For several years now, Stieg Larsson’s The Girl with the Dragon Tattoo and its two sequels have been among the world’s best-selling works of fiction.
Around last Christmas, however, a friend mentioned the movie version in the context of a conversation about travel in Scandinavia.
All of this, of course, is a necessary alibi, because this movie is so stupid, so politically correct, and so downright evil that I never would have watched it if I had known anything about it, aside from where it was filmed. Larssen’s books were published after his death, and under Swedish law, his mistress gets nothing.
To make matters worse, the father, Gottfried Vanger, seems to be a Christian religious enthusiast (in about the least religious country in Europe). Thus Stieg Larsson is mentally indistinguishable from a Jew in regarding Jewish lives as more valuable than non-Jewish lives, including, presumably, his own. Sweden did have some prominent Nazis, including the great explorer Sven Hedin (who was part Jewish, but that did not prevent him from befriending Hitler, Goebbels, Goring, and other top Nazis). The “good guys” in this movie are the “girl with the dragon tattoo” herself Lisbeth Salander (played by Noomi Noren, who is half Swedish and half Spanish-Gypsy) and Mikael Bomkvist (played by Michael Nyqvist), a left-wing journalist and defender of women clearly modeled on Larssen himself. Larssen had the face to claim that Lisbeth is Pippi Longstocking all grown up, which is a pretty good description of the agenda of every leftist defender of women. Of course the modern publishing industry turns out this kind of repulsive, politically correct swill all the time. This entry was posted in North American New Right and tagged ethnomasochism, movie reviews, North American New Right, originals, Stieg Larsson, The Girl with the Dragon Tattoo, The Millennium Trilogy, Trevor Lynch, xenophilia. In spite of some of my more sheep-like friends gushing about this film and exhibiting his brick-like tomes on their coffee tables as a semi-permanent fixture, I’ve instinctively avoided everything to do with Stieg Larsson.
Ms Watson is an intelligent, classy, wholesome young woman who never succumbed to the smut-trash of Jewish Hollywood or its British equivalent there in the Isles.
I will work on that, but in the meantime I recommend that you begin by reading through my reviews. A bit more on Stieg Larsson: He was the chief editor of Expo, the Swedish version of Searchlight Magazine. Yeah, given what’s to come story-wise, I think Mara as Salander is going to do much better than Rapace. Not to mention how obvious it was that they had NO IDEA what to do with the Niedermann character.
The changes to the text are, imo, not worth worrying about, and the screenplay cut some dross that needed cutting, and left in some stuff the Swedish film did without.
I have never read the books, and I always hear people talk about how good the first one is and then it is a steady decline in quality with the third one being terrible.
I only vaguely remember the Swedish version at this point, but I know the ending was changed, so you’re not wrong there. I’ll be interested to see how this ending plays into what he does with the next film.
John Ramos is an independent film producer, member of the Producers Guild Of America, and writer.
Even though the trilogy had already been made into films (with many of those film’s cast members moving on to American roles), The Girl with the Dragon Tattoo was such an international phenomenon that the notion that people don’t like reading subtitles allowed for an American version.
Mikael takes the job investigating the disappearance of Harriet Vanger from Henrik’s Swedish home forty years ago.
The books were published posthumously – author Stieg Larsson died before they were released, and he did them partly to work through his own feelings about a woman he saw raped. The trial against Blomkvist is a narrative albatross that gets paid off after the mystery is over, adding bloat to an already long story (the film runs 158 minutes), there’s never any real suspects in the mystery, and when they catch a killer, it’s not actually the killer they’ve been chasing.
I would like to think that David Fincher – who is one of the greatest directors working today – saw this in the material, and he made the film as an attempt to do something more commercial than some of his previous efforts, but he doesn’t seem committed to fixing the narrative failings. On first pass, I was hoping that the crazy opening credit sequence was Fincher’s way of using this to deconstruct the myth of James Bond, which (with the casting of Craig) seemed interesting, especially when Craig mentions curling up under a duvet. Finally, there is “Promotion” which stars with “Hard Copy” (9 min.), a promo done for the internet as a viral video that is done as an 80’s-style mystery show. Although creating a dragon tattoo design can be a bit complex and might take some time, they are definitely well worth the wait. Of course, I have no time or taste for contemporary popular fiction, so it completely escaped me. He wanted his estate to go to the Communist Party, but his will was legally invalid, so all of his royalties go to his father and brother. Normal people reserve their deepest horror for the deaths of the people who are closest to them. The son, however, is rather pleased that he has grown beyond his father’s racial and religious views. As a young man, Ingmar Bergman, Sweden’s greatest filmmaker, was an enthusiastic admirer of Hitler.
