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El Lissitzky was a Russian born artist, designer, typographer, photographer and architect who designed many exhibitions and propaganda for the Soviet Union in the early 20th century.
Perhaps his most famous work was the 1919 propaganda poster "Beat the Whites with the Red Wedge". In his early years he developed a style of painting in which he used abstract geometric shapes, which he referred to as "prouns", to define the spatial relationships of his compositions. He moved around in the 1920s and spent time in both Germany as a cultural representative of Russia and, after he was diagnosed with pulmonary tuberculosis, Switzerland in a Swiss sanatorium.
I am a firm believer in structure and grids in my designs, so when I was assigned to research a previous graphic design style of my choice, I immediately wanted to research the Swiss Style, otherwise known as the International Typographic Style.

His development of the ideas behind the Suprematist art movement were very influential in the development of the Bauhaus and the Constructivist art movements. The shapes were developed in a 3-dimensional space, that often contained varying perspectives, which was a direct contrast to the ideas of suprematist theories which stressed the simplification of shapes and the use of 2D space only. But this never stopped him from working as he continued to produce propaganda posters, books, buildings and exhibitions for the Soviet Union.
The inner pages were poster designs that included background information on famous typographers from this era. His stylistic characteristics and experimentation with production techniques developed in the 1920s and 30s have been an influence on graphic designers since.

The usage of a grid, san-serif typefaces and asymmetrical layouts were all characteristics of this style.

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