It was a blues number, a€?Save Me for Latera€? on her album, Me a€™n Mabel, that first worked its magic for me.
Suzie has become recognized as an accomplished blues singer and guitarist, but she has many ways to seduce a listener. Suzie would gravitate toward music as a kid a€” singing along to an ever-present flow of mainstream radio tunes would make her feel good a€” but becoming a musician was not a conscious thing. Her parents had what looked like a cool record collection, but the stereo was broken throughout her childhood.
The sole parental musical influence occurred when her father listened to country music in the car.
By age 11, she also was playing saxophone in her grade-school concert band and singing in the chorus. While Suzie continued to explore other instruments, the guitar, in combination with her voice, got her noticed.
When she was in fourth grade, her teacher called the principal into her class and had Suzie sing a€?Country Roadsa€? for him and the class.
She remembers at age 11 or 12, taking her allowance a€” she might have done a tiny bit of baby-sitting to add to her spending money a€” and going down to the Sears in downtown Saskatoon and plunking down $14 to buy her first album, Supertrampa€™s Breakfast in America.
When she got a little older, she got her own small record player and would sing and play along with records alone down in the basement, her voice bouncing off of the faux paneling.
I conjectured that playing the bass gave her a better sense of lower notes or the a€?bottoma€? in her guitar playing.
In addition, she had discovered the Saturday jams at a blues bar, Buda€™s on Broadway, in Saskatoon. Over the years, Suzie has studied with a number of people and works today with a vocal coach when she can because therea€™s always something to learn.
Fresh out of high school, Suzie attended the University of Saskatchewan in Saskatoon for a year. At one of Tonya€™s shows, her brothera€™s friend introduced her to the man she would marry about five years later. She made some musical connections, did some gigs, and then got a full-time job working for Marty Simon, a film composer. Suzie also worked in other musical side projects to pay the bills, providing bass and lead and backing vocals. Betty & the Bobs is a 7-piece variety-show type band which plays quirky music that its members wouldna€™t play in other projects. Suzie did solo gigs with guitar all through the years with Rick and the other groups, and is now predominately a solo artist.
33 Stars, released in 2002, has a pop feel.while Happy Here, released in 2008, is rootsier.
Her most recent album, Live at Bluesville (2012), came about when a radio interview turned into a recording session. Although her parentsa€™ record player didna€™t contribute to to her development, her brother had a stereo that could crank out the decibels and he allowed her to listen to records on that. Fresh out of high school, Suzie attended the University of Saskatchewan in Saskatoon for a year.A  She was in a general arts study program, which included drama and music theory.
In between gigs, she worked the counter in a gas station, baby-sat and did other part-time work, such as helping an accountant with income tax preparation and cleaning houses. In 1993, a serendipitous crossing of paths in Toronto proved very rewarding.A  Influential Canadian roots music DJ Chopper McKinnon met accomplished blues player Rick Fines for a beer. When I was three years old, in the spring of 1955, The Bone Lady came calling on me one fine day and blew my little boy mind wide open.
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A brief Internet perusal reveals that Aphrodite had no musical skills and actually was a bit of a tramp.
Situated midway between the east and west coasts, I thought that would make her the Canadian equivalent of a a€?Midwesterner.a€? She characterized it as more of a prairie environment, so a€?Ia€™m a a€?prairie girl,a€™a€? she said. It was a large console that became more of a nice piece of furniture that they stored things in.
She said that, a€?My voice was the first instrument that I got to play around with,a€? she said, a€?but I got bolder when I picked up the guitar.a€? It enabled her to accompany herself and she found a lot of cheerleaders among her teachers.
She perceived that the other guitar player in the concert band had a better understanding of jazz chords needed to play in the large band repertoire. While she didna€™t disagree, she felt, more importantly that it allowed her to a€?meter-map out how songs move chordally.a€? It was good for her ear, she added.
Her husband got a job in Toronto and they moved there in 1998, but the marriage ended shortly afterward. From her Wikipedia page, we learn Happy Here was a nominee for Roots & Traditional Album of the Year a€“ Solo at the 2009 Juno Awards.
He told Rick he shouldna€™t be sitting with him when he could go see the bass player at a different bar up the street. She downloaded so much data into my nodal connections that I could scarcely grok it all – then or now. But if she could sing, with her seductive skills, it might produce the same effect that Suzie Vinnick does. Me a€™n Mabel (2011) shows Suziea€™s skills with just her and her Larrivee parlor guitar (christened Mabel as a result of a slip using the word a€?maplea€?).
Since there was no bass in the orchestra, she asked her teacher if she could learn it and take that slot. She joined two female trios with different styles, Vinnick Sheppard Harte and The Marigolds.
Kinga€™s Bluesville station, basically said a€?Herea€™s our studio, go in and have some fun!a€? The result was a typical Suzie tour de force of vocal and guitar.
Chopper knew that Suzie was playing bass for Back Alley Johna€™s band, which was in Toronto for a gig. But especially then, at the age of three.One of the major take-away messages that she impressed on me was that this dark time of turmoil and trouble into which we have now begun entering was on the way. Her previous album, Happy Here (2008), is lushly orchestrated and shows Suziea€™s ability with a torch song.
I just liked the idea of singing songs off the radio.a€? She continued guitar lessons for two years, but there there were other instruments on her radar. Her voice teacher, Naomi Freisen, was a classical singer but still appreciated the a€?Broadway beltera€? style and was able to help her with blues and rock a€™n roll. Tony played in a style similar to guitar greats Albert King, Freddie King and Stevie Ray Vaughn. He kept in touch and asked her to come out for a summer, saying that he had a bunch of gigs lined up. He told Suzie stories about the music business (some of them hair-raising, no doubt) and she learned a lot from him. He told Suzie stories about the music business (some of them hair-raising, no doubt)A  and she learned a lot from him. Over the years I sort of half-thought that maybe it would never arrive, that somehow humanity could avoid the inevitable rendezvous with karmic destiny and grand tour cosmic cycling that bids fair to soon make mincemeat out of so many, in so many ways, in such a comparatively short period of time.
She tried the upright bass for a bit, but didna€™t care for it and settled with the electric. Suzie had no commitments in Saskatoon and enjoyed her time in Ottawa over the summer, so she decided to move there.


