In 1956, Barney Rosset, the editor of Grove Press, asked Frank O'Hara to resubmit poems for publication by Grove. Rosset accepted O'Hara's poems, and as work went on, publication plans were made to include artwork as a frontispiece for a limited edition. Wouldn't it be more to the point to have some artist with whom I am more closely connected do this?
Lovecraft meets Burroughs in Kathe Koja’s surreal debut novel, about a couple that finds a black hole in the floor of their apartment building.


A collection of 200 Italian folktales altered (trading dwarfs for robbers in “Snow White,” for example), Italo Calvino-style.
Yet I think I am like most of his readers who forgive him this, knowing that with the next poem or the one after the next he will return to his naturally communicative, pleasure-giving mode. The selection does seem important to the poems (if I'm not being too impressed by the French), and there are a few painters whose work has influenced the poems strongly, so shouldn't they at least be considered? These five reads are perfect for people who want to huddle under the covers and get lost for a while.


An exuberant talker, O’Hara on occasion goes on auto-pilot erudition spills, and when this is applied to a subject of limited interest the result can be a poem that may not speak to most readers, especially those of us not thoroughly tutored.



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