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Every serious writer must grasp proper editing principles, regardless of their craft — literary fiction, non-fiction, true-crime, forensic and autopsy reports, short stories, essays, blog posts, legal judgements, copywriting, screenplays, employee assessments, business correspondence, requests for laboratory analysis, letters of reference and resignation, agent queries, and… especially when penning a deadly crime thriller. But most of us can’t afford a professional copy editor, let alone paying thousands for a full developmental hand-holding. This weekend I’m releasing the detailed guide How To Self-Edit Deadly Crime Thrillers on Amazon—but I sure as hell didn’t do it alone. All editing stages overlap and there are different industry terms for the same thing—lines between each type of edit being blurry rather than bold. Developmental or Macro Editing — Deals with the big picture items in layers 1 – 6 on the pyramid.
Line or Micro Editing — Covers more easily fixed issues like word choice, paragraph flow, awkward sentences, eliminating redundancy, catching cliches, and style quirks.
Copy Editing — Makes the manuscript follow the rules of grammar, punctuation, spelling, and word choice in layer 7, but it’s not beyond recognizing problems still living in the lower layers. Formatting — Gets the manuscript ready for submission to the next set of eyes, whether it’s to another editor, agent, publisher, or uploading to eBook format. Proof or Script Reading — Corrects typos and other overlooked errors like punctuation, capitalization, numerals, and spacing. You’ll hear advice from seasoned writers, like Stephen King, that it’s best to just bang away at the first draft until it’s done, then go back and start the revision process—rationale being that it’s more important to keep the words flowing. Writing and editing are two separate processes, each stemming from two different parts of the brain. Voice is your distinctive way of choosing and stringing words together—your writing accent, your views, culture, biases, and formal training. I like hearing a natural, open, appealing, and charismatic tone and style that draws me in and binds me with storytelling.
One of the best writing, therefore editing, resources I’ve found is The Little Red Writing Book by Brandon Royal. I rate The Little Red Writing Book as a resource right up there with The Elements of Style and On Writing. Click Here for Brandon Royal’s website and view all his works, including his updated The Little Gold Grammar Book. It’s said that ninety percent of writers use commas correctly seventy-five percent of the time, but only one percent of writers use commas correctly ninety-nine percent of the time. Joining comma — Separates independent clauses connected by coordinating conjunctions such as and, but, yet, or, and for. It’s nearly impossible to “toggle” the creative left brain and instantly make it the analytical right brain. Reading other Crime Thrillers is probably the best way to tune your subconscious to absorb the techniques and structure needed to write and edit in the genre. Think about how far we’ve come in writing technology that makes self-editing so, so much simpler—the chisel and tablet, quill pen & ink, ballpoint and legal pad, ribbon typewriter, carbon paper, whiteout, word processor, MS Word, Scrivener, Google Docs, SIGIL, JUTOH, Calibre, WPS Writer, Adobe in Design, Page Plus… what’s coming next?
There is a lot of software available for both PC and Mac—some free, some expensive—but remember you usually get what you pay for. I can only vouch for Grammarly because I downloaded the free version to try out on this manuscript. I am ready to hear honest feedback that might require me to do a significant amount of additional work. I understand that an outside reader’s reaction to what I’ve written may be different from what I intended that piece to convey.
I really want to learn how to make this piece the best it can be—and am willing to do what it takes to accomplish that. Copyright infringements are serious matters and they apply to written content, song lyrics, poetry, verbal quotes, online images, and many other expressions. Copyright protection is a gray area, and the best advice for using someone else’s original material is to simply ask permission. I’ve done that with every contributor to this guide with the exception where I’ve only referenced and linked their Open Source—Public Domain content.
You’ll eventually have a copyright page in your published book, regardless if indie or traditional, and it should conform to the standard of the country you’re publishing in.
Stephen King — “Only God gets it right the first time and only a slob says, ‘Oh well, let it go. Richard Kinlogh — “When I’m writing, I make the words my bitch, but when I’m editing, the words make me their bitch. How To Self-Edit Deadly Crime Thrillers – A No BS Guide With 101 Killer Tips is now available in Amazon Kindle eBook format.
The next guide in the series How To Write Deadly Crime Scenes is in the draft stage and I hope to have it published in the next few weeks. This entry was posted in Writing and tagged Crime, Edit, Edit Yourself, Editing, Editing And Proofreading, Editing For Writers, Guide, How to, Resource, Self Editing, Self Editing For Fiction Writers, Self Editing For Indie Authors, Self-Edit, Thrillers, Writing on April 9, 2016 by Garry Rodgers. I researched and developed a list of pointers—mostly notes to self—on some of the most important tips.
My friend and fellow crime writer, Sue Coletta, generously offered to critique and edit the guides.
