We had to do a little reshuffling in order to appease the fourth dimension, which frankly is kind of being a bitch lately, by the way, and that means I’m taking over recaps for Dating Agency Cyrano. We pick up at the high school, where Operation: Idol Crush is supposed to be heading toward its happy ending.
Byung-hoon looks less thrilled at the reunion than Yi-seol, who lights up at the sight of him.
Se-kyung realizes that he faked this (to help Ho-yeol escape the reporters), and it’s duly crushing.
Idol boy Ho-yeol finds her outside, and though he sort of acknowledges her, he continues on his quietly dejected way. Min-young finds Arang in the theater and guesses that he really does like Se-kyung, but played it the opposite way for the sake of the mission, giving the twist another twist. Hearing that Byung-hoon missed it because he got distracted, Arang asks her to keep it a secret.
She doesn’t agree right away, musing that she would rather root for his romance to succeed.
When she sees his strategy boards, he whips up lies on the spot, saying he’s planning upcoming projects.
She recognizes Arang, who is the sole remaining member of the old troupe, and assumes that Min-young is one of the current members. Byung-hoon offers to bring them out again but she declines, adding that they were gifts from Do-il. The debt collectors come by again, and to preserve the ruse Byung-hoon introduces them as more troupe members whose gangster appearance is a product of Method acting.
The gangsters head next door to report the new arrival to their hyungnim, and Seung-pyo sees them walk by—and recognizes Yi-seol by name.
Byung-hoon sees her off, and she hands him an envelope that Do-il had wanted to give to him personally, which bears the Cyrano logo.
Pretty waitress Hye-ri arrives for her shift, and Moo-jin visibly stiffens, which is remarkable since he’s so reticent and stiff to begin with. It’s team meeting time but Min-young drags her feet, undecided on how to approach this idol case. She sighs that it’s especially complicated when your first love is part of a love triangle, because it enhances the memory in a painful way.
Flashback to the day when Se-kyung had first noticed Arang, thanks to the hallway hockey he’d been playing.
Then Moo-jin informs them that the boss must have seen the video footage, which means he knows about the kiss. Byung-hoon joins them and first offers Arang a Cyrano business card (and an employee discount, HA) to have them work on the case for him.
He tells Arang to tell the target his honest feelings, which makes Min-young’s day—so he is giving Arang a chance after all.
Meanwhile, Ho-yeol waits with bated breath near the alley where they had previously hidden from his fangirls. Arang is so flustered at this unexpected chance that he’s silent for long moments, and Byung-hoon yells at him to do it already. The light starts to flicker, and she walks closer to see something stuck to the wall—that band-aid she’d given him.
Moo-jin rides up to find Arang sitting alone nursing his broken heart, and gives him a shoulder to lean on. It takes her a while, but finally Se-kyung comes to that convenience store where she’d once run into Ho-yeol. Watching from the van, Min-young wipes away happy tears, happy with the fulfilled romance and with Arang’s maturity. He sinks into melancholy thoughts, and looking at that Sherlock Holmes charm triggers a flashback of when he first received it. Min-young drops him off at a storefront, and he bursts inside where Yi-seol is at work with her marionettes. I’m in the mood for a breezy romantic comedy, and Dating Agency Cyrano is fitting the bill—it moves quickly, offers up enough comedy without feeling like a gag reel, has a dash of intrigue, and shows character growth.
For instance, despite the fact that Byung-hoon is masterminding everything (to a level of precision that even his teammates don’t always know about), he lets the feelings breathe in the end, which is a good sign. I also like how the Client of the Week allows the show to offer a variety of perspectives about love, which is also shown in the very different personalities running Cyrano Agency. Master Seung-pyo is an interesting one, and they’re keeping him in the shadows for the time being. The pacing of the show is brisk enough that we keep from sticking to one particular character or emotional beat for too long, which I consider an asset. Most of all I’m enjoying the rapport of our main cast, and I find myself liking the heroine a surprising amount. My only quibble with this episode was the example of the dinner being cooked: In my view, that meal was being made for a customer. I am counting on you to answer some of my questions again ?? and on you to chime in as well (in response to my comments, if you feel the desire to. At the same time, before Arang’s confession, Sekyung already to develop feelings for Ray, thats why she chased him to the hall, when she found out he is supposedly leaving school. To me, it looked like Ray’s problem was that Sekyung refused to see him as anything besides an idol. If Se-kyung is such a naive girl to interpret romantic gestures as love , then i doubt someone would approach Cyrano to make her fall in love with them.
