The Day After Mother’s Day: The Debate Over Who Works Harder—Stay-at-Home Moms, Working Moms, or Part-Time Moms? This entry was posted in Book Review and tagged 3d, ang lee, book review, canada, canon gate, canongate, Life Of Pi, Man booker Prize, Movie, pacific, pi, piscine mortol patel, Random House, random house india, Yann Martel.
I’d imagine the toughest feat for a writer would be that of adapting a novel into a screenplay. Fans of books made into movies are usually preoccupied with the details when it comes to critiquing the film. Life of Pi the novel was written in three parts – Part 1 exploring Pi’s background that lays the foundation for the story (hey, it isn’t called Life of Pi for nothing) – leaving Part 2 to relay the unfolding action for the story between Pi and Richard Parker – and Part 3 to conclude with the ending of the story as Pi washes up on shore. Reflecting on Life of Pi the novel and Life of Pi the movie were ultimately the same experience for me, and you can’t often say that about a book made into a movie. Okay, so I’ve said Life of Pi is visually stunning – but take into account it matters what is visually stunning, and Pi the movie gets the right what.
It can be a tough act to follow, and Life of Pi the movie follows beautifully in Life of Pi the novel’s footsteps.
I would guess that both of these choices were made for mostly creative reasons, and I applaud David Magee and Ang Lee for being as faithful to the book as possible. What did you think about Life of Pi the movie – as either a reader of the original book or as just a movie-goer – and what would you say makes a dynamite film adaptation? The son of a zookeeper, he has an encyclopedic knowledge of animal behavior, a fervent love of stories, and practices not only his native Hinduism, but also Christianity and Islam.
She told me its an amazing book and soon a movie is going to be released which is based on this book only.
How he got christened to Pi, the story behind it is something that we all have seen in our lives at some point or the other. The two are such distinctly different animals in development, and yet in execution both must convey the same essence.
Based on the amazing novel by Yann Martel, Ang Lee’s film (screenplay by David Magee) retells Pi’s story not only in visually stunning fashion but with the same witty candor and heartbreak as the original. Having learned how to do both, I know that writing a screenplay and writing a novel is as different as night and day. I was like this with the Harry Potter movies when I was younger, especially when The Sorcerer’s Stone came out and I was all butt-hurt that my favorite line in the book didn’t really make it fully into the movie. Life of Pi the movie followed the very same structure, right down to the Japanese men interviewing Pi at the end. The origin of Pi’s name – and Richard Parker’s, the name of the ship (Tsimtsum), Pi weeping over killing a fish for food, Pi’s “survival guide” narration, Pi commenting on Richard Parker unceremoniously abandoning him…. A novel relies solely on the imagery the reader is able to conjure in their mind, but a lot more is at stake with a movie and even more so with a movie based on a book. Before seeing the movie, I read that Life of Pi was director, Ang Lee’s first film incorporating 3D – and I have a huge beef with 3D special effects, they have to be done a certain way for me to warm up to them – and I have to say the balance was perfect.

