Click on the link, then right click on the picture, and choose “Use Image as Desktop Picture”.
This entry was posted in Battle, Calendar and tagged ambigram on December 1, 2014 by admin. 828Noise was formed to post about musical, film, or artistic events in the 828 area & beyond.
I really like what you did with this video.  A lecture can often be difficult to make interesting enough to hold the veiwer's attention. We are all fast becoming “meta,” looking at ourselves from the outside while participating from the inside. As I start toward the garage, I notice mail on the porch table that I brought up from the mail box earlier.
I lay my car keys on the table, put the junk mail in the garbage can under the table, and notice that the can is full. But then I think, since I'm going to be near the mailbox when I take out the garbage anyway, I may as well pay the bills first.
My extra checks are in my desk in the studio, so I go inside the house to my desk where I find the can of beer I'd been drinking. I'm going to look for my checks, but first I need to push the beer aside so that I don't accidentally knock it over. As I head toward the kitchen with the beer, a plant on the counter catches my eye--they need water.
I put the beer on the counter and discover my reading glasses that I've been searching for all morning.
I set the glasses back down on the counter, fill a container with water and suddenly spot the TV remote.
I can't find the remote, I can't find my glasses, and I don' t remember what I did with the car keys. Then, when I try to figure out why nothing got done today, I'm really baffled because I know I was busy all day, and I'm really tired.
We are a young artist collaborative seeking to do an installation in the spirit of Salvador Dali. Gerry Fialka started the PXL THIS film festival in 1991 to celebrate moving image art made with the PXL 2000 Fisher Price toy video camera.
Pixelvision evokes Thelonius Monk's method of hearing the overtones, yet leaving them out of the final composition.


Since the viewer is seeing less visual information, they are more involved, causing transformative participation by filling in what is missing. As a genuine fake reality performance artist, Fialka fosters the playfulness of this tool and the exploration of media archaeology. Orson Welles said that a movie studio is "the biggest electric train set a kid ever had." On the other end of the spectrum, the PXL-2000 video camera is the cheesiest failed toy ever -- a train crash in the playpen. The next three paragraphs are from Annette Michelson's chapter "Film & the Radicval Aspiration" in the 1970 book entitled FILM CULTURE READER, edited by P. Within the structure of our culture, ten-year-olds are now filming 8mm serials - mostly science fiction, I am told- in their own backyards. Our aim is to make more space for letters and hand writing in our - and your - everyday lives.
The 828 encompasses Hickory, Asheville, Marion, Morganton, Statesville, Boone, Shelby, Hot Springs, and other secluded nether regions in western NC. 828 is a community (not a scene) inspired by & connecting to other areacode noise communities that have organized such as 804, 404, 434, 919, 215.
Each person’s perspective, individually, recapitulates  the whole picture, however faintly.
As well, Pixelators embrace the technical limitations to their advantage in the creative process. PXL can reduce the art-making process to its simplest incarnation, much like a child's hand puppet shadow show on the bedroom wall.Since the PXL camera was intended for children, it enables one to pursue that often desired childlike innocence in the creative process, that yearning for youthful dreams.
While questioning the belief in one's own blooming world, self criticism and humor are essential elements of PXL THIS. The PXL 2000 toy camera's limited image-quality forces moviemakers to focus on essentials, and thereby to produce a richly connotative cinematic experience. Art acts like radar - an early alarm system, enabling us to discover the social and psychic effects, in time beforehand, to prepare to cope with them." - Ezra Pound. Yet, in the hands of visionary video-makers, it has become an essential tool of cutting-edge creativity.
She refers to the famous 1948 article, "The Birth of a New Avant-Garde: La Camera-Stylo," in which French critic and film director Alexandre Astruc probed the arrival of a new period in the development of cinema when this medium could be as flexible as a simple fountain pen. Gentle, relaxed lovemaking reduces your chances of suffering dermatitis, skin rashes and blemishes. Simpson evades the police in the bronco chase or splicing genes as we design the next phase of human evolution, together, we are gaining the perspective of a camera shooting from over  our own collective shoulder.  To resolve this great portrait of six billion individual perspectives, we have begun to assemble the apparatus through which each of us will be able to experience ourselves  as the creators of the world, as well  as the people who have to live together.


We are inspired by Dali's work and are seeking women and men to provide clay impressions of the anus. It operates on an all-volunteer basis, using as little as 5 dollars per year for minor expenses like postage.
Like Cocteau said, "What one should do with the young is to give them a portable camera and forbid them to observe any rules except those they invent for themselves as they go along. Scientific tests find that when women make love they produce amounts of the hormone estrogen, which makes hair shine and skin smooth. It releases endorphins into the bloodstream, producing a sense of euphoria and leaving you with a feeling of well-being. Kissing encourages saliva to wash food from the teeth and lowers the level of the acid that causes decay, preventing plaque build-up.
John Cassavetes's strength drew from his weakness - he embraced all that actors did, especially if they did it wrong, by accident or in defiance of his own plan. One observation detailed how the Pixelator trying to be profound often comes off silly, but the silly Pixelator can often come off being profound. Astruc's dream of the camera as fountain pen is transcended, the camera becomes a toy, and the element of play is restored to cinematic enterprise. As well, it enables both those who declare themselves filmmakers and those who do not, to utilize intuition in reinventing everydayness into utter profundity. Instead of reducing our perspectives down to a simple metaphors or role models that we all must relate to, we are in the process of developing technologies that allow us all to express our personal visions simultaneously.
One thinks of Melies, both Child and Father of cinema, and one rejoices in the promise of his reincarnation in the generation of little Americans making science-fiction films after school in those backyards. Pixelators can understand the potential of cinema in a way self-declared filmmakers rarely do.
Rarely is there a film festival where one can view a child's work next to the work of an industry professional with no distiction made. Here, I do believe, lies the excitement of cinema's future, its ultimate radical potential. Experimentalist Tony Conrad wanted to make a film that stimulates what things look like with one's eyes closed.



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