Build a complete website design mockup for a fictional design studio, starting with the creation of the initial layout then moving on to designing the individual page elements.
Taking inspiration from various modern website designs, we’ll produce this clean and crisp website layout.
A good start with any design is to sketch out the plans on paper, the free reign of the pencil helps flesh out the rough layout with ease. Planning out a wireframe also helps develop a hierarchy and gives an insight into the best positions for key elements of the design. Create a new document in Adobe Photoshop, I tend to make the size of the artwork similar to that of a common widescreen monitor to give a good representation of the overall look of the site.
Place guides at a 960px width in the centre of the document and create a basic grid to place the page items against. Paste in the company logo, position on screen according to the grid, then add some styling through the layer style options. Use the Type tool to create the text of the main navigation, set the type in a mid-grey while using a slightly darker version for the active link.
The feature header is a great place to introduce the website, with the vibrant background colour it is given main focus to the user.
Continue fleshing out the introductory content, but this time use Arial or Helvetica as the font so that the text can be set in plain old html, without any image replacement techniques. Position a laptop into the featured area (a range of examples can be found here), this fits in well with the nature of the fictional company, and makes a great focal area to display examples of work on the laptop screen. Split the mid section of the page into two columns with guides in relation to the grid lines. Double click the layer and add a range of layer styles, including a grey-white gradient, a thin grey stroke and a soft inner shadow.
Create a short, descriptive label for the button prompting the user to continue through the site to view further projects.
The footer area is a great place to hold secondary page elements, one example could be a client login area. The final design fits all the desired elements neatly onto the page, while keeping everything aligned to the base grid. Iggy is a designer who loves experimenting with new web design techniques collating creative website designs.
Chris, your work is first class as usual, love the little details… Keep up the excellent work! I think it’s a good tutorial, but for many newcomers to Photoshop the steps might be a bit vague. Hello guys here we have got a great stuff , this tutorial helped me a lot in attaiing good knowledge. Some people is not getting that it’s not a Photoshop tutorial, but a webdesign tutorial. Hey, love the tut, but could you break the steps down further, and show more screens, I felt a bit lost as to what to do at times.
When I was new to Photoshop, I went through a lot of tutorials to help me create a page curl effect.
How would you do a more subtle page-curl so that it’s not curled right over – just lifted off the surface sligthly? What fun to get the correct spacing for this particularly French punctuation in a reflowable eBook! PagetoScreen - Want to be part of a collaborative authored project?  Penguin is asking for you. Here we see the example of the first footnote in the chapter and the reference number in the text.

Notes: Attention to detail - for PrintFootnotesThese need to be separated from the main body of the text, and are best set with a smaller size and possibly event a different typeface and colour.
Enter your email address to subscribe to this blog and receive notifications of new posts by email. On a new layer draw a selection, then add a gradient overlay with a selection of two vibrant colours.
With the header area selected with a mask press CMD+SHIFT+C to Copy Merged, then paste on a new layer.
Add a gradient overlay to match the feature header colours, then create a very soft inner shadow. Use this space to place a snappy intro title in a custom font that matches the company branding.
On the left we’ll have a main content panel, whereas the right will hold a thinner sidebar.
Press CMD+T to transform the selection, squash and stretch the gradient to form a long thin shadow-like graphic.
The result is a subtle shadow that lifts the main page, adding a little touch of detail to the design. Every subscriber gets a free pack of 100 HD Blurred Backgrounds + bonus 10 realistic web shadows. Check out Iggy's design tutorials and articles at his Web Design Blog or follow his daily findings on Twitter. I have to figure out how you got things done maybe in the upcoming tutorials it would be nice to see more detailed instructions with this tutorial. I work for a company that promotes great priced websites and we use a lot of Photoshop to build graphics.
For example, is each of the navigation words on it’s on layer or one single layer viz.
What i would learn more is about the interaction between the 960 grid and the placement of design elements, which rules from this grid system do we have to respect to keep the design well positionned? Because im new in this i had a little problems to follow the tutorial the first one, to draw a selection??? Back then it was considered a very cool effect and almost every website and graphic had a page curl effect.
Double click on the Background layer in the Layers palette to unlock it and create a new layer. Using the ‘Rectangular Marquee Tool’ draw a selection at one of the corners, where you want to curl the page.
Choose the gradient tool from the Toolbox, choose a black to white gradient and drag the gradient in inside-out direction of the selection. She specializes in designing Logos, Stationery, Graphics and Icons as well as website templates using graphical tools like Photoshop, Illustrator and Expression Web.
You see that the text alignment (left or right), is automatic depending on recto or verso achieved by the paragraph style using Towards the Spine. The idea of any notes is that it is supplementary information and it is entirely optional that the reader even bothers to look, so setting in a style that does not distract from the flow of the reading experience is important.Footnotes are best numbered with an outdented figure, although (for technical reasons) the numbers are most often aligned to the main text block. You can customize the background color, the color of the banner snipe – or remove the banner snipe completely if you wish. Double click the layer to open the layer styles and add a Gradient Overlay from grey to white running vertically. Go to Filter > Noise > Add Noise to produce a simple texture, then set the blending mode to Multiply and reduce the opacity to suit. The title links should stand out to the user as something clickable, so change their colour to give a visual clue.