Well, in the movie [spoiler?] there’s a scene where the former target found out that everything was a lie and blaming Cyrano Agency for ruining her life.
And the basis is faulty for sure, but it gives an opportunity (however deceitful its methods), to at least start the relationship. So what Cyrano agency is doing is making a great start for people, getting people to notice eachother, but nothing more than that.
I really liked episodes 4 and 5, especially the scene where Arang confessed to Se-kyung and how that led to the scene after. En el capitulo 3 aparece Lee Taemin bailando Dream Girl cancion del grupo al que pertenece(SHINee). En el capitulo 11 Seo Byung Hoon menciona el nombre de Choi Soo Young cuando se encuentra en el elevador con Kim Cheol Su.
A zippy and fun opening for Dating Agency Cyrano, the fourth show in the Flower Boy series on cable network tvN.
In a dimly lit restaurant, a man breaks into a nervous smile in front of the woman sitting across from him, who smiles bashfully in return.
He launches into his confession, nervously stuttering his words of admiration towards his date. The camera briefly cuts to a mysterious man sitting at a different table before the woman (Lee Chung-ah) gives her answer. Then she downs the rest of her glass, rises from her seat, and confesses her own feelings to the sommelier. We pause to learn more about Min-young, a bright-eyed young woman who works at a bustling matchmaking company. Her clientele is a different story, however, as they name qualifications like a good family background or a successful career. That voice belongs to the man we saw earlier, who asks for a chance to confess his feelings to a fellow client whom he believes to be his perfect match. Min-young contemplates his words against her boss’s strict reminder to stick to the methodical system of relying on statistical data and analysis for creating matches.
The sight of the woman in question leaves Min-young to wonder whether she’s doing the right thing or not.
Min-young gives her client some last-minute words of encouragement before sending him out to the battlefield.
He keeps a watchful eye out with the help of a camera and listens in on their conversation, thanks to the microphone hidden in the flowers. Byung-hoon keeps a tight rein on the entire operation, feeding the appropriate lines to seal the deal. Her client tells her not to beat herself too much about it, and places the blame on himself for going after a Grade A woman when he himself is a Grade F man.
He sweetly adds that he admires the fervent passion she has in her line of work, and hopes that it will find a home.
Her mouth falls open at the sight of the van’s interior, lined with hi-tech equipment, including audio equipment and computers.
Min-young backs away, but she jumps when she finds herself face to face with the van’s owner. Min-young is appalled to find a picture of herself on the board, and Byung-hoon asks her how it feels to act of her own accord, outside of company protocol. She argues that his tactics are impolite, to which he tells her that those so-called romantic overtures are the ones that are impolite. He summarizes that this is what it means to fully understand someone: If sincerity is to be valued, then one must be thorough. When Min-young scoffs, asking where he gets these ideas, he taps his temple as if to say, From this think bank. He tells her that her words of encouragement will eventually hurt her client in the long run.
Thankfully, Min-young’s boss looks favorably upon her and instructs her to stick to protocol next time. However there’s none of that warm demeanor when he finds her using her restaurant as a temporary place of refuge.

A few telling clues on the man’s clothes and hands is enough for Byung-hoon to deduce that their potential client is a veterinarian.
The team listens as their interviewee, Joon-hyuk, recounts about how he fell in love with a local librarian the day he found her feeding a stray cat in the rain. It’s Byung-hoon who puts them back on track, and he commends Joon-hyuk for retracting his casual invitation to dinner. They keep an eye on their target (Lee Yoon-ji), and avoid her gaze when she gets up and furiously marches through the aisles. That gives Byung-hoon an idea, and promptly tears out a page before handing the book back to Min-young. The situation goes as well as you might expect and the librarian is startled at the damning evidence before her. Min-young pelts Byung-hoon with questions once they’re out of the library, her voice filled with annoyance. She happily reports that librarian Jae-in is an quick and efficient worker who loves her job.
Min-young excitedly asks if Byung-hoon has a strategy in mind, and he gives a knowing smile. Byung-hoon sends him a look and avoids giving a direct answer, spouting roundabout excuses instead.
Cut to: Byung-hoon hanging off of a rooftop ledge, held by a rope as a couple of gangsters who threaten him to pay up. It seems that this is a common occurrence, though it’s highly amusing to see the suave, collected team leader left to the mercy of a pair of thugs. Down below, Min-young wonders if Byunghoon will be all right, and Seung-pyo assures her that with though the men might threaten him, they won’t kill him.