With Guide Six, the series takes a scientific turn and looks at the world of Forensics which no crime story can ignore. Words of Stahl, Words of SteelThe surname Stahl is the German word for steel, and it's the alloy from which Greg Stahl's words are forged. From gritty reporting to sniffing out the ethos that makes a story worth telling, Greg Stahl has produced 15 years of award-winning journalism. Greg Stahl's portfolio is diverse and represents a far-reaching skill set that includes copywriting, project management, editing, public relations and communications, feature writing, news reporting, photography and more. Of course you want your reader to live the characters’ experience, but filter words won’t help you. As a book editor, I make it a point to eliminate unnecessary filter words in every manuscript I work on.


Sometimes filter words are an essential part of the meaning of the sentence, and in those rare cases, you’ll want to keep them in.
You may be unable to keep yourself from writing filter words in a first draft, but after a while, filtering out the filters will become second nature—and your manuscript will be stronger as a result. For more examples of filter words in action, check out Pub(lishing) Crawl and Write it Sideways.
Whether you are writing a press release, a book, or your masters thesis, Leslie Prpich of beyond words can help you get your message across. Save environment essay in 150 words.Essays on Essay Save Environment Of 150 Words Search Results.
Paragraph Women There are tons term papers and Empowerment Easy Language Hindi Meaning can someone give me word about an Ecology - Custom Writing Volcanoes Their Environmental Role: Role Research Paper, For Kids Water students.
You can use the ‘Find and Replace’ feature of your word processing software to make sure you have used the correct version of each word throughout your manuscript.  We are currently planning some new blog posts on other ways to save time by using the tools in Microsoft Word. There’s no escape from effective editing because perfection is the mark of a polished professional.
Learning to competently self-edit takes tremendous effort and amounts to taking a personal scalpel to your work, using the eye of a voyeur and the ruthlessness of an ax murderer. The clearest explanation I’ve found comes from Marcy Kennedy, a writer and editor who has her own great series of craft guides. It’s also called outline, comprehensive critique, substantive review, structural assessment, and content edit. It’s taking a complete, working manuscript and making it an acceptable, professional document. Outstanding writers primarily master a limited number of the most important writing principles.
It keeps me grounded in the story and allows to me look at it with fresh eyes in the morning. The way I look at it—if you were to peck away until 80K words were done, it’d be a long time since you hid that dwarf in the closet. Voice comes from the people you’ve met, the books you’ve read, the education you have, and the worlds you’ve inhabited—not just in your body, but in your mind.
Even words you use in everyday, normal speech may be slightly off, but they must be correct in published work. You can’t be a good self-editor without being a good writer, and you can’t be a good writer without being a good self-editor.
I’m not distracted by the web, and I get energized by all the young people and books around me. I have a problem with tic-words (just, that, then, turn, actually, and like, are my worst) and with tense switching. This quickly finds multiple errors and gets them out of the way, saving time and energy, which you can spend on improving structure, characters, and dialogue—or better yet, working on your next Crime Thriller. Although proofreading is an ongoing process—if you see an obvious error anywhere along the way, it makes sense to correct it then—the real proofread comes after formatting is finished. Each country has a slightly different twist on copyright protection, but there is one universal principle that applies.
There’s a big difference between the general concept of an idea and your unique, written expression. One book after another, you’ll find it easier to think through editing and developmental issues and work them out for yourself. Kim Foster, Tanya Egan Gibson, Michael Heibert, Beth Hill, Marcy Kennedy, Susanne Lakin, Jessica Page Morrell, Gabriela Pereira, Brandon Royal, Scarlett Rugers, Alexandra Sokoloff, Jessica Strawser, Sarah Kolb-Williams, and Cathy Yardley.
It’s a craft an author must have passion for, as well as having the writing skills and subject knowledge to make their story believable—and hold their reader’s interest. Thinking it would be helpful to others, I published it as a pdf under the title Dead Write with 99 tips and offered it as sign-up bait for my blogsite. It gives writers a unique look into the real side of crime writing based on my actual experience and a hell of a lot of research—never mind help from a gem of a source. Sue is an accomplished author on her own with a new crime thriller Marred hitting the shelves on November 11, 2015. Researching this has taken my writing knowledge to a whole new level and I hope it does the same to others.
Whether on Capitol Hill or the front lines of the West's biggest wildfires, he's got a knack for sniffing out stories — and telling them well. From grant applications to magazine features — and with knowledge of varying style books and guidelines — this is where to turn for an extra set of eyes or a special twist of phrase. They’re some of the weakest words you can write, in fact, because instead of putting your reader in the character’s shoes, you’re putting another layer between them. Turning and looking herself, she saw a beautiful woman on the sidewalk, talking animatedly on a mobile phone.
