If you’re going into THE SECRET HISTORY OF WONDER WOMAN expecting a major discourse on some secret comic book origin story of the Amazon princess, you are definitely looking in the wrong direction.
THE SECRET HISTORY OF WONDER WOMAN (DC Comics editorial meeting, 1942, with William Moulton Marston. As the turbulent sixties were coming to an enlightened end, Kanigher finally relinquished his hold on Wonder Woman in 1968 and Diana relinquished her powers to become a mortal woman, working as a secret agent to clear Steve Trevor of a bogus murder charge.
How did the special relationship between writer William Moulton Marston (family portrait above), the two women he lived with, and librarian Margaret Wilkes Huntley contribute to Wonder Woman? Marston married his childhood sweetheart, Elizabeth Holloway, in 1915, but in 1925 a younger woman, named Olive Byrne, moved into their house, and they then lived as a threesome. Wonder Woman’s Golden Age exploits are infamous for their frequent scenes of women in chains. What further insight or discovery about this Secret History would you add to a revised edition of your book?
I found an incredible trove of documents, after the book came out, that reveal a great deal I’d not encountered before.
In 1971, Wonder Woman was chosen for the first issue’s cover of liberal feminist magazine Ms. We need equal pay and equal rights, which are things Wonder Woman was fighting for in the 1940s.
Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Kolla garna upp forlagets (Scribe Publications) hemsida, dar det kan finnas mer information. The book is more of an historical look back at the suffrage and feminist movements of the late nineteenth and the first eight decades of the twentieth centuries. His aunt, his female students and lab assistants and his wives carried the financial burdens of the classroom, laboratory and household. When the thought police came a-calling, he would be sure to have all of his Amazons in a row, usually in the form of one of his smitten female colleagues or some borderline-legitimate psychologist who moved in the same semi-reputable circles as Marston, ready with their own convoluted explanations of how depicting such scenes of bondage would, ultimately, empower women to become the family, political and social leaders that is their destiny; disputes and wars would cease, leading to a Utopian society with peace and love and dancing.

And, not just among the young boys who were the vast majority of comic book readers at that time; Princess Diana had found a new audience as young girls all across America began reading her adventures and emulating her amazing feats in their backyards and living rooms. Peter [costume design, above], debuted in comic books at the end of 1941 when she came to the United States to fight for women’s rights.
Most of it had to do with Marston’s relationship with his mother—something I had barely noticed when writing the book. Our weekend show emphasizes interviews with writers, filmmakers, actors and musicians, and often includes excerpts from live in-studio concerts. It also works as, quite possibly, the most comprehensive and accurate biography of Wonder Woman’s creator, William Moulton Marston, who was – to say the least – a deeply flawed individual.
A student aide and paramour (Olive Byrne, niece of famed feminist and trail-blazing birth control advocate, Margaret Sanger) was brought into the home as nanny to his two young sons; when she became pregnant, Marston made her wife number two, telling the two Missus Marstons that the third (and eventually fourth) child would continue under the tutelage and care of number two, while the more successful number one would be called “Mother” to all four and continue to bring in the household funds. When two members of the Justice Society of America, the Flash and Green Lantern, were awarded their own books, the editors of ALL STAR COMICS conducted a readers poll to which hero should take their place within the ranks. As part of her 75th anniversary this year, several further fascinating studies have also appeared in the last few years. She ended up fighting for democracy, too, since superhero comics in the 1940s were all about the Second World War. One member of the comic book publishers’ editorial board resigned in protest over them, and the comics were also banned. Wonder Woman remains a stalwart of DC Comics, considered to be an integral part of “the Trinity,” with Superman and Batman. But the character, as she was originally conceived, really was fighting for equal rights for women. Each was important to Marston’s ideas about female power and each contributed to Wonder Woman.
Marston insisted that the chains were meant allegorically: Wonder Woman was intended as a symbol of the emancipated woman and in order to become emancipated from the tyranny and rule of men, she had to be chained up by evil villains (who, generally, opposed women’s rights) so that she could emancipate herself. Wonder Woman came from a different tradition—a mainstay of the suffrage movement—the tradition of depicting women as Amazons, the tradition of promoting the idea that women are actually stronger than men, that love is stronger than brute force.

He Gives You Options: The actor says he's been able to do a lot of different things in his life, including his role as Doogie Howser. However, Marston wasn’t writing the adventures of the JSA, so the Amazon was made official secretary of the team, in charge of holding down the fort while the men were off fighting evil and in charge of coffee and snacks during meetings.
A couple of generations of new creative teams have removed the layers of tarnish to return the character to something much closer to the character William Moulton Marston originally envisioned nearly 75 years ago. She also plays a role in that struggle, as a matter of history, because she was inspired by, and based on, British and American suffragists, feminists, and birth control activists of the 1910s. But Olive Byrne made a particular connection: her mother, Ethel Byrne, was arrested in 1916 for opening up the first birth-control clinic in the United States.
But he and certainly many of his readers also found bondage sexually exciting, as Marston writes about elsewhere.
Much of that has been lost in the re-imaginings of the character since Marston’s death in 1947. These tales were, by and large, written by legendary comic scribe, Gardner F Fox, though it has long been rumored that Robert Kanigher may have ghosted several of those JSA adventures.
Still, this much is certainly true: in the 1910s and 1920s, suffragists, feminists, and birth control activists all used chains in their iconography and in their rhetoric.
In later and more recent versions, Wonder Woman is just a female superman, whose strength is force. That would actually make some kind of since, as Kanigher hated not only Marston, but his creation, as well. He Gives You Options The Man Behind Wonder Woman Was Inspired By Both Suffragists And CenterfoldsCopyright 2016 Fresh Air.

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