Editing raw photos in photoshop cs6,famous quotes youth,wedding flowers brooklyn xpress,quotes about love jokes tumblr - PDF Review

To open Camera Raw, we first need to select an image, either a raw file, JPEG or TIFF, and the best way to do that is with Adobe Bridge. The first thing you'll most likely want to do when the Camera Raw dialog box appears is click the Fullscreen icon at the top (just to the left of the histogram in the top right corner).
Along the top of the dialog box is the Toolbar where we find Camera Raw's various editing tools, many of which are the same as, or at least similar to, tools and commands we'd find in Photoshop itself, like the Zoom and Hand Tools for navigating around the image, the Crop Tool, the Spot Removal Tool, and options at the far right of the Toolbar for rotating the image clockwise or counterclockwise. While most of the icons in the Toolbar represent actual editing tools, one of them is different. Clicking on it opens the Camera Raw Preferences dialog box where we can set various options for how Camera Raw works. The first tool on the far left of the Toolbar is the Zoom Tool, and just like Photoshop's Zoom Tool, it can be used to zoom in and out of the image. We can also zoom in and out using the zoom options in the lower left corner of the dialog box (just below the preview area). To move the image around inside the preview area when you're zoomed in, select the Hand Tool by clicking on its icon in the Toolbar (second icon from the left), then click and drag the image. In the top right corner of the Camera Raw dialog box is the Histogram, which lets us keep a constant eye on the overall tonal range of the image as we're working.
Directly below the Histogram on the right hand side of the Camera Raw dialog box is where we find the various panels. The panels are arranged in a logical order based on a standard image editing workflow (another nice feature of Camera Raw), and the Basic panel is the one that opens by default since it's usually the first panel we'll want to use. Next, we have the Split Toning panel, an easy way to add a custom split toning effect to any image, whether it's a color photo or black and white.
Camera Raw's Lens Correction panel is where we can fix lens distortion problems in the image (in other words, distortion caused by the camera lens itself) as well as perspective distortion created by the angle at which we snapped the photo (looking up at a tall building, for example, causes it to appear to be leaning backwards).
Most people will never have a use for the main purpose of the Camera Calibration panel, which is to give us a way to compensate for problems in the way our camera captures color. There's also a Process option at the top of the panel which allows us to switch from Camera Raw's most recent image processing engine (2012 in this case) to the older 2010 or 2003 engines.
Every panel in Camera Raw, with the exception of the Snapshots panel on the far right, can be easily selected from the keyboard. As you're working on an image, it often helps to see a "before and after" comparison, and Camera Raw's Preview option, found just to the left of the Fullscreen icon at the top, allows us to toggle the preview on and off so we can switch between what the image looked like originally and how it looks after our changes. Note, though, that the Preview option is panel-specific, meaning it only affects the currently active panel.
Because Camera Raw is such a complete image editing environment, you'll often find that you can do everything you need to do to an image directly in Camera Raw itself, without ever having to open it in Photoshop. Of course, there will also be times when, after you've done everything you can in Camera Raw, the image will still need to be opened in Photoshop for further editing.
If you're done working on your image, or just need a break, and don't need to save out the image to some other file format or open it in Photoshop, you can save your work and close out of Camera Raw by clicking the Done button in the lower right corner. As we'll see, opening raw files in Camera Raw is simple and straightforward (as it should be), yet while that's mostly true for opening JPEG and TIFF files, things can get a little confusing if you're used to opening images simply by double-clicking on them. There's a few different ways to open raw files in Camera Raw, and most of these methods can be used to open JPEG and TIFF files as well. Most of the methods listed above for opening raw files in Camera Raw also work with both JPEG and TIFF files. Where things can get a little confusing, though, is if you try to open a JPEG or TIFF image in Camera Raw by double-clicking on the image thumbnail. This will open the Camera Raw Preferences dialog box, and if we look down at the very bottom of the dialog box, we see a section called JPEG and TIFF Handling, with separate options for JPEG and TIFF files.
By default, the JPEG option is set to Automatically open JPEGs with settings, and the TIFF option is set to the similar Automatically open TIFFs with settings.
If you click on the JPEG option, you'll see that we have a couple of other behaviors we can choose from.
