Q Acoustics has built an impressive reputation as a maker of affordable speakers during its relatively short lifespan. The BT3s look like any traditional stereo pair of transducers, but are decked with modern digital technology.
The BT3s are shaped like conventional speakers, and at a glance, give no hint to what else they can also do.
The BT3s are very well-built and impressively inert, with the good old knuckle rap test producing nothing more than a dull, non-resonant thud. The left channel speaker, for all means and purposes, is just like any other conventional passive unit. Unseen, under the hood, is a 50W (presumably Class D digital) amplifier, as well as Bluetooth V4.0 capabilities incorporating aptX (a digital audio data compression system). Also included in the box are a credit-card sized remote control and cables (save for optical digital) to connect everything together. Connecting via Bluetooth is as easy – simply power the speaker on, pair with whatever device being used and there is… music! However, the first speed-bump appeared when attempting to connect both the satellite decoder (which does not have an optical digital output) and the AV media player (which was out of reach of the BT3’s optical input with my 1m cable) simultaneously using analogue RCA stereo and mini-jack connections.
After some moving around of devices, I allowed the BT3s to have a proper run-in as they sounded thin and harsh with anaemic bass fresh out of the box.
They spent most of their evaluation time doing AV duties, and at no time did they disappoint.
Bass was not ground-shaking, but surprisingly hefty given the speakers’ size, it was dynamic, fast and never out of control.

The BT3s fared equally well with music, though they sounded its best with a hard-wired connection.
Having gained recognition among the traditional hi-fi and home theatre crowd, its foray into the lifestyle audio market will make a few waves, if its BT3 wireless speakers are anything to go by.
With active amplification on board, you only have to add audio sources – with traditional cabling or wirelessly via Bluetooth technology – and you’re good to go!
Their small size also allows them to function as desktop speakers for a computer, and Bluetooth connectivity means they can be used with basically any modern smartphone and tablet. With no amplifier to worry about, the only concern is connecting to the mains power source and hooking up the sources.
It allows up to eight paired devices, so alternating between tablet and smartphone (or more) is not likely to be an issue. Unfortunately, the BT3 only allows one analogue connection at any one time – and will select the mini-jack connection as long as it is plugged in, even if the device is off! Dialogue was clear and easily discernible, even within the busiest of action sequences, which is of utmost importance in this role.
The BT3s were also capable of impressive volumes – the opening sequence from The Hobbit, which has narration and explosive effects, was delivered impeccably.
Via Bluetooth, there was some shedding of detail and air around the instruments, but still sounded pleasing to the ear. There is an overall lushness to the sound that draws the listener in – a slight bump to the midrange and a slight rounding of the treble – but not sluggish in any sense.
They may not be the most detailed, have the biggest bass or the widest soundstage and pinpoint imaging, but there is a relaxed, non-fatiguing nature to the sonic that gets more things right than wrong.

It may not have surround-sound capabilities nor the big booming bass of a traditional home theatre system, but few will match the level of finesse the BT3s impart.
Whether used for AV purposes, providing audio from a computer or an outlet for mobile device audio, the sonic benefits are evident.
The review sample came in Urban White, but Jet Black and Juice Red guises are available, too. There’s a pair of speaker binding posts there, but this connects to and powers the left channel speaker. Effect steering was impressive, given the two-channel playback, with sounds seemingly coming from beyond the speakers with centre channel effects distinctly locked to the middle. There are limits to how loud they will go, but there should be no problem filling the average living room.
They fared very well with MP3s, and were somewhat forgiving of the less-than-ideal source material, yet did not gloss over whatever transparency was left in the data.
In fact, the speakers were able to sound good with almost any music I threw at them – from driving rock music to expansive orchestral music. Also, its Bluetooth source (using aptX, which claims to give CD-quality) loses some refinement compared with a hard-wired connection.

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