Brantley Foster, a well-educated kid from Kansas, has always dreamed of making it big in New York, but once in New York, he learns that jobs - and girls - are hard to get. Opis: Brantley Foster jest ¶wie?o po collegu, przekonany i? uda mu sie podbi? ¶wiat biznesu przed koncem miesi±ca, wyrusza do Nowego Jorku.
Welcome back to 80s Bits, the weekly column in which we explore the best and worst of the Decade of Shame. The affable Brantley Foster was not a stretch for Fox, playing a watered-down (by way of Marty McFly) version of Alex P.
When Brantley visits his uncle, Howard Prescott, who runs a multi-million-dollar company, he is given a job in the company's mail room. Rzeczywisto¶? jednak przygotowa?a dla niego niez?ego "plaskacza" w twarz - jedyny zawod w ktorym mo?e pracowa? to roznosiciel poczty w firmie swojego wuja.
Karothers, Better Than Average Bear, Fred Gwynne, Helen Slater, Herbert Ross, Jack Epps Jr, Jim Cash, John Pankow, Margaret Whitton, Michael J. Fox) leaves his Kansas home and heads for New York, where he doesn’t plan on returning until he can fly home in a private jet. Yet it is hard to imagine a film more unabashedly 80s than The Secret of My Success (sometimes billed as The Secret of My Succe$s).

Keaton, his would-be tycoon from Family Ties. His natural charms are the secret to the success of this film, and makes a convincing romantic lead as well. Sytuacja zmienia sie jednak gdy pewnego dnia odbiera telefon dzwoni±cy w biurze zwolnionego pracownika.
At the time of filming The Secret of My Success, he was coming off the back of box office wins with Back to the Future (1985), Teen Wolf (1985) and the still popular TV series Family Ties (1982-1989).
His initial job prospect falling through, he is repeatedly rejected for being under-experienced or overqualified for everything he applies for. Like many movies from the era, the film is build upon the premise that success can be measured in social status, and the pursuit of that reward occupies most of the film. Supergirl‘s (1984) Helen Slater, who looks to be modelled on the late Princess Diana of Wales, is also a likeable screen presence despite her underwritten part. Likewise, director Herbert Ross had been on a career ascension since his sole Oscar nomination for the The Turning Point (1977), but also with the now iconic Footloose (1984).
He eventually takes a job in the mailroom in the huge company owned by his uncle Howard Prescott (Richard Jordan), but has his eyes on the top jobs, along with the sole female executive Christy Wills (Helen Slater).
Indeed, even the love story doesn’t result in the ultimate happy ending, but rather a corporate takeover and the ability to drive to the opera in a limo with other society types.

The kissing scenes between her and Fox were allegedly adjusted due to the latter being much shorter than Slater! Even co-writer Jack Epps Jr was making a name for himself with the screenplay for Top Gun (1986), rounding out the creative team for this business comedy about making it in the 1980s.
Seduced by Prescott’s wife Vera (Margaret Whitton), who is the real power behind the throne, Brantley spies a chance for change when he assumes the role of a faux executive, hoping to make it before anybody realises he faked it. Yet this was the perceived ideal, a stark contrast to the anti-1% films that now get labelled anti-corporate and leftist by conservative media. Curiously, this came out the same year as Wall Street (1987), a polemic about unrestrained corporate greed in the 1980s, and both before the Black Monday Wall Street crash of 19 October, 1987. Yet it is Margaret Whitton, the very canny aunt with the mind of gold, that steals every scene she is in, in a completely over-the-top performance. Yet at its still beating heart, this is a screwball romance, a wonderfully anachronistic charmer that inhabits a bubble of time that never really existed.
Also look out for great small roles for Mad About You‘s John Pankow, and Herman Munster himself, Fred Gwynne.

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