Home is on it’s own layer Our work is on it’s own layer, or are they all on a single layer?? Woodruff’s Student, the closest I came to anything computer wise was my computer literacy class. But most of the tutorials that showed how to achieve this effect were quite lengthy and I used to lose interest in reading the entire article. Robert Bringhurst doesn't need to bother with those little superscript numbers because the supplementary information is very much nearby for the reader.Still, tradition dictates that in some books, there are footnotes and some there are endnotes (either at the end of the chapter or the end of the book). 3D Web Page Display takes your simple Web page screenshot and creates a 3D piece of display artwork. My school is so broke we couldn’t until like last year afford software like photoshop. Why should one use unnecessary steps to create an effect when it can be done using few precise steps. Most publishers will favour the numbers to begin again for each chapter, otherwise the numbers could get unweildy (superscript numbers of more than two digits could look ugly).
Like the previous file, this is not a Photoshop Action file, but a simple layered PSD that you double click a layer, paste your screenshot and you’re done. Even though this does not apply to every effect in Photoshop, I found that true for the page curl effect. Let's face it, book design and usability does not often win-out over commercial considerations. Where footnotes are long, they can be split across more than one page, although this will compromise the usability somewhat.EndnotesNotes are often placed at the end of the chapter or even at the end of the book (before the index). Lots of space for the text to breath.How I dislike some books that give me less than a centimetre of margin.
This approach means that the reader will need to 'hunt down' the note referred to in the text. This usually means that the endnotes will be sectioned by chapter or section.The advantage of endnotes is that the page composition in the vertical plane is not compromised for the sake of the note space. Ridiculous as this seems, we have seen books with footnotes that take more page space than the main text itself!Sidenotes (sometimes called Margin Notes)Clearly the page layout needs to provide the space in the margins for this to be an option. In this we can set the way the references are displayed in the text (superscript etc), and how the footnotes appear at the bottom of the page. We need a paragraph style set up for the display of the footnotes themeselves and we can (optionally), use a character style for the reference figure in the text.As you can see from the first example spread the footnote list figure is aligned to the left edge of the text box.
You will often see this in the books on your shelves, however, a more attractive arrangement is to 'outdent' these listed figures so that the footnotes are are aligned to the text and the figures are offset from this text box.InDesign does not provide the means to set footnotes outside the text box, so we need to plan for this by indenting all of the text inside the text box by an amount that we then remove from the left margins. You will see from the image provided here that we are using guides to make sure that these items align.
The one that I use here is called 'convert footnotes to (dynamic) endnotes' – meaning that the numbering will change if further notes are added.As always when using scripts to change content, save your work first!
Scripts will often run through a long sequence of actions; you can always use 'revert' (from the file menu), to get back to the previous.
You will see from the image here that the endnotes have their own page(s) with a heading that matches other heading styles. Using these we can control the width and position as the footnotes are converted to side notes.

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