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While the new Beats Studio deliver a re-voiced sound as promised, the changes aren’t all for the better.
This reissue of the Studio is the first since it was originally introduced five years ago, and is the first effort at a retake on the popular model since Beats’ divorce with Monster, which is said to have had a heavy hand (if not the only hand) in the voicing of previous Beats headphones. If you want to see what it’s like to crack open the box on a new pair of Studio headphones, check out our unboxing video here. Along the top of our review sample’s glossy white headband (the Studio are also available in glossy black and red) Dr. In the box with the headphones we found two red, rubbery, tangle-resistant headphones cables – one with an inline control microphone, one without – both with 90-degree 3.5mm input jacks, a USB charging cable, a USB wall adapter, a requisite carabiner, some product literature and a microfiber cleaning cloth.
The new studio maintain the best design element of their predecessor: spongy memory-foam ear pads covered in ridiculously soft leatherette. Also, the Studio no longer come with a ?-inch adapter, which seems like a strange omission.
Finally, Beats includes a mute button under the guise of the lower-case ‘b’ on the outside of the left ear cup.
The new Studio’s lightweight design makes the cans less cumbersome than the previous version, but we remain bothered by the underside of the headband, which wore down on our crown in short order (we’re always whining about that, so take our gripe for what you will).
We compared the new Studio two three other pair of over-the-ear headphones, including the V-Moda Crossfade M-100, the Munitio Pro40 and the Sennheiser Momentum. While the new Beats Studio aren’t lean on bass, they absolutely do not exhibit the bloated, overresonant, everpresent bass response we’ve come to expect from a Beats headphone. We then pulled out the aforementioned headphones to draw a comparison that would help illustrate how the Beats stack up against competition in the over-ear category.
The V-Moda seemed to have bass response on par with the Beats (albeit with a little less punch), but, thanks to warmer sound signature, felt a little bit heavier in the low-end overall. In the end, we concluded that while the Beats Studio still place some emphasis on the punch that drum beats and bass guitar bring to the mix, they avoid injecting the tubby, booming bass that tends to shroud the rest of the frequency spectrum.
The upper midrange flirts around with the lower treble region, but has its own special effect on the perception of the midrange as a whole.
The Studio’s treble response had us bouncing all over our playlist in search of some kind of consistency.
In trying to make sense of this, we’ve come to believe the Beats Acoustic Engine is responsible. Noise cancelling circuits tend to introduce a certain amount of hiss – something that is easily overlooked by most listeners when music is playing. On the other hand, if you turn on the headphones without the headphone cable plugged in, the Studio will go into a mode where we assume the Beats Acoustic Engine is turned off and only the noise-cancelling feature is enabled. While we’re on the topic of price, we can’t help but notice that the new Studio, priced at $300, cost the same as the much more sleek Beats Executive headphones. With all of that said, we know damn good and well that listeners the world over are going to scoop these right up. The Engadget Score is a unique ranking of products based on extensive independent research and analysis by our expert editorial and research teams. Stream audio to these Bluetooth wireless headphones, or plug them in with the included cable. Deep Bass + Bluetooth Wireless = Your New Favorite HeadphonesComfortable, visually beautiful and functional, Beats Studio Wireless over-ear headphones let you stream your music over Bluetooth while enjoying the deep bass response Beats are famous for. Durable, Comfortable HeadwearAlmost visually identical to Beats' wired model, the Studio Wireless headphones feature slightly smaller ear cups -- making them compact, ergonomic and supremely comfortable. Beats-quality Sound ResponseWith a similar sound profile to the wired Beats 'Studio' models, these Bluetooth-capable cans boast a slightly improved response, delivering deep, booming low end with crisp, clean highs. Wireless Freedom with BluetoothEasily paired to your favorite Bluetooth-capable devices, the Beats Studio Wireless headphones transmit your audio with near-to-no latency (although when paired with older devices supporting only Bluetooth codec 2.1, a 1-2 second delay is possible). For the casual listener who wants an audiophile-level listening experience, Beats Studio Wireless headphones deliver comfortable, sleek wearability with exceptional battery life, Bluetooth capability and impressive sound quality.
Beats Studio Wireless Over-Ear HeadphoneThe Beats Studio Wireless over-ear headphones are perfect for silencing your critics, wherever you are.
Feel Your MusicThe Beats Acoustic Engine makes your listening experience personal and real. Put the World on MuteSilence the noise from your daily commute or the drama from your loud neighbors with dual-mode Adaptive Noise Canceling. Lighter, Stronger, and More ComfortableWhen Beats reimagined the iconic Studio, they designed it like a beautiful sports car and made disciplined choices.
