You must have JavaScript enabled in your browser to utilize the functionality of this website. Comprehensive exercises with illustrated, step-by-step instructions allow students to grasp techniques easily. Full-size reproductions of the completed documents for in-chapter exercises help students visualize the expected results.
Design concepts such as focus, balance, directional flow, contrast, proportion, and consistency are reinforced throughout. Interdisciplinary unit assessment activities reinforce writing and problem-solving skills within the context of Word documents.
Bonus instruction on creating web pages, PowerPoint presentations, and Publisher documents included. Author Bio Joanne Arford, a graduate of Western Michigan University, is currently an adjunct faculty member at the College of DuPage in Illinois. From my previous reader surveys, I know that approximately 61.4 percent of my readers have either written a book or want to write a book. Yet most aspiring authors will not get published—at least, not by a traditional publisher. Most publishers simply don’t have the resources to evaluate unsolicited proposals and manuscripts.
Whether you are thinking about writing your first book (and from my reader survey I know that is highly likely) or are an established author, I invite you to check out my two ebooks, Writing a Winning Non-Fiction Book Proposal and Writing a Winning Fiction Book Proposal.
Please note: I reserve the right to delete comments that are snarky, offensive, or off-topic.
If you're like most of my readers, you're committed to winning at work and succeeding at life. About MeI am the co-author of the Wall Street Journal and USA Today best seller, Living Forward: A Proven Plan to Stop Drifting and Get the Life You Want. I am also the author of the New York Times best seller, Platform: Get Noticed in a Noisy World. I am the founder and CEO of Michael Hyatt & Company, an online leadership development company. About MeI am the author of the New York Times bestseller, Platform: Get Noticed in a Noisy World. A few weeks ago, literary agent Jason Allen Ashlock wrote a widely-circulated post arguing against the new breed of agent-publishers.


Ultimately, the greatest asset of self-publishing is the potential for total control over your own career. Producing and distributing an e-book can be a daunting venture, and it may very well make sense for you to invest in a package service like the ones I mentioned last week. An agent can be invaluable for a traditionally-published author looking to negotiate electronic rights with his or her publisher. You don’t need me to tell you that the world of publishing is changing rapidly, and agents, publishers, and writers alike are still figuring out what their roles will be as e-books assume a larger part of the market.
There are a wide array of publishing tools indie authors can take advantage if hiring a publishing service is out of the question.
Join us on Linked In, Facebook and Twitter and get the latest news and information on how to improve your written word.
About StyleMattersWe help organizations and individuals find, reach and connect with their target audiences through the creation and delivery of effective, engaging content that reflects their voice, vision, and core values.
We believe deeply in the power of words, art and design to change mindsets, promote growth, and inspire positive action.
Join Us – Be SocialJoin us on Linked In, Facebook and Twitter and get the latest news and information on how to improve your written word. This text provides opportunities for students to use critical thinking, decision making, creativity, and collaborative learning as they plan, design, and evaluate a variety of business and personal publication formats. Instead, they depend on literary agents to do their filtering, believing this is the best way to discover the best new authors.
Regardless, I only recommend products or services I use personally and believe will add value to my readers. We help overwhelmed high achievers get the clarity, confidence, and tools they need to win at work and succeed at life.
You’re in charge of marketing, cover design, editing, distribution, layout, production—the whole package. But all of those services will charge you a one-time flat fee, whereas an agent-publisher will charge you a commission—meaning that you’ll continue to pay the agent as long as your book is earning money, regardless of whether the agent is still providing a service. But I can’t see how it benefits a self-published writer to work with an agent-publisher rather than a package editorial service or a market-savvy publicist. I have no doubt that savvy agents will develop new strategies for working with writers, and writers will continue to combine self-publishing and traditional publishing in innovative ways. However, hiring professional services (if you have the funds) can come handy as it polishes your work plus some credible publishing services providers really provide excellent marketing packages which can really boost an author’s publication in terms of market presence.


In addition, if you are writing a novel, you will likely have to submit a completed manuscript.
They want to know where the book is going before they invest too much time or energy in writing it.
That's exactly why I wrote my new ebook, Shave 10 Hours Off Your Workweek: 4 Proven Strategies for Creating More Margin for the Things That Matter Most. Unless the agent can demonstrate marketing or distribution expertise, that kind of arrangement just doesn’t make sense.
You don’t need an agent to put you in contact with skilled editors, designers, or publicists; all you need is an Internet connection and a few focused hours of research. But I think self-published writers should hold out for a business partnership that makes sense—one that’s advantageous for the writer, not just the agent. As you will see from the endorsements I have received from agents and authors, these books do exactly that.
Working with an agency-publisher seems to me the worst of both worlds: you’re adding the middle man back in, but acquiring none of the benefits. It can still be difficult (or, in some cases, impossible) for self-published writers to get their books reviewed on blogs or through major media outlets, but partnering with an agent-publisher won’t help you overcome that hurdle. He also points out that this venture is so new agents have yet to amass the contacts, marketing expertise, and technical proficiency to produce and distribute electronic titles.
Putting out your book through a traditional publisher gives you access to a professional marketing department and design team, an editor, and all the contacts, expertise, and experience at the publisher’s disposal. He notes that agents must work proactively to embrace the changing marketplace, better understand the possibilities of electronic titles, and work to find new avenues for their clients’ work. Working with an agency-publisher means you’re turning over a share of your profits to a third party—but what are you getting in exchange?
Agents have no more experience with marketing or distributing e-books than you do, and a number of agent-publishers are charging you a commission just to help you find editorial and design services—which you’ll then have to pay for yourself. And, as Ashlock notes, you’re out of luck if you decide you’re unhappy with the terms of your agreement with the agent-publisher.



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