By removing the filter words from a first person narrative, you’ll coax out your narrator’s voice so it rings clearly in the reader’s mind. But knowing which ones to strike and which to keep requires just a little bit of critical thinking. In order to post comments, please make sure JavaScript and Cookies are enabled, and reload the page.
We have also provided a short definition for each word, so you can check you have used the correct spelling for each. This is a look at story issues—characterization, setting, plot, show vs tell, backstory, POV, dialogue, pacing, goals, stakes, and motivation. I’m not so sure about that, but then keep in mind that Stephen King has natural story sensibilities, so it works for him. When you go back over that early chapter in a month or two, you’ll have no frickin’ idea why you stuffed him there in the first place. Because we’ve been conditioned to read the first and last letters in a word, we’re often unaware that we subconsciously absorb reversals of letters.


Most writers suggest taking at least a month after finishing the first (rough) draft before going to even the macro edit. There’s a balance, though, and common sense dictates that purpose calls the shot if a piece stays or goes. She wants you to sound confident, intelligent, personal, authentic, trustworthy, and even vulnerable.
The more audacious you are with language, the more perspicacious you need to be in looking up proper usage. Easier said than done.) A prominent writer I know uses a separate computer for her writing and self-editing that doesn’t have an internet connection. That’s until a birthday party arrives with thirty, five-year-olds accompanied by a balloon-animal tying clown that looks like Pennywise from It.
I’ve written them in red on my whiteboard and on a little yellow sticky-note beside the screen. The more editing you do, the better writer you’ll become, and the less editing you’ll have to do as your career advances. If you just read what everyone else in the genre is reading, you’re just going to write what everyone else is writing. When I found out that your manuscript still has to be reformatted from Scrivener to Word for submissions to an agent or publisher, as well as for HTML formatting as an eBook, I didn’t see much advantage to it.
Click Here  Eventually your manuscript is going to be put into Word to become a book, so you might as well get used to it.
Keep in mind that copy editing is making sure the content is absolutely right before formatting. Just send a polite email explaining what you’d like and make sure you offer full attribution for the material. Here’s an example of permission not being necessary, where I simply link to Jane Friedman’s website and her valuable article on the Fair-Use Doctrine. When using material that came from somewhere else, always ask permission and get it in writing. And, of course, the biggest thank-you goes to Sue Coletta for her commitment, hard work, and attention to detail. I quickly found that, although I might be an adequate technical writer, I knew little about the tricks of the fiction trade. It’s now matured as Guide One with a more professional look as 101Killer Tips on Writing Deadly Crime Thrillers. Sue recently renovated her website and it’s an excellent source of information for crime writers and fans. There’s tips on formatting dialogue so your novel will read like a crime book and not like some soap-opera script. Plot is all about characters doing something to forward the story and their own development. Maria felt a little tug of jealousy, and she turned back around furiously and stared at James, who jumped and looked down at his espresso. Jealousy tugged at Maria’s gut, and she glared at James, who jumped and shifted his eyes to his espresso. And regardless of the POV, your reader will feel the experience of your characters more deeply and directly.
When I look at the previous day’s work, I invariably find glaring errors, overwriting, and general structure issues.
This is inherently compounded when we re-read our own work, as we’re conditioned by already knowing the material, especially if it’s fresh in our mind.
I always use it, because my English teacher drilled it into me, and I’m now too old to change. Also, reverse the words to read, “It was a stormy, dark night.” If the sentence still makes sense, you know a comma is necessary. Speaking of effective—whether you like him or not—Bill Clinton was one of the most effective presidents in getting his daily agenda done, and he attributed it to his ability to compartmentalize tasks. If you have to breathe more than three times in one paragraph, it’s too long for a Crime Thriller. Your skills will grow stronger and your editing effort will expand beyond merely making your book “work”, but to transcend your genre and influence how people see the world. It’s primarily aimed at crime-fiction writers but the principles can be applied across the board to all forms of writing.
Because of this subjective view, it’s exceedingly difficult to self-edit if we stay in a writer’s mindset. If you cut simply because the material doesn’t have immediate meaning, you risk missing out on other aspects of language, which is the vehicle of storytelling. Besides, you can’t be misunderstood for using it, but leaving it out could get you in trouble. It gives you tips on how crime scene investigators recognize evidence and how you can accurately portray the scenes in your books. They’re boring as shit because they’re bound by the restraints of graduate degrees and academic correctness.
The guide has sections on legal requirements, responsibilities of investigative roles, and how personalities intertwine on the CSI ‘food chain’. You’ll find the writing community is exceptionally generous, as long as you’re genuine and also help others. Accolades All 100- 200 & Paragraphs Short Conserve Water, Health Wealth Christmas 140 Words.
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