The A-T’s are made in Japan and have a solid fanbase amongst the audio crowd as well as the gadget crowd.
The A-T’s came in a nice one piece box, including a travel case, batteries, 1 headset wire, 1 dual headset adapter (1 into 2) and 1 large headset adapter. The Beats were boxed as if it were an Apple product – incredible presentation and well thought out. The A-T’s fit nicely, I have a rather large head LOL, I wear a size 7 ? hat so the headsets are almost at full extension for me to be a comfortable fit.


When the new Studio were announced in July, Beats came right out and said that it had re-voiced the headphone to be more accurate and balanced. Dre’s name goes conspicuously absent, simply reading “beats” instead (you won’t find Dre’s face on the box, either). Unfortunately, other design elements that could have used improvement either remained the same or got worse.
The undersized case remains the same, but gets even more cramped due to the inclusion of more and larger accessories (we’re looking at you, USB wall adapter!). For starters, it eliminated the need for two AAA batteries by including a 20-hour lithium-ion battery. One setting is said to be customized for music listening, the other more aggressive for simply shutting out the racket around you. Leave them switched on and pack them up with the cable still inserted, and they’ll be dead the next day (which we learned the hard way, naturally). Pressing the ‘b’ button not only mutes music, but disables noise cancelling so you can hear that overworked, underpaid airline attendant offer you an undersized bag of crappy pretzels or overpriced box of hummus and cheese. Also, even though the ear pads are super comfortable, they don’t breathe very well and tend to warm the ears up pretty quickly. In fact, the entire sound curve seems to have been re-worked, though not necessarily for the better. Test tracks were delivered by an Apple iPhone 4s and an Asus Zenbook Prime running Windows 7 and connected to a HeadRoom Micro DAC and Micro Amp.
Sure, if we pushed the low end hard enough with one of Dre’s own tracks or any other intentionally bass-heavy Hip-Hop cut, we could get some beefy response out of the Studio, but when we listened to songs like Marcus Miller’s take on “Summertime” or Tribal Tech’s “Slick,” bass response was right in line with what we expected it to be. After our tests, we concluded that the Munitio Pro40 were much heavier in the bass and thicker-sounding in general. The Sennheiser Momentum were leaner in the bass than the Studio, though not by a huge margin.
We think most would agree that the meat of the voice lives in the midrange, and as far as vocals are concerned, the Studio do fine.
When it’s shrill or compressed, as we found it to be in the Studio, it can give vocals a sort of honky sound – that’s “honky” as in something piercing like an air horn, people.
Not only that, but we noticed that the volume setting had a dramatic impact on the balance of the treble response. But the Beats Studio present more than your typical amount of hiss when the headphone cable is plugged in.
In this case, the hiss is reduced to a minimum, and the Studio do an adequate job of blocking ambient noise. With the headphone cable plugged in and the Beats Acoustic Engine engaged during a flight, we went to rest our head on against the fuselage of the plane to discover that pressing the right ear cup close to our ear caused a fast and rather loud pulsing noise.
We do appreciate that bass response has been toned down several notches, but there’s sharpness to the midrange and an inconsistency to the treble that we found off-putting. Frankly, given the choice between the two at the same price, we’d shoot straight for the Executive. And with that being the case, we’re happy knowing that they’ll be getting a little less skull-pounding bass and a little more detail out of their music from this generation of Beats headphones. The Global Score is arrived at only after curating hundreds, sometimes thousands of weighted data points (such as critic and user reviews).
With Adaptive Noise Cancellation (ANC), efficiently rechargeable batteries and full Bluetooth integration, Beats Studio Wireless are perfect for immersing yourself in your music, minus the cord! The Beats Studio Wireless Over-Ears headphones' faux-leather ear cups surround your ears with thick padding that's designed for comfort. You're hearing Beats' proprietary DSP audio compression and amplification at work, with an EQ profile that's designed to enhance the music for the casual listener. There's no need for specialized power adapter -- your Beats Studio Wireless headphones charge the internal Lithium batteries via a standard micro USB connection (provided). They're wireless with Adaptive Noise Cancellation (ANC), a rechargeable battery, and re-engineered sound. Our signature DSP software is designed to generate the emotional experience that some of the music industry's greatest rock, hip-hop, pop, electronic, and R&B producers want you to feel. When you're listening to music, ANC automatically strikes the perfect blend between your music and the world outside. The Beats Studio Wireless comes with a built-in rechargeable battery that lasts 12 hours when using wirelessly and 20 hours when you do decide to plug in. Although these beats studio wirless have good sound and the noise cancellation is good as well.
