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Editar videos es siempre un trabajo que lleva mucho tiempo, y mas si deseas tener una excelente produccion. Cuando ya sepas cual es el video a editar, solo deberas copiar y pegar la URL del video en cuestion.
Ademas existen diversos tipos de efectos para agregar a los videos, y finalmente te daran una URL para que puedas embeberlo en tu sitio, o pasarlo via mail, o MSN a tus amigos, para mostrarles el resultado final,. There was a really great article in The Arts section of the New York Times yesterday about graffiti. A disused road tunnel in South London was transformed into "an oasis of beautiful art" after Banksy got a hold of it. Photojournalist Martha Cooper is best known for her photographs documenting the New York graffiti scene. Modern Arabic GraffitiAncient calligraphy meets politics in modern Arabic graffiti ?Arabic artists push the boundaries of graffiti with their calligraphic styles and political messages. The children were released on March 20, reportedly showing signs of torture, and people took to the streets against the regime. Graffiti in the Arab world isn't something that is talked about much, but a new book released by Berlin-based publisher From Here to Fame aims to change that.
Zoghbi remarked that it's the easiest, fastest and virtually only way for a person living in an undemocratic state to express their opinion openly. Even though graffiti has been on the rise since the so-called Arab Spring, with political slogans appearing on the streets and even on tanks, if people are caught, the punishment in Arab authoritarian nations are usually a lot harsher than in the West.
In Syria, the security army removed the fingernails of teenagers who sprayed anti-government graffiti, while in Libya some of the protestors who took their message to the street with spray cans paid a much higher price. In terms of style, Lebanese artists are heavily influenced by New York graffiti from the 1980's, while Zoghbi said that in other countries artists are more inspired by the natural flow of the Arabic script itself. In Palestine, on the other hand, street art takes many forms, from political statements, to murals or stencils of martyrs. The controversial barrier that Israel erected in the West Bank is a central theme used by Palestinian and internationally renowned artists like Banksy, Blu and Swoon to criticize Israeli policy. One of the most influential artists profiled in the book "Arabic Graffiti" is French-born Tunisian eL Seed, who now lives in Canada.

The book includes a brief description of these different calligraphic styles, including the oldest and most refined Arabic script, Kufic, which branched off in two directions.
L'Atlas developed a new kind of alphabet, melding Latin letters into the geometric Kufic forms in an attempt to explore new visual possibilities and to bridge the gap between East and West.
After being caught by police while doing graffiti in 2001, l'Atlas decided to start expressing his ideas legally by using gaffa tape on the ground.
The compass is also a representation of himself as an artist, who came from the underground and had to negotiate the city and the art world. There are clear similarities between Western and Arabic graffiti; in both genres, the letters are extended and intertwined.
The highest number of nose jobs in the world, dyed-blond hair and perfect manicures – many Iranian women emulate Hollywood actresses, often behind closed doors and underneath the chador. In order to post comments, please make sure JavaScript and Cookies are enabled, and reload the page. Living in New York City, graffiti begins to fade into the landscape, but the truth is, it's a huge part of the culture. A new book published in Germany looks at what makes Arabic street art unique – and just how powerful it can be. Since then, human rights groups say that more than 1,000 people have been killed and 10,000 arrested. Written by German graffiti writer and publisher, Don Karl, and Lebanese typographer, Pascal Zoghbi, the book profiles a number of important artists and introduces the Arabic alphabet and calligraphic styles to non-Arab readers. While there are also taggers in Arab regions, according to Lebanese typographer Pascal Zoghbi, graffiti assumes a more urgent role as a means of voicing dissent. Zoghbi said that as long as graffiti doesn't target a certain politician, or political party, it was ok. Many locals, however, are opposed to artistic representations of the wall because they think this makes it beautiful and therefore acceptable.
Like many alphabets around the world, Arabic can be traced back to 1300 BC to the Phoenicians who first developed phonetic characters.
The smoother, curvilinear style was used in North Africa and Spain, while the Square Kufic style was used in the East.

He began to create compasses in a cryptogram style, directly outside the subway exits in Paris in white gaffa tape, hoping to encourage people to question their personal direction in life.
Within just a couple of years, everyone in Paris had heard of l'Atlas and his quest to bridge continents, eras, and art forms. This applies in particular to defamatory, racist, personal, or irrelevant comments or comments written in dialects or languages other than English. Es muy sencillo de utilizar, y simplemente necesita que el video a editar este hospedado en algun sitio como puede ser Youtube. A few weeks ago, the graffiti collective Slavery created a piece entitled "Joan of Arc" on the side of a warehouse along the Gowanus Canal in Brooklyn, NY. Cinnamon Nippard reportsGraffiti can be more than just a can of spray paint: It played a small part in the revolutionary change that swept the Arab world earlier this year. In this way, Arabic graffiti often takes the form of political slogans like "Be with the revolution," which spread from country to country during the recent uprisings. He no longer tags his name on walls or signs his murals, but instead has adopted a proverbial tradition where the message takes precedence.
After meeting Arabic calligraphic masters, l'Atlas studied in Morocco, Egypt and Syria, and developed a passion for the Square Kufic script. Comments submitted by readers using fantasy names or intentionally false names will not be published.
This piece pays homage to a 1980 work by artist Seen (known as the "Godfather of Graffiti") entitled to "Hand of Doom," that covered an entire number 6 train car. The uprising in Syria was incited by the arrest in early March of a group of children, aged 8 to 15, who had been caught spraying anti-government graffiti on the wall of their schoolhouse. From the set of symbols, other calligraphic styles like Thuluth, Naskh, Farsi and Diwani developed. These "historical revival" pieces have been showing up all over Brooklyn and Manhattan-all by different artists honoring those who paved the way for them.

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