We had rolled into New Bedford, Mass., for the annual Summerfest on Saturday morning, July 2nd, spit out of a twister. By Saturday, I shoulda€™ve been caught up on sleep, but struggled to find the energy for the game of musical chairs at Summerfest. Over the weekend, each of seven stages off the cobbled streets of the Whaling Museum district grew packed to overflowing. There was no mad dash for us for the first performance at the small canopied area at the National Park Garden Stage.
That first act was a€?Introducing Liz Longley.a€? This proved to be a priority-changing event. I also managed to squeeze in an on-the-spot interview at a surprisingly subdued side room at the nearby, bustling Celtic Coffeehouse. Her father was a a€?really gooda€? jazz musician who played saxophone and had his own band.
Exposure to chorus was minimal in grade school, but when she reached her early teens, she started singing with her dada€™s jazz group and continued until she was 18. Having begun writing on piano, Liz began performing with a friend, Sarah Zimmermann, who provided guitar backup. Additionally, Liz and Sarah performed at fundraisers, in particular a€?Relay for Life,a€? held every year to raise money for cancer research.
They also played professionally at local Pennsylvania folk landmarks Steel City (Phoenixville) and The Tin Angel (Philadelphia).
After high school, Berklee College of Music in Boston was the only college Liz applied to because it offered songwriting as a major.
She still performs on piano when the opportunity presents itself, and thata€™s illustrated by two slow ballads on this CD where she uses her keyboard skills.
Her upcoming shows dona€™t include anything in the New York metro area, but wea€™re hoping this article will change that. The photograph we found online for our a€?Radara€? July ad showed a drop-dead beautiful face, and we wondered if there was matching talent to back it up. High school proved to be the seeding ground for this musical maelstrom, this force of nature. Sure, they teach us the biology of sex, the legality of marriage, and maybe we read a few obscure love stories from the 19th century on how not to be. Wednesday night, finish the July issue, then get two hours of sleep; Thursday, pedal-to-the-metal from NYC to Fall River, Mass.
Newly appointed chair police at the main Custom House stage prevented attendees from saving seats for hours at a time.
Seats opened up after each act and the first attendees to dash to freshly vacated chairs near the front became winners. As usual, we arrived at the festival at about 9:00 am and the first show didna€™t begin until 11. Liz was scheduled to perform 10 days later on July 12 at the Living Room in New York Citya€™s East Village.
From the very first notes, it was obvious that we were going to want to see and hear a lot more from this brilliant 23-year-old.
I would not be jumping from tent to tent, looking for the best seats, hoping to find something near the front at the big Custom House tent. For her first eight years her family lived in West Chester, Pa., then they moved a little further west, to Downingtown.
Her mother was an aspiring singer, but lacked the time and opportunity to pursue it as a career.


