Mother day flowers traditional

Chicano money tattoo

Free backgrounds for photoshop cs5,gallery tattoo 3d,tattoo shop photo galleries 247 - PDF 2016

An attractive and compelling background adds depth to your graphics, banners or ads; and for this reason is of great importance.
Here, we are showcasing some of the web’s truly amazing Abstract Background Design Photoshop Tutorials for our readers.
This tutorial lets you learn how to create an attention-grabbing kaleidoscope type poster in Photoshop CS5 by combining basic colors, shapes and brushes. In this tutorial you will learn how to create a tremendous space scene in Photoshop CS5 by mixing different shapes, brushes and blending modes.
In this tutorial you will learn how to craft a vibrant Valentine’s Day card befitting of the day, by means of basic shapes and gradients in Adobe Photoshop CS5.
Here the artist will take you through the steps he took to create this stunning abstract design. This tutorial shows you how to bring warp tool plus into play to generate great looking abstract shapes to beautify your design. In this tutorial, using the cloud and twirl tools you will be able to easily create a planetary ring no galaxy would be complete without. In this intermediate level tutorial, the artist will show you the steps he took to create this detailed meteorite and surrounding space environment in photoshop. In this tutorial you will learn how to create a great abstract work of art combining a 3D-looking base with some various added effects.
Here, Fabio Sasso teaches you how to create an abstract background image using Photoshop alone to give a cool wavy pattern with some eye-catching lighting effects to your work.
This tutorial guides you step by step on how to create an abstract lines background in Photoshop. This Photoshop tutorial shows the creation of an Alpha Channel by means of the calculations dialog that will create a truly amazing abstract colorized photo effect.
Learn to give retro-style graphics your individual modern-day spin with this tutorial shared by Graphic designer, James White. In this tutorial, you will learn a couple of techniques that include glows using layer styles, stroking path, particles using brush dynamics, and bokeh effects.
This tutorial guides you through creating some lighting effects with colorful wave elements by using Photoshop CS4. Here, the artist is showing you how to quickly give life to a space scene with some pleasant lighting effects. This tutorial will teach you some simple techniques for creating dazzling light streaks which can be utilized in different manners to add movement and brightness to your designs.
This drawing tutorial takes you through the formation of this abstract multicolored illustration with the use of simple tools and techniques like the Ellipse Tool, Brush Tool, Gradient Tool, Layer Style, etc.
Generate an abstract and vibrantly rich background with bokeh effects via Photoshop’s drawing tools, blending modes, and lighting techniques. A simple yet very powerful technique to create an abstract wallpaper or image that looks simply stunning and stylish. An easy to follow and understand tutorial on how to design abstract backgrounds, wallpapers, greeting cards, designs, and all that other good stuff. Here, the artist takes you through the steps employed to design abstract backgrounds from bubbles and waves using Photoshop. Use a few brushes and effects to create a very simple abstract shape via the guiding hands of this tutorial.
In this tutorial you will learn how to create an outstanding abstract background using this intense solar flare effect. This tutorial lets you learn how to produce a fantastic background texture that you can customize for your own projects and purposes. In this tutorial you will learn how to create attractive abstract bursts of light for your renders. A Photoshop tutorial which covers creating a Vista like background with aurora type effects. This tutorial walks you through creating a warped effect that you can use to create artistic and profressional backgrounds and wallpapers. In this tutorial you will learn how to give your work an effect reminiscent of shimmering sequins. In this tutorial you will be taught how to create a nice abstract background that you are sure to become known for using.
In this tutorial, you are being shown how to build a fine-looking vibrant tornado or pinwheel styled design in Photoshop.
Here, you will learn how to create amazing abstract artsy backgrounds for any of your design works. Learn how to use Photoshop’s simple shapes, layer styles and gradients to generate a pleasant abstract rainbow background. In this tutorial, the artist is showing how you can recreate an Aurora Borealis type background by using Photoshop only. Learn how easy it is in Photoshop to create these attention-grabbing laser particle effects. Learn to create a beautiful smoky effect for your designs by using Photoshop with the help of this tutorial. This tutorial walks you through the formation of this somewhat appealing and colorful shape. Create stunning hair like line work and beautify your design with this easy to follow tutorial. Learn step by step how the artist has created this simple yet appealing abstract spectrum of lines that can be used for a wide range of purposes.
This tutorial teaches you how to effortlessly create digital abstract smoke by means of both Illustrator and Photoshop. A detailed tutorial that will guide you through generating an series of abstract light streaks. Aquil AkhterAquil Akhter is a web graphic designer and has been working in this field for 8 years.
This tutorial will show you a simple trick using the smudge tool and some Layer Styles to make your text sparkle! The last thing you need to do, is place the sparkles-2 layer on top of all layers to get the final effect.
Thanks actually I was posting this on another tutorial and by mistake I commented here anyways thank you :). Thanks, the first tutorial out of 5 tried, and this is actually the only one i have succeeded in, great tut, thanks. You can post your comments on those tutorials if you like, and I’ll be more than happy to clarify any unclear points. Subscribe to our free newsletter to get all our latest tutorials and articles delivered directly to your inbox!
In the following Quick Tip tutorial you will learn how to use Ellipse Tool, Brush Tool, and Gradients in Adobe Photoshop CS5 to create abstract swirl waves background. On the next new layer we’ll apply the earlier mentioned brush to paint the canvas with the color #090C3C.
Create a new layer and select the same Soft Round brush to continue painting the canvas in #0070A2 color (brush Opacity – 15%). Create a new layer and select the brush mentioned earlier and use it with the color #A176FF (brush Opacity – 15%) to paint the background. Create a new layer and select on it the earlier used tools to represent the next circle of the color #524F17.
Insert the mask on the previously made layer by choosing Add layer mask on the bottom part of the Layers panel and choose the Soft Round brush of black color. Make a copy of the recently made circle’s layer and select Free Transform (Ctrl+T) command to place the copy on the central part of the original circle, changing also its sizes.