Gotta give it to Suraj Sharma for his dedication to the role, he gave one heck of a performance. I do have a couple complaints with the film version, and I want to dissect not only why I have the complaints (what I feel went wrong) but why I believe writer, David Magee and director, Ang Lee made the choices they did in writing and executing the screenplay.
It’s communicated mostly through dialogue, which again, worked for the book so I can see why it would be translated that way into the film version as well. At 16, Pi spends 227 days at sea on a lifeboat with a Bengal tiger, a situation that demands the most of Pi, while he in turn gives the most of himself. When Pi is sixteen, his family emigrates from India to North America aboard a Japanese cargo ship, along with their zoo animals bound for new homes.The ship sinks. His bond with all these wild animals and his praise-worthy courage in such tough situations. In writing a screenplay based on a book, you are writing for two different kinds of audiences – those who have read the book and those who have never read the book – and to top it all off, the heart of the story must be captured in a very short amount of time. But what makes the film an instant standout among adaptations is not its stunning visuals or its excellent script but its ability to tell the same story without sacrificing what makes it both a superb novel and a superb film. A novel’s strengths could be a film’s biggest weakness, and what makes a killer movie makes no difference in how a book will stick with you even years after you’ve read it. But what really matters in film adaptations is not the details, it’s the essential structure of the story. The movie could just as easily have chopped out the first part and cut straight to the action and embellished – disappointing fans of the book – or it could have decided to get clever and put the Japanese men interviewing Pi at the beginning, instead putting the entire movie into “flashback mode” – disappointing movie-goers. All those seemingly little moments are what give the story its heart and soul, and the movie included all of those essential moments without feeling like it was uncomfortably crammed into two whole hours. The film not only has to be visually appealing for a film’s expectations, now it must be visually appealing on a level predetermined by the expectations of those who have read the book. Effects are sometimes overdone to the point of the movie feeling unrealistic, and this was definitely not the case with Pi.
But while for the book it did a wonderful job of acting as a set-up for, and accompaniment to Pi’s story, somehow in using it as a device in the film, it falls flat.
But for the film, I would have liked to see the idea shown in a visual way, rather than just Pi fabricating this story solely through dialogue from a hospital bed. Pi finds himself alone in a lifeboat, his only companions a hyena, an orangutan, a wounded zebra, and Richard Parker, a 450-pound Bengal tiger. When I saw the movie poster and got to know that Irrfan Khan is acting in it, I thought of picking it up and give it a read and I am so happy that I read this book and now I will definitely watch the movie as well. I thought, I would drop this book but once the Life Of Pi began, I was totally hooked to it and kept reading it incessantly. Then again, film adaptations always run the risk of lacking the substance that made the original story such a winner in the first place – to the point where you’re thinking, Hey, where’d my book go? Just like the book, it felt both fantastical and real – and from the fierce storm on the ship to the simplicity of shooting in India, the right moments for this story to be visually stunning as a film could not have been chosen more perfectly.

Automatically the ending is given away, since we obviously know Pi survives his ordeal – which served the novel just fine, but a film with that intense of a storyline needs that suspense to really make it good. Soon the tiger has dispatched all but Pi, whose fear, knowledge, and cunning allow him to coexist with Richard Parker for 227 days lost at sea. Pi’s father, who is a director of a zoo in Pondicherry is the reason behind why Pi loves animals.
Considering how Ang Lee, a prominent name in the movie business would show everything, every emotion on the silver screen.
If a screenplay is faithful to the original structure of the novel, then the right details that are crucial to telling the story as a script, and as a movie, will fall into place (assuming, of course, you also have the best screenwriter for the project!). Do I think the film would have been better off without incorporating the writer (based on Yann Martel himself) coming to talk to adult Pi? Even if just shown as a short, narrated scene, I feel something more like that would have made for a more powerful ending for the film. When they finally reach the coast of Mexico, Richard Parker flees to the jungle, never to be seen again. How carefully the author has handled such a sensitive concept of following which religion and that too with the child who hasn’t seen the world and trying to adapt to everything that is coming in his way. On every page of the book, you would find something that will touch your heart and will give you food for thought. I was first introduced to this book during my freshman year of college, when I caught my surfer roommate, who wasn’t much of a reader, devouring it one week in the spring. He told me it was about a boy and a tiger trying to survive on a ship in the middle of the ocean.
With a new major film coming out at the end of the month, directed by the master Ang Lee of all people, I knew I had to check out the book beforehand. I found a pristine, super low priced copy of the book at Grassroots (the best independent bookstore in Reno) and finally took a crack at it.There are three sections to the book, and the best, by far, is the second. Once young Pi is stranded on the boat, with only a few random, potentially dangerous animals on board to keep him company, the book really takes off, and it’s this section that was the real stunner for me. The details surrounding the gore, the pain, the will to live, nearly stop your heart, and the way Pi slowly, over the course of many weeks, develops a friendship with the tiger, is stunning. You as the reader get inside Pi’s head as he tries to survive, and you try to imagine what you would do in such a terrifying situation.
Leave it to Ang Lee, one of our most eclectic and surprising directors, to take on this beautiful story.

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