Through her dad, shea€™d gotten exposure to Ella Fitzgerald and Sarah Vaughan and they were her favorites, the ones she focused on. Other events included the high schoola€™s talent show and the senior prom, with both girls performing in their prom dresses. Liz said that she entrusted major decisions in the studio to producer Glen Barrett and enlisted feedback from her parents to help her decide what, in the end, would be the right sound for her on each track. These include a€?Little White House,a€? seemingly a farewell to her childhood, and a€?Unraveling,a€? another farewell of sorts to her grandmother, suffering from Alzheimera€™s.
Her dad told her, a€?If youa€™re going to learn to have a career as a musician, youa€™d better start now.a€? Actually, performing after college was a continuation of what shea€™d been doing since high school and during her four years at Berklee. Then, with breathtaking suddenness it darted upward, taking the hollow in my chest along with it.
The chairs were empty and there were no chair police to prevent us from saving a couple of seats for the first act. Wea€™d see her then, of course, since we never miss WFUV DJ John Platta€™s monthly a€?On Your Radara€? series.
Instead, I followed Liz from one stage to the next, seeking the best photos and videos of her that I could get (below). Her earliest memories involve driving around with her father in the family VW convertible with the top down and music blasting from the car stereo. The lone cover, a€?People Get Ready,a€? demonstrates a command that allows her to take ownership of the song. While it did come up in our interview, her Facebook page states it more succinctly: a€?In high school, I was a marching band nerd.
As she states on her Facebook page: a€?I grew up listening to Joni Mitchell and Karla Bonoff. James Taylor, Karla Bonoff, Joni Mitchell and Sarah McLachlan were among the names she cited.
I was surprised that she hadna€™t sought feedback from anyone at Berklee, but kept to the formula stated above. One is a version of Joni Mitchella€™s a€?Rivera€? in which Liz hits some high notes that Joni herself might not be able to handle anymore. But we didna€™t know her, so we figured it would be a good idea to get acquainted before seeing her at the Living Room. The first two use a full studio band, complete with drums, bass, lead guitar backup, pedal steel a€” the works. The second is Van Morrisona€™s a€?Moondance,a€? which gives Liz a chance to show off her jazz vocal skills.
When I wasna€™t on the field, I was writing music (on piano & guitar) and playing shows. This included a a€?concert night,a€? wherein the school invited students and parents to come to a performance solely by Liz and Sarah.
In contrast, her third album, the latest, Hot Loose Wire, completed right after graduation, is stripped down a€” just her, solo, with either guitar or piano a€” pretty much what we see in concert.
Theya€™d bring in a song and other students would dissect it, asking questions like why a word was used in a particular place. There were classes where songs by famous writers were analyzed, and Liz loved it all, soaking up every learning opportunity that came her way.
If something bothered you that much a year ago, you should have dealt with it a year ago.2. A person has no reason to be passive-aggressive if they feel safe expressing any anger or insecurity within the relationship.


And make it clear that the other person is not necessarily responsible or obligated to them but that you’d love to have their support.
Holding the Relationship HostageWhat It Is: When one person has a simple criticism or complaint and blackmails the other person by threatening the commitment of the relationship as a whole. Every minor hiccup in the flow of the relationship results in a perceived commitment crisis. It’s crucial for both people in a relationship to know that negative thoughts and feelings can be communicated safely to one another without it threatening the relationship itself. But understand that committing to a person and always liking a person are not the same thing.
One can be eternally devoted to someone yet actually be annoyed or angered by their partner at times. On the contrary, two partners who are capable of communicating feedback and criticism towards one another, only without judgment or blackmail, will strengthen their commitment to one another in the long-run.4.
You want to lay around at home together and just watch a movie tonight, but they have plans to go out and see their friends.So you lash out at them for being so insensitive and callous toward you.
When you set a precedent that your partner is responsible for how you feel at all times (and vice-versa), you will develop codependent tendencies. When someone begins to get upset, all personal desires go out the window because it is now your responsibility to make one another feel better.The biggest problem of developing these codependent tendencies is that they breed resentment. There’s a subtle yet important difference between being supportive of your partner and being obligated to your partner.
If my girlfriend cannot trust me to be around other attractive women by myself, then it implies that she believes that I’m either a) a liar, or b) incapable of controlling my impulses.
But excessive jealousy and controlling behaviors towards your partner are signs of your own feelings of unworthiness and you should learn to deal with them and not force them onto those close to you. And it got them real far: a big fat divorce and 15 years of hardly speaking to each other since.
This is not a gender-specific problem, but I will use the traditional gendered situation as an example. Not only does this give the woman unconscious incentive to find more reasons to be upset with the man, but it also gives the man absolutely no incentive to actually be accountable for the problems in the relationship.
Communicate!There’s nothing wrong with doing nice things for a significant other after a fight to show solidarity and to reaffirm commitment. But one should never use gifts or fancy things to replace dealing with the underlying emotional issues. Gifts and trips are called luxuries for a reason, you only get to appreciate them when everything else is already good.
If you use them to cover up your problems, then you will find yourself with a much bigger problem down the line.
This is the part of the website where I put a big toothy grin on my face and scream “BUT WAIT! THERE’S MORE!” at you in hopes to hold your attention for more than 30 milliseconds.Because wait, there actually is more.
If you’d like to learn more about where some of the ideas from these articles came from and hear my responses to critical feedback, and if you’re interested in hearing me answer reader questions like I’m Anne fucking Landers and talk a bit more about my own experiences, my business ventures, and what I eat for breakfast on Sundays, well, then there actually is more.




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