approach to performance and prodigious drinking skills soon had Brown at the center of the Paris club scene, but the Mafia involvement of his patrons inevitably brought the situation down in ruins: at his final Paris show, his backing musicians torched the Mafia-run club for non-payment, and Arthur was left bandless and broke. Kingdom Come recorded three albums between 1971 and 1973, creating a unique blend of electronics, art rock, R&B and toilet humor. During this time an opportunity materialized to record with Peter Gabriel, but the plan was abandoned before any sessions took place.


While Brown's academic achievements earned him an opportunity to pursue a law degree at Kings College London, his interest in music soon took precedence; by the end of the first year he had been expelled, and after a brief time spent farming sewage he enrolled in Reading University to study philosophy and continue his musical training. A vocal contribution to the Roger Vadim flick La Curee (1966) raised enough money to allow him to return to England, where another period of odd-jobbing filled in the time until the singer met keyboardist Vincent Crane and created The Crazy World of Arthur Brown.
The concoction proved too peculiar for most of the the record-buying public, and after the dissolution of the project in 1974 Brown embarked on a year-long break from the music scene to pursue the spiritual doctrines of G.
The albums Speak No Tech and Requiem were subsequently released on small, independent labels, but the singer's attention by this time was primarily directed towards his family and his spiritual concerns: earning a master's degree in Counseling, studying with a Mexican shaman, and ultimately becoming a minister with The Church of Universal Life. During this period he formed the R&B combo Blues & Brown and made his recording debut on a flexi-disc for the Reading Rag Records with a group called The Diamonds.
Even more outlandish theatrics and Arthur's flaming hat soon re-created in London the enthusiasm that had been generated in Paris. Membership in the The Southwest Five (later renamed Arthur Brown Union) and re-location to London came next, but, despite some (never-released) sessions recorded for Polydor and a residency at the Plughole Club, the band did not take long to disintegrate.
As a result, the interest of Pete Townshend and his Lambert & Stamp management team was aroused; through their unscrupulous manipulation a deal with Polydor was arranged in 1967, and the band's eponymous debut was on the racks by the middle of the following year.
A second Crazy World album, Stangelands, was then recorded without Crane (who instead went on to form Atomic Rooster with Palmer), but was abandoned under pressure from management (it would later surface in 1988 on the Reckless label). Gurdjieff (although with one interruption to appear in the film production of The Who's Tommy).


Brown's problems reached critical mass when an incident of public nudity -- a common feature of his performances at the time -- during a tour of France put the singer in hot water with the French Communists; the band was forced to return to England as a consequence and ceased to exist soon afterwards. The hiatus was followed by his first solo album, Dance -- a return to his R&B roots that was greeted with mixed reviews. With his Crazy World in shambles, Arthur was able at last to rid himself of Lambert & Stamp's management "skills", although at the cost of losing most of his royalties from the first album. Outside of his continuing spiritual studies, he then pursued a well-received collaboration with German electronic musician Klaus Schulze between 1977 and 1980, followed by a largely-ignored reunion with Vincent Crane for the album Faster Than The Speed of Light (1980). Like his loyal Knights, he sees only chaos and devastation will follow Rome's final pullout of Britain. Although, as a dedicated Christian he is desperate to return to Rome to influence the budding religion, his first loyalty is to his pagan Knights. Arthur sees his duty is to free them from their servitude to Rome so they may return to their ancestral homeland in Sarmatia.



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