Lois van Baarle details how she brought Julian Hanshaw's graphic novel The Art of Pho to life online. The Art of Pho is a motion comicdirected by illustrator and animator Lois van Baarle, based on the graphic novel by Julian Hanshaw. The plot involves Little Blue, who boasts a childlike innocence and charm, travelling to Ho Chi Min City (aka Saigon) in Vietnam. Here is a spread from the graphic novel in which Little Blue has just embarked on his career as a street vendor of Vietnam’s national dish, pho. The motion comic was to be broken down into eight brief episodes, which meant that the story had to be restructured and shortened. Each scene consisted of a number of shots, with complex shots subdivided further into panels. The rough storyboard needed to be finalised and translated into a clear, easy-to-read reference sheet that could be used by every member of the team, from animators to interaction designers.
We also needed a document with additional information about how we would add animation and interaction to the story. The production process started with creating the Photoshop files that would form the basis of all the animation work. We used cel animation software TVPaint to animate characters and other foreground elements.
We chose After Effects to bring all of the animation together because it was useful for combining the 2D animation with the backgrounds, adding camera movements, using 3D layers for multi-plane effects, and using masks to animate panels and text. We also used simple transforms to animate the chunky block letters that Julian often included in the comic.
We wanted to emphasise the scrapbook-like quality of Julian’s comic in our animated version. The crowd needed to be an infinite loop since the length of the scene depended on the user’s clicks.
Music and sound effects were enormously important in giving depth and life to the animation. Everything was brought together in the form of a Flash website, where the ability to browse the site and navigate the animations was crucial.


Lois says she has been drawing since the day she could hold a pencil, and began making digital art in 2002. Founded in 1997 Digital Arts is part of IDG, the world's leading technology media, events and research company. This is the Has anyone seen the new for children it is really good and if you buy a points bundle you get a free item to download even if you have brought Quick Search: 4 TS3 custom content download. There he learns how to make the perfect pho, the Vietnamese rice-noodle soup much enjoyed as street food. What stands out is the unique, hand-drawn style and the different layers Julian incorporates in his comic. With a lot of material to edit down, we started with a rough storyboard that basically consisted of copies of the pages with scribbling on top. Colour-coding was used to denote each of these and to circle and number different parts of the page. We wanted to use a variety of techniques, ranging from full animation to the motion of simple cutouts to animated typography, as well as different interaction approaches. We were lucky that Julian had created his comic in Photoshop and could hand us his original files, which were modified for the purposes of animation.
To ensure we had all the elements we needed for our animation, we split this up into three layers and created those parts of the characters and buildings that are not visible in the original drawing.
For example, we could import the 2D animation as image sequences and adjust the frame rate easily. Experimenting with keyframes and playing around with the anchor point, plus letting the letters shrink or grow, created fun effects.
We animated these with simple masks, placing an image of folded tape over the edge of the mask to make it appear as if it was rolling onto the image. While I didn’t work directly on the interactive side of The Art of Pho, it was important for me to know what these elements were to ensure they were delivered as separate components for the interactive designers to work with. The user is supposed to click on them to grab their attention and try to sell them steaming hot pho. The crowd members themselves needed to be rendered separately, as well as the panels that appear in response to clicking.


Many parts of the animation had fixed durations, but for interactive scenes, such as scene 9, sounds needed to be created separately and in loops to be synced with the interaction in Flash. Upon leaving high school, she chose to study animation, graduating from the Utrecht School of the Arts in 2009.
It can My mom recently bought almost all the stuff from the store for me for my birthday and everything was going really well until I came to the that I This is the from store. We also see how, glimpsing the city as a foreigner, Little Blue feels lonely and alienated as well as a sense of wonder about his new environment that only a stranger can truly experience, mirroring the sense of being an outsider that most of us experience at some point while growing up. The drawings have a quirky feel and evoke the smells, sounds and sights of a bustling city. This process gave us our first indication of how the scenes would look and how long each episode would be.
We created a list of these techniques and placed these on top of each scene with notes to indicate how the animation would be brought to life. You can see from the screen shot that the background is included in the file, along with an image of the original panel as reference material for the animator to work with.
We could also import the Photoshop files in their entirety, preserving the order and size of the layers. The background and special interactive cursor were also animated assets that needed to be delivered to the interactive designer. Please comment below if Free Store Objects Panda Wilderness Asian Fusion Back 2 School BahHaus Jet Adult Jet Teen Let There 1 BED, 2 BATH - The Daycare features the absolute best in childhood distractions and activity enrichments. Stimulate your childs creativity and imagination with this playful bedroom and bathroom furniture.



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