Seung-pyo is far more pleasant this time around, and he’s impressed to hear that the newbie has already been out in the field. Inside, the Cyrano team members brief Byung-hoon on Jae-in, a librarian who knows hapkido and enjoys reading crime novels in her spare time. Byung-hoon takes all of this information and deduces that Jae-in will be drawn to the characters in her favorite detective novels. Team Cyrano implements the first step of their plan to stall Jae-in at the train station, like how Arang deliberately runs into her to slip Joon-hyuk’s library card in her purse. She naturally misses the train, which is when Joon-hyuk steps out to the platform, looking like a character who just stepped out of a 1930’s crime novel. Jae-in roams the platform until her eyes fall upon Joon-hyuk sitting mysteriously on a bench. Byung-hoon commends his team on a job well-done, and he assures Joon-hyuk that he’s made a lasting first impression. He spots Jae-in approaching, and swiftly pulls Min-young close to him, telling her that their target will readily recognize her. What I love is that each character seems like an integral cog to the narrative, including the clients the dating agency serves. Lee Jong-hyuk may not be the typical flower boy you may have imagined in your head, but boy does this man ooze charisma. I agree about the age gap; if the actors look close to their actual age it can really put me off. Interestingly, he was married to an older woman (he was the kept man) in Gentleman’s Dignity. Both men are hitting their 40’s although they can play a character that is much younger, and can actually pull it off.
I never watched any of sooyoung’s works but i always thought she was the prettiest of girls generation. I don’t know if this is reliable but from what I read and understand, the actors of the movie Dating Agency, Uhm Tae Woong and Park Shin Hye have a big age gap (1975-1990).
But it also works for the opposition between the two characters : older man with tons of experience on love and younger woman dreaming and idealizing love. Love the bubby acidic chemical reaction between Soo Young and Lee Jong Hyuk – oh, and, I’m guessing Lee Chun Hee (Master, restaurant owner) as the third leg of that love trainagle .
At first, reading that Lee Jong Hyuk and Sooyoung would be together I doubted how they were going to work it because they have 16 years difference and you can’t imagine these two together kissing or whatever but the episode proved me wrong. If we could get more cameos posing as people looking for love throughout the rest of the show, that’d be so cool.
I love the characters but I cant seem to ignore the fact that sooyoung is younger than jong hyuk by 16 years. I’m fine with the actors so far, although I think less of an age gap (the guy being younger) would have been preferable.
Also, keep in mind that both work with licensed dramas now so sometimes Viki doesn’t get licensing for a drama but DF does and vice versa (they offer some different dramas). Remember though, this is an SNSD drama, so look out for K-pop fan subs that will probably come out like like lighting. I’m almost to the point of crying tears of relief that we’ve got a rom-com to watch now! But things appear to be skidding sideways with our mastermind Byung-hoon dashing off to catch up to that first love he never got over, Yi-seol.
Arang blocks Se-kyung from view as the reporters get click-happy with the cameras, and they belatedly realize that there’s no star here. We can see her wanting to follow him or engage him, but she doesn’t know what to say.
Moo-jin did see the kiss from his surveillance van, but Arang says he’ll talk with him. Then Yi-seol notices the space where her marionettes used to sit, which Byung-hoon packed away the other day.
She touches her lips in memory of the kiss, then looks over at Ho-yeol’s handkerchief.
Oh no, it turns out he had seen the kiss after all—after running out of the theater to evade the reporters, he had seen them through the glass doors. Ho-yeol had been trying to impress her, but Arang had gotten hit with the puck instead of her and earned her admiration. Then she asks about Yi-seol (oh so casually), and hears that she was going to marry the other theater head, Do-il.
Byung-hoon says it’s not about money (and for once I believe him), adding that Arang just had his chance. Byung-hoon checks that he’s okay with it while Min-young tries to get him to reconsider, telling him that first loves can stick with you a long time. These kind of story-of-the-week shows have a certain procedural element to them, which can be both a positive and a negative trait.
I was extremely wary of this character from promos and descriptions, because she seemed way too naive on paper and very been-there-done-that as far as dramaland heroines went. My problem with the scenario is that the customer doesn’t know this is the best version of the dish that can be made. If the cook is cooking for his own happiness, then if eating his own dish will make him happy, go for it. Of course, watching someone is a superficial love too, but there is just nothing to convince me that she now really likes Ray and Arang no longer. But when the agency set up situations where she saw him more vulnerable and as a person, she started liking him. She idealizes romance but the fact is, Byung Hoon’s methods are truly more effective than the grand gestures she sighs over.
