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Ancient Roman Calligraphy Custom made to order stencils from sizes 2x6 inches to 11x16 inches. View custom stencil size guide - This product will arrive as a single stencil sheet with your custom text.
We also have Uppercase & Lowercase letter stencils available in different themes and styles. In the 1980s, Londoner Rian Hughes was one of the brightest young artists on the British comics scene. Converting the Device library to OpenType (this one has been pending for four or five years, but I’m getting there! Bubbling underneath, a return to drawing comics: a collaboration with old mucker Grant Morrison, another with American Virgin Steve Seagle, and a book for Fluide Glacial that will probably be a collection of pin-up images. You’re probably as close to stardom as a type designer and illustrator is likely to get. Rian Hughes has created a kind of parallel universe of forms and characters that somehow look familiar, but are wholly his own. Most of your typefaces capture a certain style or atmosphere without copying a specific model. Roadkill takes us to Hong Kong, where the writing on the road looks more or less like this.
Blackcurrant is one of those Rian Hughes fonts that blend in seamlessly with his colorful style of outline drawings. Whimsical and cheerful, Blackcurrant’s asymmetric forms add fun to flyers, packaging and Tourist Board brochures. When designing type, are your decisions purely intuitive, or are they in some way function-driven? They are rarely driven by function if you define that as designing for a specific technical use — but they do need to function as clear expressions of an idea. As a designer and illustrator working in digital media, you don’t really depend on being in a metropolis like London for making a living.
Geographical proximity to clients is much less of an issue than it used to be, especially as many of them are in the US and Japan. Our designer goes retro-techno in this early experiment — a celebration of TV wall pixeldom. With its perfumed, well-behaved elegance, Dauphine is bit of an anomaly in the Device catalogue.
In the past, we’ve interviewed the likes of David Berlow, Dino dos Santos, Cyrus Highsmith, Nick Shinn, Veronika Burian and Underware. He went on to become a versatile designer, illustrator and lettering artist working for clients in the fields of publishing, music, sports, telecommunications, fashion and more. Almost any commission can be interesting if you look at it the right way (if the client allows you to look at it the right way!).


Type design can occupy a large or a small chunk of my time, depending on which projects come in. Has there been a moment in your life when you thought you were going to be a full-time comic strip artist for the rest of your life?
After hitting weekly deadlines for so long, I felt it was time for a break and to explore other creative avenues. But do you really, really like working with computers — do you ever miss  the pre-digital era? However, in most cases there is a reference to the atmospheres and styles of the 1950s and early 1960s.
Like design in general, if there’s a cohesive internal structure, an idea expressed through every character, it works for me.
The original, which Rian photographed years ago, provided almost all of the key character shapes, rough and worn, with the remaining characters being designed to keep the unique hand painted feel intact. No need, though, to commission illustration work from him to get that vintage cartoon atmosphere: this family does it all by itself. I took it back to the sources before Gill to see if I could distil the characteristics further, get at the real evocative heart of that style. Built with squarish elements in various sizes, the characters have a kind of built-in blur. The chap who designed a great deal of Hanna Barbera’s output at this time, and drew some of the best of the Dell comics (even though they never carried credits) was Harvey Eisenberg. I rescued several Embleton originals from a skip behind the offices of 2000AD many years ago. Junk shops full of mouldy books, mid century modern furniture, paperback SF novels, magazines… The smell of yellowing paper.
It is wood type after years of neglect or overuse, with worn-down corners, chips broken off and surfaces damaged.
Yet is has a lot of fans, who have no doubt used it for logos, chocolate boxes, 25th wedding anniversary invitations, romance novels and gift labels.
Tattoo Fonts, aka tattoo lettering, tattoo script is loved by people who like to precisely to express the meanings of their tattoos. Even though i like cursive and calligraphy fonts a lot but trying these new creative ones can be exiting.
He is also the creator of an ever-growing library of typefaces — hundreds of them, in an amazing array of styles and atmospheres. Up until last month when we started on the OpenType conversions, I had not touched type design for almost a year. While the forms and counterforms of each letter were carefully balanced to obtain an even image, the result is neither cold nor uniform. The alternation of angular and round endings and joints give the eye something to feast on when the type is big, and something to cling to when it’s small.


Sometimes I’ll purposefully set myself up to work against familiar approaches, just to make things difficult and interesting. We’ve moved from Wardour Street to Clerkenwell to Bayswater to Portobello to Kew, which means I now actually travel out from the centre instead of in.
This results in an interesting property: text set in Monitor becomes easier to read the further away one gets. Monty Python showed us not just comedy, but how to mess with the expected structure of a given thing, in their case a 30 minute TV show. This skip was so full of original art that I was actually standing in it, on the art, in order to go through it. I was commissioned by a French stationery company to produce four duotone illustrations using brush and ink for a range of items recently — waste bins, folders, binders, that kind of thing, and it was a bit of a nostalgia trip.
Nostalgia perhaps for an era when things seem to be less complicated, and when commercial art was more naive?
I currently have a few loose scripts on the drawing board, and am playing with the possibilities of contextual ligatures.
Roadkill Alternates provides more versions  for many of the characters, Heavy provides an even grittier, blacker weight, and Symbols takes arrows and other road symbols directly from tarmac to Mac (or PC). Even at very small point sizes, Regulator performs better than you’d expect from such a geometric character. On iTunes in our studio we are currently playing The Smiths, Electroclash, Ultravox, Heaven 17, Royksopp, Goldfrapp, Kylie, James Brown, Bobby Womack, Steely Dan.
I vividly recall one episode that began with the end credits and ended with the title sequence. A great tool for doing rough-and-dirty posters, alt.country music packaging or saloon signage. In this post, please enjoy the collection of 70 examples of awesome and inspiring tattoo fonts designs in action.
Besides that, he is a writer and editor, and will be publishing two huge books later this year. I then overlaid the images with digital elements and color, something I’d not have been able to do before, so in the final analysis the images were very much hybrids.
I’ll probably find a way to make the technology do something other than what it was intended for. All the fonts have been used in the real fonts tattoos, both for men and women if applying different styles or contents.



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