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Fellow fans of Ultra Swank are well aware that we are revelers in a cultural period of technology supreme.
Immigrating from Russia to New York City in 1919, Artzybasheff’s career included over 200 Time Magazine covers and illustrations for over fifty books.
Ultra Swank is a magazine styled blog that takes you back in time into the kitsch, chic, swank and camp living of the 1940s to the 1970s. AKA STEVE RACHMAD After more than a quarter of a century involved in electronic music, it's not an exaggeration to say that Steve Rachmad has been integral to the development of the scene in his native Netherlands.

It leads to the title in accordance with the Wikipedia naming conventions for capitalisation, or it leads to a title that is associated in some way with the conventional capitalisation of this redirect title. He was a sought after advertising illustrator with clients including many of the Fortune 500. We mostly focus on the design, style, and fashion of the happy-go-lucky and space-age-living mentality of that era – but also on the music and movies that takes you back to happier times.
Most often associated with Detroit techno, its warm pads, rousing strings and powerful grooves, Steve is the producer, remixer and DJ who among first championed such sounds in his home country. Amongst his earliest achievements was releasing the full length Secret Life of Machines back in 1995. On a personal note I just love Detroit tunes that build up to a climax before the groove really kicks in and for me, Thera - with its beautiful harmonies and deep melody - has that special touch.
A definitive techno album that was very much an instant classic from Rachmad (under his Sterac alias), 2012 sees it getting touched up, slowed down and remixed by the likes of Ricardo Villalobos, Joris Voorn and more, ready for release on influential Dutch label, 100% Pure. Alongside that work, a strong line of singles and EPs litter Steve's discography, often under weird and wonderful aliases.

Forever exploring his own take on techno, electro and deep as well as techier house, releases and collaborations have come on imprints including Soma, Music Man Records, Truesoul, Delsin, Figure SPC and Get Physical. Although he was capable of very realistic renderings, it was his surreal creations of machines as living creatures (a hidden vanity of technology) which endears him in the hearts of mid-century mavens of today. What's more, late in 2011, connoisseur Dutch imprint Rush Hour asked Steve to contribute to their Amsterdam All Stars compilation, with his 'Boogie Moogie' track one of the eventual stand-outs. As a DJ over the years, Steve has constantly evolved, most often spinning heartfelt techno, but also weaving in formative influences like disco and electro.
He has played everywhere from Fabric in London to Berghain in Berlin via D-Edge in Brazil as well as at festivals like Awakenings, Creamfields Australia and Time Warp Holland - not bad for someone who started out cutting and pasting on his parents' reel-to-reel back as a 12 year old.

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