Dre studies his art history thoroughly and enthusiastically, and can reference specifics out of his head and on site to build and find his imagery. JFA: Have you always been into art related activities since a youth or is it something that you discovered later in life? JFA: Tell us a little bit about the differences in style and scenes from New York to the Bay Area, what was it like moving out here and transitioning into the work flow?
JFA: Did you have lucid hallucinations or anything like that as a child, dreams of dragons, live in a fantastical reality, etc? JFA: Do plan to branch out into other avenues of art as your career builds more momentum or are you pretty happy in your niche?


And when you did find yourself making art, however it was, what was going on and who were you surrounded by doing it? That’s how pizza should be greasy and heavy with the cheese dripping off yyyyyyeeeeaaaahhhhhhhhh! Troy Denning, Regino Gonzales, Kiku, at Invisible NYC, Michelle Myles, Brad Fink, Big Steve, Amanda Wachob, Mina, Brad Stevens, Orrin at Daredevil Tattoo NYC. Dre has worked with some of the most famous graffiti and tattoo artists in the world, constantly pushes the envelope of his craft, is extremely thoughtful and thought provoking, and treats every drawing, sketch, tattoo, and project with the utmost respect and intensity. Can you explain any influences or possibly ways you were raised or developed that allowed you to grow in such a conscious manner?


What about the specific style and subject matter of you work keeps you inspired and constantly pushing the envelope?



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