So how do we know if a JPEG or TIFF image already has Camera Raw settings associated with it? A recent sneak preview of the newest version of Adobe legendary photo editing software, Photoshop CS6, reveals some really cool stuff you can do to your phone photos. Adobe senior product manager Bryan O'Neil Hughes gives us a glimpse at how he takes an ordinary photograph from his phone and brings back highlights and opens up shadows revealing details previously unseen.

Among other things, CS6 features a rewritten Camera Raw 7 module, which, as evident, is good for processing more than RAW images.
In this tutorial for Photoshop CS6 users, we'll take a tour of the Camera Raw interface and learn where all of the various tools, panels and other features are located, so you can begin processing your raw, JPEG or even TIFF images in Adobe Camera Raw with all of the simplicity, freedom and flexibility it offers.
Photoshop CS6 originally shipped with Camera Raw 7, but Adobe has released a free update for CS6 users to the new Camera Raw 8 (or more specifically, 8.1 at the time I'm writing this).
The version of Camera Raw 8 that Adobe has made available to Photoshop CS6 users is mainly to fix various bugs from Camera Raw 7 and make Camera Raw compatible with both high resolution displays and the latest digital cameras and lenses. Click on the Folders tab in the upper left corner to open the Folders panel and navigate to wherever the folder is on your computer that holds the image you want to open. This will expand the Camera Raw dialog box to fullscreen, giving you a much larger preview area and more room to work. For the most part, the default Preferences work fine so once you've looked them over, go ahead and click OK to close out of the dialog box. Click on its icon to select it, then click on an area of the photo you want to zoom in on, clicking repeatedly to zoom in further.
It represents the range of possible brightness values beginning with pure black on the far left and gradually increasing in brightness to pure white on the far right. Just as Photoshop itself uses panels to perform different tasks, Camera Raw also uses panels. Once we've made the image look as good as possible with the sliders in the initial Basic panel, we can use the Tone Curve panel to make more fine-tuned adjustments to the brightness and contrast using curves. The top half is where we do all of our image sharpening, while the bottom half lets us reduce any luminance or color noise. The Profile tab lets Camera Raw automatically choose a lens correction profile specifically for the make and model of your lens (information it gathers from the Exif data embedded in your image).
We have separate Hue and Saturation sliders for each of the three primary colors of light (red, green and blue) as well as a Tint slider for adjusting shadows.
Other than for the sake of comparison, you probably won't find much use for this option, either.
Many digital cameras offer various Picture Styles to choose from that may give better results depending on your subject (with common styles being Portrait, Landscape, Faithful, Neutral, and Standard). The Presets panel allows us to save the settings we've used with one image as a preset that we can instantly apply to other images simply by choosing the preset from the list. For example, if you make changes in the Basic panel, then switch to the Tone Curve panel and toggle the preview off, nothing will happen because all of your changes were made in the Basic panel, not the Tone Curve panel. That's why Adobe gave Camera Raw the ability to save out the final image as a JPEG or other file type. That's our whirlwind tour of the Camera Raw interface, and specifically the new Camera Raw 8 interface, in Photoshop CS6!
As we've learned so far in previous tutorials, Adobe Camera Raw is a plug-in for Photoshop that was initially designed for processing and editing photos captured in your camera's raw file format.
For that, we'll need to take a look at Camera Raw's Preferences to make sure things are set up the way that best fits your style of working.
The best way to open any type of image in Camera Raw (or in Photoshop) is with Adobe Bridge, so that's what I'll be using in this tutorial. Even though Camera Raw fully supports JPEG files, my JPEG image doesn't open in Camera Raw when I double-click on it in Bridge. What this means is that a JPEG or TIFF file will only open in Camera Raw (when we double-click on it in Bridge) if we had previously opened and made changes to it in Camera Raw. Disable JPEG support will completely disable Camera Raw support for JPEG files (why you'd want to do that, I don't know), while Automatically open all supported JPEGs will open all JPEGs in Camera Raw when we double-click on them in Bridge whether we've worked on them previously in Camera Raw or not. To answer that question, I'll select my JPEG file in Bridge by clicking once on its thumbnail, then I'll click the Open in Camera Raw icon at the top of the Bridge interface (just as we saw earlier).