The Ultimate Backgrounds 1 is a must have for every graphic designer, sign maker and creative professional. Logoworks by HP is an online graphic design company that provides logo design, brochure design, web design, and advertising services primarily for small businesses. Dr Neri Karra (born on 24 May 1978) is a fashion entrepreneur, academic director and author. Enjoy this post, and come back soon to check out the second installment of must have PSD files for designers.
This tutorial will explain a simple way to create a polished wood like text effect, using layer to give the beveled look, and a couple of filters to create the texture.
Go to Filter > Sketch > Chalk and Charcoal, change the Charcoal Area value to 6, the Chalk Area to 6, and the Stroke Pressure to 1. This step is optional, but it helps set the colors of the final effect with the Background. In Photoshop CS3, Adobe introduced the Refine Edge command, offering us a first glimpse of how much easier it could be to select hair, fur and other fine details in an image.
I'm going to begin by drawing a fairly rough selection outline around the woman in the photo. With the Polygonal Lasso Tool in hand, I'll begin by clicking around the woman's arm and shoulder in the bottom center area of the photo to lay down points for my selection outline. As I move up into the woman's hair, I'll again stay close to the edge but I'll make sure to avoid any areas where the gray background is showing through her hair. Keeping the selection outline away from areas where the background is showing through the hair.
With my initial selection in place, before I do anything else, I'll make sure I have the correct layer selected in the Layers panel. If you click either on the thumbnail or on the small arrow to the right of the thumbnail, you'll open a list of the different view modes you can choose from.
This mode shows the current selection as it actually appears in front of the other layer(s) in the document, which can be very useful when compositing images since it makes it easy to judge the result. I purposely skipped over the first two view modes - Marching Ants and Overlay - because neither of them is all that useful. The purpose of these different view modes is to make it easier for us to judge our selection as we're refining it.
If you prefer to select your view modes from the list rather than with keyboard shortcuts, make sure you double-click on the name of the mode. Directly below the View Mode option in the Refine Edge dialog box is a section called Edge Detection.
As you drag the slider, you'll see some of the hair that was outside of your initial selection beginning to appear.
If we look in my document window, we can see the radius as that visible zone between the two areas of solid black. Increasing the Radius value has allowed me to fit more of the woman's hair into the zone that Photoshop is analyzing, which is great, except that at the same time, it's not so great because it's causing potential problems in other areas.
With Smart Radius enabled, Photoshop looks more closely along the edge of the initial selection and tries to tighten up the radius size wherever possible. With Smart Radius turned on, Photoshop can adjust the width of the radius in different areas. Once we've done all we can with the Radius slider and the Smart Radius option, we can then manually refine our radius using a couple of brushes that come with the Refine Edge command. The names can be a bit confusing, so you may find it helpful to think of the Refine Radius Tool as the Add to Radius brush and the Erase Refinements Tool as the Subtract from Radius brush. By default, the Refine Radius Tool is already selected for us because that's the one we use the most, so there's no need to actually select it from the list. Before I try to add more of the woman's hair to my selection, I'm first going to use the Erase Refinements Tool to remove the unwanted radius area from the bottom of my image.
To add more of the woman's hair, I just need to paint with the Refine Radius Tool over the area where her hair should be. I'll click on the view mode thumbnail at the top of the dialog box, then I'll double-click on Reveal Layer at the bottom of the list to select it. Now that I know where to paint, I'll press the letter L on my keyboard to switch back to the On Layers view mode, then I'll begin painting with the Refine Radius Tool to reveal more of the woman's hair. When you release your mouse button, the original image disappears and we see the result, with more of the hair added to the selection.
More of the woman's hair now appears in front of the new background after painting with the Refine Radius Tool.
Below the Edge Detection options in the Refine Edge dialog box are the Adjust Edge options - Smooth, Feather, Contrast, and Shift Edge. Now that we're done selecting the hair, we need to output our selection, and the best way to do that is to have Photoshop convert our selection into a layer mask so that we're not actually deleting any pixels from the original image. Since we focused so much on selecting the hair in the image, there may be some other parts of the selection that need a bit of cleaning up. In this tutorial, you will learn how to use brushes and custom shapes in Photoshop CS5 to create Christmas illustration in a few simple steps. Now download the next sets of brushes for in Adobe Photoshop, named: c130_splatter and stars_and_blinks.
Create a new layer and select again the next brush of the color #C78987 from c130_splatter set.
Create a new layer and select the Soft Round brush of black color (set Opacity to 20% in Options bar). Drag the sliders to the right to increase the Hue and Saturation values of the color range. Click again on Create new fill or adjustment layer from bottom part of the Layers panel and click to Curves to adjust the curve shape as shown to make a little color corrections. Using the Line Tool (U) with different weight value, we can represent the threads for hanging the stars. Combine in a group all the threads’ layers (press CTRL button to select the necessary layers and hold on the left mouse’s button while dragging the selected layers on Create a new group icon from bottom part of the Layers panel).
Select the Custom Shape Tool (U)in the Tools bar, in the Options bar click the Shape to open the selection menu. Click on Add a layer style icon from bottom part of the Layers panel and select Outer Glow. Sure there are some people who might not notice backgrounds, but the role they play in making the entire artwork look more interesting and visually alluring is paramount.
Be you a PS enthusiast or junkie, you will surely want to take a look at the offerings we have compiled. This is novice level tutorial with the intention of teaching how to utilize the pen tool and dynamic brush setting. Create a new layer on top of the rasterized text layer and call it sparkles-1, then start adding the brush on the tips of the letters. In the Options bar, pick a soft round 20 px brush tip, then change the Strength value to 70%.
You can use these techniques and elements to create your own abstract background for tablet or smartphone! Apply the Elliptical Marquee Tool (M) to represent the ellipse and the Paint Bucket Tool (G) to fill it out. She holds a PhD from the University of Cambridge and is an entrepreneur, heading up the luxury leather accessories brand, Neri Karra. If you are looking to create certain types of works such as clean and simple image slider, creative resume or even metal toggle switch, these free PSD files are right for you. Make sure that the texture layer is selected, and fill the selection with the Foreground color.