The is 2 pieces, one part sleeve, the second part a book of some sorts that opens up (binding intact) to reveal a separate ribbon opening that holds the instructions, wires and batteries. This is important in the event you run out of battery and just want to “listen” to your music. If you are looking for something less “in your face” with better value, the A-T’s are a great choice.


Whether that was what Dre and his crew had always wanted to do, or a response to heavy criticism from critics, is anyone’s guess. You won’t find any straight lines with this new take, and the material in use feels a lot more flexible and resilient.
Further down the headband where the ‘phones adjust for size, Beats has replaced what used to be exposed screws with a grey “studio” badge. Battery strength and power status are represented by a row of small, white LEDs and a single LED on the power button, all of which live on the underside of the right ear cup. The so-called “Beats Acoustic Engine” uses DSP (digital signal processing) to ensure the headphones produce a sound signature as specified by whomever voiced them (which, according to all marketing, rests on Dre’s shoulders). Of course, neither issue seems to bother most folks who wear them now, so we doubt Beats fans will start to complain. Outside of vocal reproduction, we found the Studio could render dark horn sounds with a richness and well-rounded approach that was impressive.
The highs in one recording are bound to be different than the next – sometimes to an extreme.
Going back to “In One Ear” we felt the drummer’s high-hats were perfectly acceptable with our iPhone’s volume set at its mid-point. This does not happen when the Studio are in noise-cancelling-only mode, therefore we feel it’s safe to say it has something to do with the acoustic engine. Also, between the inconsistent frequency response depending on volume levels and the mysterious thumping we heard in our right here, we feel the Beats Acoustic Engine causes more problems than it fixes. The provided hardshell case offers surprising durable protection for transport while still looking stylish. For those looking to get creative, they may be paired with a Bluetooth-capable TV or gaming console, making them ideal for virtually any use requiring privacy or quiet. The Bluetooth stays connected up to 30 feet so you can roam freely, keep the music going, take calls, skip songs, and change the volume right from the headphone.
If you only want to use the headphone to cancel external noise, the ANC only mode automatically increases the level of noise cancellation, to put the world on mute. Beats reduced the original weight and gave it a lighter, stronger, and more comfortable headband. NOTE: the travel case included which is thin and short is a much more ergonomic fit for luggage as opposed to the Beats travel case (more on the Beats case below).
A single blue LED illuminates when noise canceling is on – via a single switch on the left hand side. I’m not a crazy audiophile so take it with a grain of salt, but the Beats simply sounded better overall.
Build wise, they’re on the same level, dare I say that the A-T’s seem to have slightly better fit and finish if any. Dre headphone is more beneficial at this point to the publisher’s traffic than it is for the headphone brand; but that’s not why we’re reviewing them. Overall, the new Studio feel a lot less clunky than the previous iteration, if not just a bit cheaper. From our listening tests, we suspect the noise cancelling and acoustic engine processes are in cahoots. That said, they lack some of the intimacy that we got from the Sennheiser Momentum, and we think that’s because of what’s happening in the upper midrange.
With music playing inside the cans and the steady whoosh of airplane noise at play outside, the Studio’s noise-cancelling capabilities proved sufficient, though they still can’t compete with the likes of Audio-Technica or Bose’s noise cancellers.
Either way, it’s totally undesirable and something travelers are bound to run into unless they avoid any kind of pressure on the right ear cup. Volume and transport controls are integrated into the headgear with a standard class 2 reception range of about 30 feet. Forget specialized adapters; the Studio Wireless can be charged via micro USB almost anywhere.
The softer ear cups have an ergonomic below that creates a flexible custom fit, so you can keep your music all to yourself. Accessories included 2 headset wires (1 with a remote to answer calls) a single headset adapter, batteries, and a red Monster Cable microfiber cloth for cleaning. Bright white, Red Beats logo, single LED on the right to identify whether they’re on or off.
Those recordings with hot treble were intensely hot with the Studio and those with subdued treble seemed too subdued.
The Beats travel case is much more hip, with a rubberized outer, hinge lock clasp and the Beats logo embossed on the top.
Unfortunately, because of the way the headphones collapse, the shape of the travel case is a bit more obtrusive on the beats with it becoming a weird tall and thick diamond shaped object.



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