The directorial debut of My Wife Got Married screenwriter Ryu Hoon, Secret Love subverts expectations by starting with the romantic melodrama setup of a woman caught between twin brothers, and unraveling into a haunting revenge drama. Just two months after getting married, Jin Woo (Yoo Ji Tae) gets into a bad accident and falls into a coma. Popular Korean actor Yoo Ji Tae (Old Boy, Woman is the Future of Man) returns in a double role as twin brothers in Secret Love, which marks the directorial debut of Ryu Hoon, screenwriter of Jung Yoon Soo's hit romantic comedy My Wife Got Married. Despite an explanatory voice over, the film begins in disorienting fashion, introducing Yeon Yi (Yoon Jin Suh), an unfortunate woman whose new husband Jin Woo (Yoo Ji Tae) has recently had an accident and fallen into a coma, the same fate which had apparently previously befallen his twin brother.
All of this changes once Jin Ho wakes up, as the film immediately shifts gears and becomes a leftfield mystery based upon the question as to which of the twins is really which, and whether Yeon Yi has actually married the right man. Thanks to it's unexpectedly over the top second half, Secret Love offers something far more enjoyable than its rather standard early scenes of melodrama initially promise. Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
New Secret Band full-length includes an 8-page booklet with lyrics and paintings by Jon Mess. Event details may change at any time, always check with the event organizer when planning to attend this event or purchase tickets. Thirty years after their first gig, cover band maestros Dominic Albanese and Craig Phillips are still bringing the party to the Ocean Drive club, night after Jersey Shore night. Though they’ve promulgated this philosophy all around the Philadelphia region and in places as far-flung as Florida and Las Vegas, the real spiritual home for their particular fun-based gestalt (which, of course, is German for “This is how we do it now”) is a low-ceilinged room containing a few well-stocked bars, just a stroll from the sands of Sea Isle City—a club called the Ocean Drive. Here, since the mid-’80s, Dominic Albanese and Craig Phillips, two South Jersey natives now pushing 60, have labored, armed with nothing more threatening than a Reverend guitar and a Fender bass, toward one goal: to whip the Shore’s supple and sunburned youth (and often folks who are old enough to be their parents, and sometimes actually are their parents) into a delirium that would rival some of the better parties thrown by the Emperor Tiberius.
The constituent elements creating this formidable entertainment hurricane are unremarkable. In the iconography of the Jersey Shore, the bar band stands somewhere between Lucy the Elephant and the Wildwood amusement piers.
No matter what dictionary of words was referenced for this article; clearly the writer is missing the pure joy and fun of a truly great entertainment duo.
A Karaoke machine, a drum machine, and over-the-top vocal enhancement is what they’re all about.

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For more details, please refer to our return policy.This product will not be shipped to Hong Kong. Popular actor Yoo Ji Tae takes on dual roles in this melodramatic thriller, which takes on an intriguing aura of mystery and convolution as betrayal, role-switching, and erotic liaisons send the lovers and brothers together and apart.
Trying her hardest to take care of him, his devastated wife Yeon Yi (Yoon Jin Suh, Someone Behind You) can barely function as her life slowly falls apart. Although the film sees him again dealing with the theme of a woman caught between two men, here he takes a different route with an outing that switches midway from melodrama to mystery thriller. Things get confusing after said twin Jin Ho (also Yoo Ji Tae) turns up unannounced at the hospital and moves in with Yeon Yi, awaking in her all manner of feelings and memories. The first hour or so is a fairly standard romance melodrama, with poor Yeon Yi going through the not unexpected process of falling in love with Jin Ho while Jin Woo lies in his coma. At this point the pace picks up considerably, and the film becomes a great deal more fun, with Ryu Hoon building quite cleverly upon the film's early sense of languid ambiguity. Anchored by some entertaining work by Yoo Ji Tae and a strong, sympathetic turn from the excellent Yoon Jin Suh, it holds the interest throughout despite the fact that it never really makes too much sense.
Albanese, 56, is of medium height and fairly fit, with short graying hair, and wouldn’t look out of place flipping dough in a pizza parlor.
We reserve the right to ban impersonators and remove comments that contain personal attacks, threats, or profanity, or are flat-out offensive. I’ve been a groupie since the first year I worked with them at the OD back in the late 80s as a waitress. At this time, Jin Woo's brother Jin Ho (Yoo Ji Tae) returns from abroad, and Yeon Yi is shocked to discover that Jin Woo and Jin Ho are actually identical twins. Yoon Jin Suh, recently in Someone Behind You, plays the woman caught between Yoo Ji Tae and Yoo Ji Tae, carrying the viewer along on a surprising and increasingly unconventional tale of love and deception. The two start a torrid affair, only for matters to take a further twist when Jin Woo wakes up, resulting in a decidedly uncomfortable situation. Although wholly predictable, this works reasonably well, mainly due to Yoon Jin Suh's excellent performance in the challenging role of the confused young woman who slowly comes to terms with her feelings and physical attraction to the two men.

Working in revenge, betrayal, hysterical revelations and all manner of role changing shenanigans, the film's last act is highly entertaining, right through to its odd though satisfying conclusion. Phillips is 58 and blond, taller, and carries both more bulk and some extra flesh in his midsection. The quintessential sound of summer isn’t just the squawk of seagulls, but that valiant and always slightly sad attempt by no-name performers to re-create the magic of stars from Sinatra to Springsteen. Yeon Yi and Jin Ho are at first wary of each other, but a close, confused relationship gradually develops.
Pushed back and forth between the two brothers, she tries to make sense of her conflicting emotions, as it becomes apparent that the twins may be harbouring a dark secret. With Jin Woo and Jin Ho to a large extent being defined by their overlapping characteristics and the deepening mystery as to their identities, it is Yeon Yi who drives the film's drama as well as providing its emotional heart, with the viewer seeing things from her understandably uncertain perspective. Although the film strays into some fairly strange territory, thanks to the early investment in character and mood it never becomes too ridiculous, and manages to remain engaging and intriguing. His rightful place in the music world could easily seem to be a public-school classroom, and he does in fact teach kids how to play the violin and such. They may never quite capture fame, but they become an indelible soundtrack in our nostalgic reveries of youth. Emotions boil over when Jin Woo wakes up, and Yeon Yi is suddenly caught between the two brothers. Filled with cryptic omens and enigmas, during this first half the film quite closely resembles a more erotically charged version of the 2002 Lee Byung Hun starring drama Addicted, perhaps a little too much so at times, though it still manages to be engaging enough. Things do get very racy in places, with some graphic sex scenes and both female and male nudity, though these certainly have their place in the film, representing as they do the changing relationships between the characters, as well as Yeon Yi's gradual transformation into a woman more in control of her life.
Stomp,” which owes a large debt to that old chestnut “The Alley Cat” and has morphed over the years into a routine that includes both crowd and bartender choreography, the pair exclusively play music written and recorded by other performers.

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