So go ahead and create a new layer on top of all layers, and with the Foreground and Background colors still as in Step 3, create a Radial Gradient form the center of the document to one of the corners. If there's one thing every Photoshop user wants to know, it's how to select someone's hair in a photo.In earlier versions of Photoshop, selecting hair was the kind of thing that separated the pros from everyone else, requiring advanced knowledge of color channels, confusing commands like Calculations and Apply Image, fancy blending options, and even painting individual strands of hair into the image by hand! But in Photoshop CS5, Adobe gave the Refine Edge command a major overhaul, with enough improvements and new features to make selecting hair in a photo easy enough for anyone to do!
If we look in my Layers panel, we see that I have another photo sitting on a layer below the original photo. Your selection may be appearing in front of a white background as mine is, or it may be in front of a solid black background. I currently have the On White mode chosen, which is why my selection is appearing against a white background. White represents the area that's currently selected, while black represents the area not currently selected. In my case, since I have a second photo on a layer below the main image, we can see the second photo behind my selection.
The Marching Ants mode will show the standard selection outline, while the Overlay mode will display the non-selected area as a translucent red overlay similar to how the selection would appear in Quick Mask mode.
With some images, the selection may be easier to see against white, others against black, and so on. I'm using the On Layers view mode to make it easier to see the hair as it will actually appear in front of my background image.
The way the Refine Edge command works is that it looks around the edge of our initial selection to decide what else needs to be included in the selection, and the Radius value controls how far away from our initial selection edge that Photoshop will look. The solid black represents areas that Photoshop is ignoring as it looks for additional pixels to add to our selection (with the On White view mode, the areas being ignored appear in white, not black). In other words, with my image, the edge along the woman's arm and shoulder is smooth, so Photoshop will (hopefully, anyway) reduce the width of the radius in that area while still leaving a wider radius for the hair.
Depending on your image and the type of edge you're working with, Smart Radius can help or it can make things worse.
Keep in mind as you use these tools that unlike Photoshop's other selection tools, we're not adding to, or subtracting from, the actual selection itself with these tools.
It's a bit hard to see in the screenshot, but a small minus sign (-) appears in the center of the brush cursor when the Erase Refinements Tool is active (a plus sign (+) appears when the Refine Radius Tool is active).
But how do I know where to paint when I can't actually see the rest of her hair because it's not currently part of the selection? Just like any of Photoshop's other brushes, we can change the size of both the Refine Radius Tool and the Erase Refinements Tool directly from the keyboard.
All four of these options are set to 0 by default and when using the Refine Edge command for selecting hair, it's usually best to leave at least the first three options (Smooth, Feather and Contrast) set to 0. Dragging the slider to the right of center will expand your selection edges outward, which may help to add more hair to the selection, while dragging the slider to the left of center will contract the selection edges inward, tightening up the selection. We're seeing a lot of fringing around the hair, which is remaining color from the original background. If we look in my Layers panel, we see that Photoshop has made a copy of my original image and converted my selection into a layer mask on the new layer.
That's how to select hair in a photo using the powerful Refine Edge command in Photoshop CS5! Download from Psdgraphics the next Red grunge background and insert it on a new layer in our main document. Find 5 Point Star at the bottom of the menu, and then double-click a shape thumbnail to select it. They really do help to tie the entire piece together, no matter how simply or aggressively they are employed.
