In the Bratislava winter in The Living Daylights, Timothy Dalton recalls classic James Bond suits with his medium grey flannel suit.
This entry was posted in The Living Daylights, Timothy Dalton and tagged Button Two, Flannel, Outerwear, Overcoat, Suit by Matt Spaiser. Overall, the movie was inconsistant sartorially, a mish mash; a lower gorge on one suit and a higher one on another. I also recently saw this movie on the big screen and as mediocre as Dalton looks, he actually is much better dressed and his clothes are much better fitted than just about everyone else around him. The Suits of James Bond is an unofficial information resource and is not linked to the official James Bond production companies. It was a little early for wide lapels, but they were back in full swing by Licence to Kill. It’s clearly not the same as the rest of the Benjamin Simon suits that Dalton wears throughout the film and probably is from a different brand.

Yes, the suit is definitely one of the better ones we have seen Dalton wear but the coat, from my recall, was pretty unremarkable and very much a late 1980’s look. The shirts with fuller spread collars like here and ugly 1980’s short collared things with the leather car coat and the beige suit. Typically, the lapels of a button two jacket would cover about a quarter of the breast pocket. Excerpts and links may be used, provided that full and clear credit is given to Matt Spaiser and The Suits of James Bond with appropriate and specific direction to the original content. What really stands out are the narrow, natural shoulders that really flatter Dalton’s build. The overcoat has a 1980’s low gorge and low button stance, probably with three buttons. The jacket also has wide lapels, but with a classic gorge compared to the low gorge on Licence to Kill‘s wide lapels.

The low button stance exposes more of the chest, and the low gorge means that folding over the lapels won’t cover the neck, making the coat not as effective at keeping out the cold as it could be.
A publicity still reveals that this suit’s trousers have double reverse pleats instead of the classic English forward pleats that the rest of his suits have.
Though the clothes are not bespoke, they are some of Dalton’s more impressive clothes of the film due to their decent fit and classic Bondian style.

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