That's how to open all three supported file types - raw files, JPEGs and TIFFs - in Adobe Camera Raw! Once we're familiar with Camera Raw's interface, we can then begin looking in much more detail at how to process, correct and retouch our images as we'll do in the next tutorials. If you're using Photoshop CS6 and haven't yet updated to Camera Raw 8, you can do so by going up to the Help menu (in Photoshop) in the Menu Bar along the top of the screen and choosing Updates from the list. While that's great, the CS6 version of Camera Raw 8 is missing the new features available exclusively to Photoshop CC (Creative Cloud) subscribers, like the new Radial Filter, the improved Spot Healing brush, and the new Upright options for easy perspective correction.

Here, I've navigated to a folder on my desktop containing a few photos captured as raw files. If you want to switch back to the more compact mode, simply click the Fullscreen icon again. The higher the "mountain", as many people call it, appears over a certain brightness level, the more pixels we have in the image at that same level.
The difference here, and one of the nice advantages with Camera Raw, is that Camera Raw doesn't have anywhere near as many panels as Photoshop does. At the top are controls for setting the white balance and color temperature, followed by a group of sliders for adjusting the overall exposure and contrast, highlights and shadows, and setting the main white and black points. It's similar to the Curves adjustment in Photoshop, but Camera Raw's Tone Curve panel offers easier, more intuitive controls (like its simple Highlights, Lights, Darks, and Shadows sliders) that can be less intimidating for beginners. Also, if we select the Convert to Grayscale option at the top, we can use the same color sliders to create highly customized black and white versions of our color images, just like we can using Photoshop's Black & White adjustment. The Color tab is used to correct chromatic aberration and other color distortion problems, while the Manual tab is for correcting perspective distortion, as well as lens vignetting. However, if you've been noticing a color cast problem with your camera, you'd be much better off running some tests and repairing or replacing the camera if needed, rather than trying to compensate for the issue here. You would need to switch back to the Basic panel to see the "before and after" comparison of those changes. Here, I have Adobe Bridge (CS6 in this case) open on my screen and I've navigated to a folder on my desktop containing three images. To find the answer, we need to take a quick look at a couple of options in the Camera Raw Preferences. In other words, if a JPEG or TIFF file has Camera Raw settings already applied to it, Bridge will assume you want to re-open it in Camera Raw for further editing. Second, and more importantly for our discussion here, if we look in the upper right corner of the thumbnail area, we now see a little slider icon. Also, Photoshop CS6 itself is missing the new Camera Raw filter that's been added to Photoshop CC.
That's because Camera Raw has been streamlined specifically for image editing, while Photoshop does image editing plus a whole lot more.
At the bottom of the Basic panel, we can increase or decrease contrast in the midtones with the Clarity slider (which can dramatically sharpen or soften an image), and finally, we can control color saturation with the Vibrance and Saturation sliders.
Dragging a color slider to the left will darken any areas that originally contained that color, while dragging the slider to the right will lighten those same areas. While there's no limit to the amazing photo effects you can create with Photoshop itself, Camera Raw is a much more refined image editing environment, and there's really only two types of effects we can add with the Effects panel - film grain and vignetting. To toggle the preview on and off for all the panels at once, first switch to either the Presets or Snapshots panels, then press the letter P on your keyboard. To get to them from Adobe Bridge, on a Windows PC, go up to the Edit menu at the top of the screen and choose Preferences.
If no previous Camera Raw settings are found, Bridge will skip Camera Raw and open the image in Photoshop. In my opinion, it's best to leave the JPEG and TIFF options set to their defaults because you won't always have a need to open these types of files in Camera Raw. To switch back to the full color version of your image, simply uncheck the Convert to Grayscale option. At any time while we're working on an image in Camera Raw, we can save a snapshot of our work, which will save all of our settings up to that point. If you want the brand new features in Camera Raw 8, you'll need to upgrade to Photoshop CC by subscribing to the Adobe Creative Cloud. We can then instantly revert back to that point at any time if we need to just by choosing the snapshot.
I'll be covering these new features in separate tutorials but for this tutorial, we're going to look specifically at the version of Camera Raw 8 that's available with Photoshop CS6. Both of these panels are empty by default (until we actually save a preset or snapshot) so I won't bother with screenshots, but you can easily switch to them yourself to check them out by clicking on their tabs (Presets is the second panel from the right, Snapshots is the very last panel on the right).

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