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We use cookies to enhance your visit to our site and to bring you advertisements that might interest you. In Sue Monk Kidd's The Secret Life of Bees, 14-year-old Lily Owen, neglected by her father and isolated on their Georgia peach farm, spends hours imagining a blissful infancy when she was loved and nurtured by her mother, Deborah, whom she barely remembers.
Available for grades 1-6, Scholastic News magazine brings high-interest current events and nonfiction to millions of classrooms each week.Additionally, our subscribers have FREE access to Scholastic News Interactive, an exclusive online learning tool featuring digital editions, videos, interactive features, differentiated articles, and much more. I actually grew up in a house in which bees lived in one of the walls, and they lived there 18 years, in fact, so it wasn't a fleeting thing. Each daily read-aloud provides one piece of the puzzle to help children on their knowledge quest to see the big picture!Choose recommended activities from the guidebook to suit your schedule and needs. These consoling fantasies are her heart's answer to the family story that as a child, in unclear circumstances, Lily accidentally shot and killed her mother.
All Lily has left of Deborah is a strange image of a Black Madonna, with the words "Tiburon, South Carolina" scrawled on the back. I want to say they showed up like the angel Gabriel appearing to the Virgin Mary, setting events in motion I could never have guessed." So begins the story of Lily Melissa Owens, a plucky girl, rich in humor despite heart wrenching circumstances. It was an older country house, and the honey actually used to seep out the cracks in the wall in that room and run down in a puddle on the floor, in little puddles. The search for a mother, and the need to mother oneself, are crucial elements in this well-written coming-of-age story set in the early 1960s against a background of racial violence and unrest. Living on a peach farm in South Carolina with her harsh, unyielding father, her entire life has been shaped around one devastating, though blurred, memory- the afternoon her mother was killed. When Lily's beloved nanny, Rosaleen, manages to insult a group of angry white men on her way to register to vote and has to skip town, Lily takes the opportunity to go with her, fleeing to the only place she can think of--Tiburon, South Carolina--determined to find out more about her dead mother. Although the plot threads are too neatly trimmed, The Secret Life of Bees is a carefully crafted novel with an inspired depiction of character.
The legend of the Black Madonna and the brave, kind, peculiar women who perpetuate Lily's story dominate the second half of the book, placing Kidd's debut novel squarely in the honored tradition of the Southern Gothic.


Lily's only real companion is Rosaleen, a tender, but fierce-hearted black woman who cooks, cleans and acts as her "stand-in mother." South Carolina in 1964 is a place and time of seething racial divides. And it brought to mind a girl around fourteen or so who would lie in bed at night, and bees would come out of the wall and fly around the room.
When violence explodes one summer afternoon, and Rosaleen is arrested and beaten, Lily is desperate, not only to save Rosaleen, but to flee a life she can no longer endure. Calling upon her colorful wits and uncommon daring, she breaks Rosaleen out of jail and the two of them take off, runaway-fugitives conjoined in an escape that quickly turns into Lily's quest for the truth about her mother's life.
All I knew about bees when I started to write The Secret Life of Bees was that they can live in a wall of your house, and that they make this incredible thing that I loved.
I mean, they're amazing, and I became somewhat caught in the spell of bees and honey-making. I was flying by the seat of my pants, as they say, trying to understand how I as a novelist would work with story. So I learned a great deal as I went through all of that, and it took me almost three years to write this book. Writer, mum, wife, occasional wonder woman.A LIFE IN BRIEFJodi Picoult was born in 1966 in Long Island. But I began, really, with an image of that girl lying in bed, and that image would not go away. She studied creative writing at Princeton, and wrote her first novel, Songs of the Humpback Whale, in 1992. And I have found that most of my work seems to start with a very vivid image that my imagination wants to play with.
And, so, I tend to ask questions about that image first and to let it sprout stories, so to speak. And the minute I got that this girl was Lily Melissa Owens and that what she wanted more than anything was her mother who had died. And the other thing is to really trust your own experience, your own vision, what comes from inside of you as you work.


So it's something that requires a great deal of belief in yourself and a willingness to just stay with it and not expect being published right away. I mean, I would say they were turning points in my life, but also I can look back and say they affected me deeply as a writer. One was The Awakening by Kate Chopin, and I know a lot of students read that in some recommended list in high school.
And it's obviously not fiction, but it is someone writing from the soul out of the depth of their experiences. At first, I hesitated to tell people this because it sounds like an incredibly simple process, almost like arts and crafts or something, but I do believe in the power of images to impact story and to guide us if they're coming from within. And I started once I had the image of the girl, and those characters started to just begin to appear. Even before I wrote the character sketches and started to think of the plot, I created this big collage. And I spent weeks, just a ridiculous amount of time on it in which I would comb through old magazines and catalogs and postcards and photographs, just stuff I had collected, and I picked out or cut out anything that I gravitated to. I didn't have to understand what it meant or how it might fit in the story, but if it sparked something in me, I cut it out. That collage, believe it or not, became like a little seed out of which so much of the story grew. Just a lot of things that I had not conjured up rationally came out of that collage as I sort of looked at it and imagined what it could be.



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