There is a very specific sequence of movies I recommend to everyone who tells me they want to see Girl With the Dragon Tattoo.
Girl with the Dragon Tattoo (American version) > Let the Right One In (Swedish movie) > Girl with the Dragon Tattoo (Swedish version). This progression, experienced easily in a mere few days, or just one day if your butt doesn’t go numb too badly when sitting still for eight hours, is the closest I have come to movie-watching nirvana. The idea behind this sequence of movies is to see how Americans and Swedes go about storytelling differently. This entry was posted in Articles and tagged american films, contemporary films, foreign films, swedish on September 5, 2012 by Contributor. Download the best wallpapers, photos and pictures for your desktop for free only here a couple of clicks!
This week sees the wide release of Yorgos Lanthimos' weird satiric drama The Lobster, in which single people need to find love or get changed into animals. Terence Davies, regarded as one of the greatest living British directors, doesn't make films too often. Last weekend was Mother's Day in many countries worldwide, so I wanted this week's "Have Your Say" to be leaning in that direction. INTERCHANGE: The Colors And Feathers Dazzle In First Trailer For Dain Said's Supernatural Noir1. INTERCHANGE: The Colors And Feathers Dazzle In First Trailer For Dain Said's Supernatural Noir3. The film centers on a middle-aged journalist who joins forces with a private investigator named Lisbeth Salander to solve a missing persons case that’s been open for decades. The original Swedish version of the movie became an international phenomenon so we’re excited to see what Fincher will do with the material. Kell and Glory Motor Works whipped up a prototype bike to demonstrate to the studio that an older machine could be just as reliable as its newer counterpart, and after getting the go-ahead, the shop had just 30 days to find and build three identical bikes. In order to handle the rigors of movie life, the bikes were also given larger, sealed batteries along with an upgraded charging and starting system. Reported comments and users are reviewed by Autoblog staff 24 hours a day, seven days a week to determine whether they violate Community Guideline. Since the movie sequence is sort of my invention I am especially proud of it, and I’m more than eager to push it on anyone who even hints at having a passing interest in Girl With the Dragon Tattoo. It serves two purposes in the sequence besides being an incredible film that restores one’s faith in vampire narratives. It remained the title for the Swedish version of the movie, but was inexplicably changed for American audiences to the well-known Girl with the Dragon Tattoo.
In his review, Jason Gorber voiced his disappointment about ending up not loving the film, though other people did.


The typically sweet, chestnut haired actress who appeared in The Social Network and A Nightmare on Elm Street is currently filming David Fincher’s The Girl With the Dragon Tattoo. He’s got big shoes to fill but if anyone can properly adapt it for domestic audiences it’s him!
Based on Stieg Larsson's global best-seller, the film looks to be just the kind of gritty perfection you'll need to wash the holiday cheer from your mouth. The crew sourced three low-mile, original CB350s, then stripped and powder-coated every metal part accordingly. Head over to Bike Exif for a closer look at the motorcycles themselves, and hit the jump to check out the film's trailer. Accounts are penalized for Community Guidelines violations and serious or repeated violations can lead to account termination. As my novel remains indefinitely unfinished, and all my efforts at biological reproduction have foundered, this is the closest thing I have to a child.
Even though the violence is handled more obliquely, there is a greater contrast between mood and events depicted. She plays Lisbeth Salandar, a goth-punk, rough around the edges type, who’ll push the actress to her limits. Bike Exif recently chatted with Justin Kell of Glory Motor Works in Los Angeles, the shop responsible for crafting Lisbeth Salander's bikes used in the film. New clutches, brakes, wiring harnesses and fasteners were used on all three machines, and each engine was torn down to its bare innards before being cleaned and reassembled. I got way squirmy watching it, which was totally a success for the film given the sort of shit the filmmakers dramatized. What I got out of it was that the general invisibility of violence is what makes violence so damn heinous. Perhaps Americans aren’t into the whole frankness aspect of Swedish film, or human experience generally. If this statement is taken as a comment on David Fincher doing an American adaptation of Stieg Larsson's insanely popular novel, it is kind of a lie on both counts. Mara covers the latest issue of W Magazine (February) as the character and exposes more than her fair share of skin on the inside.
While the studio wanted the anti-heroine to have a modern motorcycle, Kell pushed to give the character a bike a 20-something could actually afford, creating a wicked late '60s Honda CB350 custom for her instead. Part of approaching nirvana is realizing the importance of septum piercings for a happy life, perhaps. Lisbeth Salander has indeed done this before (in print of course, and also on celluloid in Swedish), and between Seven and Zodiac, and The Social Network so has David Fincher - and as the latter goes, much better.
Having recently watched both Chinatown and Vertigo, any hope for a richly textured and nuanced modern noir, a building of something more than plotting and franchise building, was dashed after the end credits pop up.


Lovecraft bathed in liquid crude) you might be tempted to think of the Hollywood production of The Girl With the Dragon Tattoo as some sort of grim James Bond in purgatory. Daniel Craig in the lead, sporting the finest in European apparel only underscores this; at this point in human history, a smart phone and a macbook petty much make us all super-spies. Given the money and thin subject material, David Fincher (who, let's face it, can do this stuff in his sleep at this point) serves a mighty exercise in craft that amounts to little in the way of depth, rather serving as one-for-them-one-for-me stylistic experimentation. That is not to say that Dragon Tattoo is Fincher's Oceans 12, but it is at least his Solaris. The sound design is assaultive and occasionally abstract with Trent Reznor's score calling attention to itself, often.
He may have the lion-share of screen time, but it's Mara's Lisbeth Salandar that drives film more than anything. That they form a lasting intimate relationship seems to be the primary goal of an otherwise needlessly protracted denouement. Needless until you realize that Lisbeth's pining for Blomkvist and a relationship of some kind is what the story is really about, the rest filler. The characters, either the main ones, or the plethora of single-scene supporting characters, for all the films exposition, never feel like people with sustainable histories.
Lisbeth's angry "Fuck-you You Fucking Fuck" T-Shirt sporting hacker comes the closest, if only because she has some semblance of emotional longings (her knack for drug-fueled Gothic lesbian sex notwithstanding).
Just when you think the character may be getting somewhere, there is the niggling in the back of the brain that this whole thing is just sexist wish fulfillment.
To thrust fans and novitiates of The Millennium Trilogy into a lurid movie-land of super-journos, super-hackers and vague boogeymen with basement torture chambers that might make Patrick Bateman wince. Speaking of American Psycho, Tattoo does have some expertly executed set-pieces, including one structured around Enya's "Orinoco Flow" that is certainly the films "Sussudio" moment.
Equally impressive is a scuffle in a subway station involving an escalator and duffle bag and a shitload of loud foley work. It's a showcase of the directors penchant for terse, boiled-down-to-the-essence on screen action. He handles all the research through laptops photo galleries, Google, corporate libraries and police archives with, well, the panache of someone who already made the far superior Zodiac. The movie is assembled with fragments of fragments, not just the scenes, but the expertise of the director. Fincher has had his fill of shooting classical and modern Swedish architecture and isn't going to spend his time farting around with this material any further.



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