Even after doing all those scenarios to get the girl with the agency’s help, the former client ended up cheating on her. Meanwhile for now, we get the two leads debating the concept of love and the validity and sincerity of the whole operation… so I guess the show will eventually get to there too, pointing the flaws and what not. One of my closest friends is literally someone I was forced to sit next to back in high school. El equipo emplea montajes elaborados para ayudar a sus clientes a conquistar a sus seres amados.
El drama tratara sobre las vidas y eventos de la gente que trabaja en la agencia de citas llamada “Cyrano” la cual originalmente era un grupo de teatro que se desarrollo para ayudar a clientes dificiles a ganarse a sus seres queridos a traves de elaboradas montajes. With likable characters and a story that’s easy to follow, one can easily forget how quickly forty-five minutes can pass in the blink of an eye. With four experts of love running this ship and a coolheaded captain at the helm, we’re on course for what might be a delectable series ahead. She thanks him for his bold confession, which now gives her the courage to face her own cowardice. She strains to keep a smile on her face until another voice cuts in, asking if there is such a thing as sincere feelings. Just then, a man bumps into her, causing her to drop her things, and she sneers at him when he leaves without a word. Interestingly, the woman changes her tune and agrees to the date, to Min-young’s delight. Now we replay the opening scene in a different light, and SEO BYUNG-HOON (Lee Jong-hyuk) smirks at Min-young’s wide-eyed wonder from a nearby table. Then he orders his team members to pack it up, and leaves an utterly shocked Min-young in his wake.
She pulls her hair out trying to figure out exactly what went wrong – everything was perfect, wasn’t it? He does, however, thank Min-young for giving him the courage to own up to his feelings and helping him find closure.

Then her eyes grow wide when she sees an image of the woman her client was trying to woo that evening on a monitor.
After a quick scan of the whiteboard which outlines the details to the entire operation, she asks if they’re conmen, scamming others for a living. She points out that their interference ruined everything, and turns the question on him: How does it feel to stomp all over someone’s sincere feelings? We see that he intentionally broke the wine bottle so that the smell would trigger her memory about their previous awkward encounter. But that triggers her client’s words of admiration about building destined relationships and her original dream.
He mistakes her as another potential customer and tells her to take the last courageous step towards Cyrano.
Min-young loses herself in her empathy with her descriptions about all of the overwhelming feelings that come with falling head over heels in love. As Min-young insists upon her innocence, Byung-hoon lurks behind their target, gathering clues in the brief moment of distraction. Instead, he counters that he noticed Min-young jot notes on their subject, and asks her to brief him on her observations. In truth, Jae-in finds her job boring and could care less about the library patrons, let alone her admirer. She often gets in trouble for her strong sense of law-keeping within the library, hasn’t been in a relationship for some time, and shuts down her suitors.
She barely has time to gaze longingly before a crowd gathers, and the same thugs menacingly walk past her.
They run into a small wrinkle, however, when she initially searches for the police officers, and Min-young runs ahead to create a distraction. Which is why they’re all surprised to see Jae-in get off on another platform, having doubled back to find her mystery man.
But she starts to lose her balance, and Byung-hoon grabs her just in time, pulling her in closer.
The show’s setup and characters may be new to some or familiar to those who have seen the 2010 movie Cyrano Agency.
If anything, the character descriptions hint that there is always more than what meets the eye.
A character like Byung-hoon with a distant and calculating personality may sound very dramaland hero cookie-cutteresque, but Lee Jong-hyuk adds some much needed depth to the character. This is really where the meat and potatoes are at, and I can only begin to imagine the hijinks that will emerge from these four. In this case, I thought Lee Jong-hyuk was in his early 30s and Sooyoung passes for late 20s so I thought it was fairly believable (Lee Jong-hyuk’s actual age kinda surprised me). These guys can still get chemistry goin on even if their costars are much younger than they.
I only watched bits of Gentleman’s dignity but he was hands down my favorite character, because he really pulled off that comical part rather well for a man his age.
Min Yeong of the movie is a savvy, well-rounded person that comes off as intelligent rather than naive and innocent. The drama does capture much of the feel of the original and even manages to make the back stage look similar too. I was already waiting this drama with anticipation and I have to say I’m not disappointed because it has everything that you love in romantic comedy.