As the years went by I stumbled across the Hopi prophecies that resonate closely with The Bone Lady’s dream stream currency. Of the tracks I sampled, I was really impressed with the covers of a€?Big Yellow Taxi and a€?Love Hurts,a€? from My Favorite Shirt. The Marigolds was a more delicate, folkier group with a€?killer songwriters and singers who could pour out jazzy vocals,a€? Suzie said. I pored over the Cayce prophecies and readings, the Nostradamus material, and a great deal of other literature that also warned of carnage and cataclysm at this historical juncture.
Suziea€™s robust vocals did a strut all over Tonya€™s snarling guitar licks while her bass provided a relentless throb below.
The interesting thing is that he has a big data gap that rears its head starting in March of 2012, and then grows steadily larger until March of 2013, after which time he essentially cannot find anymore data.
The global chatter of seven billion voices suddenly hushes and grows virtually silent.Are you ready for Prime Time? Some will be absolutely horrified, stricken with abject terror to the very depths of their souls (if they even have souls).
It will herald the entry of a new way of living and thinking, a new way of being human on this planet.
For them, an oppressive burden will be lifted, they will have the sensation of being freed from irksome yokes and confining collars that for much too long have restrained the free expression of their sacred life potential. It is this happening that the others fear, no, more than that, it is this happening that the others detest, with every loathsome fiber of their monstrous hollowness. Those who want to know, make it their business to find out what it is they want to know.This is especially the case when it comes to the mainstream scientific and engineering community, most of whom are stuck in a reductionist, Newtonian, Cartesian, swamp of 19th Century group think. If it permitted other ways of knowledge and doing science then it wouldn’t be Newtonian, or reductionist or Uniformitarian.Will flogging a dead horse prevent its putrid corpse from rotting? Know any digital geeks, who could creatively spread your results far and wide in cyber space? Another civilization?8) Describe what is beneath the Giza Plateau and what lies inside the secret chambers of the Great Pyramid.9)Why all the secrecy about the Antarctic? Something else?10) What are the extraterrestrial species visiting the Earth, what are they doing, how many of them are there?11) Is the USA government in league with darkly, malevolent, Satanic, off-planet species?
The same goes for the European Union, the government of the Jewish State, aka, Israel, and the Roman Catholic Hierarchy, aka, The Vatican.12) How far has cloning technology gone? How many prominent public figures on the global scene are in effect biological robots, even outright programmed clones that appear to be natural human beings, but who are not?13) Barack Obama has very prominent, large scars on his head, looking like he has had major brain surgery.
Is it artificially engineered, in part or substantial whole?And think of other, similar, paradigm-busting questions.The time for hand-wringing is over.
None of what so many have grown accustomed to as the perks of working for a government agency will be there, none of that will matter, so why not lay it all on the line now, just for the sheer Heaven of doing so? There is however an issue with the omerta-like code of silence that the military, espionage and industrial remote viewers have. Check with me again in about 2 years.Could such a Time Veil or Time Cloak exist for an entire planet? If you scale the technology up could you create a Time Cloak that would effectively quarantine an entire planet and seal it off from the rest of the galaxy in its own hidden space-time compartment? Available properties range from a beautiful, 1000 hectare working estancia with year-round water in Uruguay for $4 million, to a productive 23 acre farm in central Chile with new house and appliances, garden, orchard, animals and farm equipment for less than $500K, to a wide variety of wonderful houses and lots in Ecuador from less than $100K and up.



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Comments to «How to get back my old internet explorer update»

  1. agentka writes:
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  2. YERAZ writes:
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