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Convert HD videos into digital format instantly for the true high definition video experience. This is why we continually focus on the importance of keeping noise to a minimum in the lab.
There are a number of factors that can compromise lab safety, and noise is definitely one of them.
Research also shows that individuals respond in different ways to varying tonal qualities, which means a noise that may not bother one person can be very distracting to another, inhibiting his or her ability to focus on the task at hand—and if you can’t focus, you’re more likely to make mistakes that lead to lab accidents.
Since just about every staff member has a smartphone these days, it would seem an easy fix to simply suggest that lab workers listen to music, or perhaps a “white noise” recording of rain or the seashore, to block out loud lab noises. The problem with this solution is that in order to hear that music or white noise in a loud workplace, it has to be cranked up to a level of 10-15 dBA over the background noise. The major issue with all of these solutions is that they address loud noises at the receiving end, rather than the source. Our IonBench integrated noise reduction enclosure tackles noise at the mass spec itself, rather than at the researcher’s ear.
New on the Blog…Lab Design Tips that will Save You Energy and MoneyWhether you’re retrofitting an existing lab or constructing a new laboratory building, there are a number of elements which must be considered in every laboratory design project.
Also, included in the box is a nice carrying pouch with a zipper and a spare set of soft earphone tips. Ray Dolby, A, B, C, SR analogue noise reduction homeabout uscoststape blogcontact us+44 (0)117 985 0500 'audio and video tape transfer, digitising and preservation'tel. Save valuable time and money by applying Noise Reduction processing power to salvage vintage vinyl recordings and rescue problem tracks.


While a soft “white noise” can be soothing and even help people concentrate, loud noises have the opposite effect.
In the same way that inadequate lighting or ventilation can contribute to stress and accidents in the lab, so can excessive noise, especially since there is no way to escape the noise and still get your work done. In addition to potentially causing staffers hearing damage, this becomes a lab safety issue, since it’s then harder to hear colleagues speaking or respond to dangerous sounds in the lab, such as the pop of something catching fire.
While these might decrease the volume of sound reaching the wearer’s ears, they bring with them their own set of lab safety problems.
Earplugs also do not fit every type of ear, and may even cause infections, especially if not regularly replaced (if disposable) or cleaned (if non-disposable). By enclosing MS vacuum pumps within the base of our dedicated lab furniture, we decrease the vacuum pump noise by 15 dBA—the same differential that’s needed for music to overcome loud noises in your lab. There’s no need to blast your ears with noise or purchase (and then discard) hundreds of disposable earplugs, and your research lab is quiet enough that people can concentrate on their work and hear each other’s conversations—or emergency warnings—without any difficulty.
For basic restoration solutions, use the Noise Reduction plug-in preset parameters, or develop and save your own custom settings for complete control and unlimited flexibility. Now let’s look at some facts about addressing loud noises, and the lab safety issues associated with each.
Also, earplugs must be carefully stored and cared for so that they maintain their noise-suppression capabilities. Removing the boost – lowering the level – also removed most of the tape hiss that accompanied all analogue recordings. On the Dolby A the input signal is split into four individual frequency bands and provided 10 dB of broadband noise reduction overall.We also have a Dolby SR system that was introduced in 1986 to improve upon analogue systems and in some cases surpass rapidly innovating digital sound technologies.


In a single operation, the Audio Restoration™ plug-in eliminates source material pops and clicks as well as broadband surface noise. Adjust click shape, size, and sensitivity controls and surface noise level thresholds, and then add a low frequency rumble filter to reclaim even the most vintage vinyl. With the Noise Reduction plug-in, analyze and remove background noise such as tape hiss, electrical hum, and turntable rumble, all without compromising the source material.
Generate unique noise print profiles to create the ideal restoration scenario for any media.Rescue problem tracks in your audio projects by reshaping clipped peaks in your digital recordings.
With the Clipped Peak Restoration™ plug-in, you can minimize clipping artifacts and reduce harsh distortion. The process algorithm mathematically recreates the shape of the audio waveform beyond the clipping threshold, rounding off the clipped peaks. In both cases, they can be detected visually as sharp glitches or spikes in the normal shape of a waveform. The Click and Crackle Removal plug-in is designed to analyze a sound file or selection and remove all clicks automatically. This plug-in reverses the damage done due to clipping by reducing the negative impact of harsh distortion. Clipped Peak Restoration rounds the tops of clipped peaks and applies peak limiting to the area immediately surrounding the audio clip.



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