Pippi Longstocking was a cute, adventurous little girl with superhuman strength who was the subject of a highly popular series of wholesome Swedish childrens’ books and movies.
The reason that Larssen’s books are so popular is that—if the movie is any indication—he is actually a good storyteller.

You can earmark your tip directly to the author or translator, or you can put it in a general fund. After performing his mandatory military service as a member of a mortar crew, he travelled to Eritrea and taught the anti-Ethiopian rebels how to use that weapon. Unfortunately, I know what you’re talking about since I watched the first movie with my fiancee at her request. With his life in shambles, he abandons his editor and paramour (Robin Wright) in Stockholm to go to the country at the behest of a retired business magnate, Henrik Vanger (Christopher Plummer), who wants him to dig around for clues to a forty-year-old murder of his niece.
It’s worth waiting for, because Craig and Mara sell the surprisingly easy chemistry, both business and personal, between the two characters based on their shared investigative abilities and interest in the gruesome particulars of this case. I know several people have mentioned that they thought Noomi Rapace did a better job with the Lisbeth character, and while I think she was good, Rooney Mara brought something to Lisbeth that totally made me become invested in what happens. Also in my opinion Hornet’s Nest was super-boring on its own merits, so I hope Fincher livens that one up. There was a rushed archness to it that didn’t work for me, and on the seriously shallow side, I thought the dude playing Mikhail was dog-ugly.
I endorse the more explicit violence for the visceral heft it added (and that the book had in spades.) The Swedish version had prettier landscapes though, and by far. If it doesn’t inform the story he tells then I agree it was probably unnecessary to change it. He likes TV, film, and tennis, and plenty of other things that he doesn’t write about. To make it into a big prestige project, director David Fincher and writer Steve Zaillian were brought in to adapt the successful novel for the big screen. He was investigating a powerful man and published facts that were proven untrue, and so his newspaper is on the verge of financial ruin and he’s quitting the paper to keep them afloat. The killer keeps sending Henrik the same gift that Harriet did when she was a kid, and so he’s spent years trying to figure out who killed her.
I haven’t read the books, but one gets the sense that Fincher and company – adapting a huge best seller – had to include much of the book. Though it may have worked better in the books, the parallel narratives of Blomkvist and Salander’s don’t compliment each other, and it takes over half the film for the two to meet for the first time. For fans of Fincher, that word immediately connects Craig’s Blmokvist to Edward Norton’s character in Fight Club, but nothing really comes of this. Originating from various legends across the world, these winged, fire-breathing creatures have fascinated mankind for a long time. On a whim, I added it to my queue, then forgot about it until it showed up in my mailbox a month later.
But today, Nordic men are among the most peaceable and law-abiding in the world, and by all objective measures, Nordic women are some of the best off women in the world, although they are now being subjected to increased levels of rape and sexual exploitation by non-white immigrants.
Surely they could not be worse recipients of a vast fortune than Stieg, his mistress, or the Communist Party. One of these families of Nazi industrialists, the Vangers, is about the worst clan since Sawney Beane. It is more horrible to lose a friend or family member than a stranger, more horrible to lose a countryman than a foreigner. Ingvar Kamprad, the founder of IKEA and one of the world’s richest men, was a follower of Swedish fascist Per Engdahl (who was not a Nazi but a follower of Mussolini). The feminist idea of progress apparently means turning every bright, spunky, adventurous Pippi Longstocking into a hard, cold, emotionally repressed, alienated, criminal, tattooed, lesbian freak with a face full of hardware.
The movie is also a very well-made, directed by the Dane Niels Arden Oplev, with a uniformly excellent cast. At least abominations like The Matrix Reloaded, Inglourious Basterds, and Machete can be turned to our advantage with a clever review. Hollywood could not pass up a steaming pile of anti-Nazi, anti-white, pro-feminist propaganda like this. The German leadership was aware of it, as well, but since his blood was too diluted to even qualify as a mischling , and he was a staunchly pro-German (since before WW I), it was never a problem.
We were both utterly disgusted and were able to point out all the ridiculousness and evil nonsense throughout the movie.
From these credits, it seems clear that Fincher intends for his remake to build the story around Salander as the single protagonist, despite the dual nature of the original. Vanger lives on an island, surrounded by family members, with all of them suspects and one worse than the next – being a Nazi is hardly the worst thing anyone around there has done.
