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Now Brian was free to create the book he'd wanted to make all along: Good Faeries, Bad Faeries, a visual exploration of the faery realm ranging from the old folklore tradition to faeries in the modern world. It was a real honor to work on Good Faeries, Bad Faeries with one of the most original and beloved artists of our day -- and absolutely fascinating to be engaged in Brian's creative process from the germ of the idea to the completed book. Faery, published many moons ago when I was a young sprout of an editor at Ace Books, also contained stories about faery realms world-wide, and was also a World Fantasy Award nominee. You can watch a litle flash movie for The Winter Child here, on the World of Froud website.
And you can read an interview with young Sneezle himself, over on the Green Man Review website.
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The specific landscape that had inspired the art in Faeries was Dartmoor, a magical corner of  England that is particularly steeped in in legend and myth.

This time the book's text would be by Brian himself, discussing his pictures and his personal perception of the faery realm.
When the series abruptly ended, Midori and I lengthened our manuscipts into full novels and gave them to our own publishers.
Contributors to the volume included  Angela Carter, John Crowley, Nicholas Stuart Gray, Patricia McKillip, Robin McKinley, Theodore Sturgeon, and Jane Yolen. What I didn't know then, when I first read Faeries, was that I would one day live on Dartmoor myself. Then four fiction writers would divide the art between them, and each would go home to write a novella inspired by pictures. We had Brian's blessing for these new publications -- but not his art, which was tied up with the old series packager.
And that my background in folklore studies would lead to working with Brian and others on the following books about the faeries.
For many years, nonetheless, Brian was stymied in all his efforts to get another faery book into print (although he made two enormously popular children's films with the great Jim Henson in the meantime: The Dark Crystal and Labyrinth).

The book contains original stories (for teen and adult readers) inspired by faery folklore from around the world. The cover art and charming interior illustrations are by Charles Vess -- who, like Brian Froud, has spent a long time wandering the roads of Faerie. It, too, was a bestseller -- and publishers took notice that readers were still interested in faeries. The authors in the volume include  Holly Black, Emma Bull, Charles de Lint, Gregory Maguire, Neil Gaiman, Tanith Lee, Kelly Link, and Patricia McKillip.

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