Let the center of the brush be positioned on the tip, and click once each time to create the sparkles. Photoshop's standard Lasso Tool will work fine, and the Polygonal Lasso Tool will work even better because it's faster and easier to use. Or, you may still be seeing the standard "marching ants" selection outline, or several other possible views. Often, we'll need to jump between view modes as we're working, which is why you may have noticed that each of the view modes in the list has a letter to the right of its name. If you look to the right of the View Mode preview thumbnail at the top of the dialog box, you'll see an option called Show Radius which by default is turned off.
A general guideline with Smart Radius is that it tends to help with selections that contain different types of edges, as in my case here.
If you click and hold on the brush icon, a menu will appear where you can select the brush you need. It would be helpful if there was some way to temporarily view the entire original image so I can see exactly where I should be painting. Pressing the left bracket key ( [ ) will make the brush smaller, while the right bracket key ( ] ) will make it larger. The Smooth option is used for smoothing out jagged selection edges, but it usually causes problems when selecting hair. If neither direction helps to improve your results, simply drag the slider back to center. We can remove the fringing using the Decontaminate Colors option, found in the Output section at the bottom of the dialog box. As you drag the slider further to the right, Photoshop removes the fringing by physically changing the color of the pixels around the hair so that they match the color of the hair itself rather than the original background color. People miffed by Adobe's wholesale move to subscriptions will find a great alternative here.
It all depends on which View Mode is currently selected at the top of the Refine Edge dialog box. The letter is the keyboard shortcut for quickly switching between view modes, and they're handy to know. I still have a wide radius around the hair, but the radius along the arm and shoulder is much more narrow. If, on the other hand, you're only selecting hair and nothing else, or only selecting smooth edges and nothing else, you'll probably find that you're better off leaving Smart Radius disabled. In other words, you'll never need to select either tool from the dialog box, so you can safely forget all about that brush icon.
Thankfully, another of the Refine Edge view modes - Reveal Layer - let's us do exactly that!
The Feather option will blur the selection edge which just makes things look soft, blurry and unprofessional. I am confident that these files will save you lots of time in your next graphic design project.
For example, you can switch to the On White mode by pressing the letter W on your keyboard, the On Black mode by pressing the letter B, the On Layers mode by pressing the letter L, and so on. Of course, it's easy to select it and then decide if things look better or worse, but don't think you need to use the option just because it's there and it has "Smart" in the name. And the Contrast option will attempt to sharpen up selection edges by boosting contrast, again not something that usually works well with hair. If we set the Radius value to, say, 50 pixels, Photoshop will look 50 pixels in either direction of our initial selection edge to determine if there's anything else within this area that should be included in our selection.
Alone relatively designs sets circles 7 abstract wedding in just heres 21 free they and backgrounds background psd about for free multi 13 elements download photoshop nice are remember, isolate we distributed post free for the web 40 wallpapers showcase backgrounds.

Praying hands with clouds tattoo gallery
Piercing and tattoo brampton
Black tribal back tattoos quotes
Wolf eyes tattoo pictures


  • KRASOTKA_YEK, 24.03.2015 at 18:41:16

    Usually fairly buttoned up, I particularly love understanding.
  • YAPONCIK, 24.03.2015 at 10:23:31

    Do, since dandelions will develop nearly anyplace and are filled.
  • OnlyForYou, 24.03.2015 at 11:51:42

    Solely prepared and stencil tattoo design one of the hottest developments in the tattoo world. Dreamcatcher, virtually.
  • Gozel, 24.03.2015 at 16:21:39

    That will stay looking great.