Meanwhile, Arang makes a last-ditch confession to Se-kyung, throwing a wrench into the works.
They walk out muttering about how fast kids are these days (spoken like an old fogey, no?), and Arang apologizes to Se-kyung—this was the best way he could think up to deal with the reporters. They haven’t seen each other in years because she never made it to a certain funeral, and Byung-hoon never visited her in the hospital.
She says in her chipper way that she was right and that was his first love and basically annoys him batty.
He let Ho-yeol believe that Se-kyung wasn’t coming, and as a result his reaction when she does arrive is 100 percent real. On one hand, it keeps stories short and sweet, enough to satisfy with a small dose without needing to get bogged down in too many details. The best procedurals use the episodic thread to shed light on its main players, which is a great framework to get our two leads arguing about their diametrically opposing views on romance.
He turns on a dime with unnerving ease, one second being friendly and helpful to Min-young, then next clenching his jaw and shooting daggers at Byung-hoon.
How many more overly romantic chronic dreamers do we have to see butting heads with cynical heroes, right? If the cook is a cook for the sake of his customers, or money, or the happiness of his customers, then of course the food would go to the other person.
Realistically speaking, it is not possible for the chef to eat the dish and just cook another less-appetizing dish for the customer because there is only one Se Kyung. Also, I left you a response to your comments (actually two, one under my post, and the other under yours).
Then Ho-yeol confesses, runs down the street with her from some silly fans… and now she likes him?
In any case, you shouldn’t kiss the girl unless you mean it, especially when you know she likes you. Knowing someone likes you is a powerful thing, and I think her eyes were opened to sincerity. What she brings to the agency isn’t a skill but her heart, forcing the others to take the feelings of the client and target into account. In the restaurant, she was talking about not liking love-triangles because they hurt anyone — she would have felt bad for Ray too had it not gone his way. The person we bond with the most might be someone we would have passed off — we can never know.
Uggh it’s so true since it is really hard to determine whether you really have a feeling for someone or you are just carried away by the good things they say and do.
Seo Byung Hoon quien es el lider de la Agencia Cyrano fue considerado un genio como director teatral. Thus, in a desire to break free of the monotonous routine, she enjoys crime-mystery novels and is highly skeptical.
You can place me in the latter camp, although I purposefully kept myself in the dark in order to watch this show somewhat blind.
Take for instance, the Cyrano boys, who barely got a few lines in the episode and were never actually addressed by name. Not only is Byung-hoon super observant and practical, he gets people and knows what makes them tick. Not only that, this allows for encapsulated mini-arcs of story as the Cyrano team tackles a new client who has a unique story to tell.
Of course relationships with age gaps happen, but the quantity in drama casting seems… excessive.
But he can’t betray the client for his feelings, and worries what his hyungs will say about breaking from the plan.
On the other hand, these clients are in and out, so when procedurals are clumsily handled they can feel like emotional drive-bys. But her bubbly nature is turning out to be the glue of the agency—and the restaurant too—and I’m enjoying how the two younger guys are bonding with her as well. So I was pleased to find that this show satisfies my recent craving for a breezy romantic comedy with quippy dialogue and an idealistic heroine who wants to see her clients find happiness in love. Furthermore, I like that we don’t get the classic side characters attached to our heroine. However, the brief glimpses that we got dropped enough clues to inform us that they understand Byung-hoon better than anyone else, and even then, he’s still a mystery.
Which explains why the role calls for an older actor to play a character who understands people based upon years of various experiences. Combined with an amusing plot (that has room for development), I think I’ll be following this drama. She’s also better in the movie at doing the setting up and guessing what a woman wants than the main character. The last time I remember them being speedy (within 24 hours) was when Bridal Mask was airing. The outcome is important, but his comment about the kid needing a little bit of suffering along the way speaks to the process having merit as well. Seo Byung Hoon decide salvar la compania de teatro de su difunto amigo y forma la "Agencia Cyrano".
There’s no mother to nag her about her career or a best friend who yaps on about the mundane everyday bits of dramaland. You have to remember that Arang rejected her pretty clearly so she probably thought she didn’t have a chance with him.
I don’t know if they have popular ones up earlier but I reckon so (by popular, I mean net popular not necessarily ratings popular). El es el chef de su propio modesto restaurante, que se encuentra junto a la oficina de la Agencia Cyrano.

I want to be a woman but i am a man joke
Code promotionnel pour eurostar

Comments to «Dating agency cyrano trailer»

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