In addition, their bone-dry humor, missing from the original if I remember correctly, is even more enjoyable when brought to bear on each other.
And from what I’ve read, Dragon Tattoo sticks closely to the book, which I think is a plus. And I did want to mention Goran Visnjic, but couldn’t find a logical way to fit him in. But I like knowing the whole story, so to speak, and there are some things I look forward to seeing Fincher’s take on. Other than that, I liked the movie and I thought it was a bit better cast than the original (I know that is a ridiculous statement because Fincher had so much more money to work with).

He also produced a documentary about online privacy and data mining called Terms And Conditions May Apply. Wallpaper images in the The Girl With The Dragon Tattoo club tagged: the girl with dragon tattoo wallpaper movie. He’s also been investigated by Dirch Frode (Steven Berkoff) to see if he can do work for Henrik. Mikael takes the case when he’s promised material that will destroy that man who destroyed his career. And what’s fascinating about the film is that as a mystery it’s pretty terrible, and as a narrative it’s completely un-cinematic. It seems that it would have been smarter to have a sole protagonist, as it’s better to tell the story from one perspective. It’s not bad enough that Lisbeth gets hogtied, face down, but her rapist must ask her if she’s had anal sex before, and then she has to walk home somewhat bowlegged and take a shower where blood is coming from her anus. On second pass the film improved a little – it was made for people who’ve read the book, and his work in that regard is interesting. If you don’t think the latest David Fincher film isn’t going to be reference level quality on Blu-ray, well, you’re wrong.
No, he is not writing about the violence committed by the Muslim and black immigrants that Communists like himself have been inflicting upon Sweden. Sweden also has younger generations of neo-Nazis, but they are few, marginalized, powerless, and far less prone to violence than non-white immigrants or left-wing anti-fascists.
The character of Martin Vanger is genuinely terrifying in ways never approached by more flamboyant serial killers like Hannibal Lecter. So Jewish director David Fincher (Fight Club) is working on an English-language version starring Daniel Craig as Mikael Blomkvist. She supports a clothing line that is relatively anti-globalist and she even visited the workers in, I believe, Bangladesh to see how they were treated and how hard they worked.
Their characters investigate the Vanger family at the insistence of Henrik (Christopher Plummer), because he thinks someone in the family killed his niece. Lisbeth gets her revenge on her rapist, but as the clues start coming together, Mikael wants the woman who was able to find out everything about his life (that is to say Lisbeth), and so the two team up to figure out who killed Harriet after Mikael finds clues that it was part of a serial killing, and that Harriet knew the killer. That was probably impossible as the backstory on Lisbeth is obviously less important cinematically, but her character is part of the reason why the books were a phenomenon. On second pass that there is no real hook allowed me to see the film as stylish nonsense, but I could look past the nonsense and enjoy the visual aesthetic. To make a long story short, Watson was simply too wholesome and tactful to be cast in this ludicrous film based on Larsson’s garbage that passed for a novel.
My favorite moment might just be her examining a package of pantyhose as if it’s a moonrock.
Lisbeth is a ward of the state, and when her keeper suffers a stroke, she’s forced into the hands of Nils Bjurman (Yorick van Wageningen), who takes sexual advantage of her when she needs more money to get a new computer. If you wanted to show him on top or just the aftermath, I would have gotten it, but it’s just hammer, hammer, hammer.
Rooney Mara’s performance is transformative – she inhabits the role in a way that it’s hard to see the actor as she’s looked before. Women sporting a dragon tattoo may do so to represent qualities like strength and creativity. And Craig’s performance only pops in scenes he shares with Mara, which suggests that he knows who the film is about. He’s a man who loves women, not just makes love to women, but smart women love him back. There is tons of repeated information throughout the film, and yet I can see the problem in removing any of it – to do so would point out that the narrative is garbage, and to remove big chunks would highlight that there is so little forward momentum. She talks in the supplements about how the look became her mask to hide how much nudity she had to do, and it’s true, the sexy waif on the red carpet of the Oscars looks nothing like Lisbeth Salander.
Various forms of dragon tattoos exist, and both Chinese and European versions are equally popular. I haven’t listed the name of the actor who plays the bad guy, and yet his role in the film is more for there to be someone to punish than anything else. The tattoo itself can be made by using only traditional black ink; alternatively some may prefer a more colorful version. There’s no moment of “aha” just as it’s hard to see why he’d be after Mikael in the first place because Mikael never actually figures anything out about him.
The relationship with Berger is much better handled in this film than in the Swedish and that’s important for how things can be managed in the following films.

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