Esta pelicula del mexicano Guillermo del Toro, basada en la tradicion del Dia de Muertos, tambien cuenta con la voz de actores de la talla de Channing Tatum, Zoe Saldana, Kate del Castillo, Christina Applegate, Eugenio Derbez, Ana de la Reguera, y hasta el reconocido tenor espanol Placido Domingo.
What I like most about "Book Of Life" is the way it uses culture as a springboard into storytelling. The story she tells them involves the Day of the Dead, The Land of the Forgotten, the Land of the Remembered, a bet, bullfighting, guitar-playing, and a romantic triangle. A respected critic and commentator for fifteen years, Drew McWeeny helped create the online film community as "Moriarty" at Ain't It Cool News, and now proudly leads two budding Film Nerds in their ongoing movie education.
Rumbera Network) Diego Luna llegara a la pantalla grande en Estados Unidos el proximo mes de octubre, con la cinta animada The Book of Life, para la cual el actor y director mexicano presta su voz.
If you're in the right area this weekend, your options include "The Book Of Life," "The Boxtrolls," and "The Tale of Princess Kaguya," all of which are excellent exercises in voice. The framing device makes it clear that this story is something that is being shared and preserved and passed down. There are some clever song choices as the cast expresses their emotions through eruption into occasional pop music selections.


Using CG to create a tactile world and a style that feels like part puppet, part cartoon gives the characters an unusual quality. It's true that Pixar and Dreamworks have house styles, that there is a thread that runs through the way their films look and feel that unites them. The performances by Diego Luna, Channing Tatum, Zoe Saldana, Ron Perman, and more are all dialed in on that same sort of lunatic frequency. I love that this was created by Reel FX in Dallas, and it's not the work of some studio's A-team. Gutierrez makes joyous use of the iconography of the Day of the Dead and Mexico and his own childhood, and the result is this rich and beautiful kaleidoscope. I think this is a nice reminder that the tools are available for anyone, and it really comes down to how you use them.
Familiarity sometimes hurts the reception to these films because we're used to seeing them get it right. It's still an incredible accomplishment any time you make a good animated film, a monumental task of artistry and collaboration, and we sometimes take for granted that big companies make it look easy.


But it is such a beautiful theatrical experience, and the exuberance of the people involved shines through so clearly, that I think it's worth the trip to theater for any family. Just the set-up, handled through a device about a tour guide in a museum telling a story to a group of schoolchildren. I would also say that in 3D, there's a feel to the film like you could almost reach into the screen and pose these remarkable figurines. She's trying to control them because of what a handful they are, so it's very Scheherezade. It's a gorgeous world, and I can't wait to have this on Blu-ray so I can still-step through some of the sets and some of the set-pieces.



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