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One of the celebrated cinematographers (DoP) of Bollywood, Amitabha Singh, who has National Award winners CHILLAR PARTY, KHOSLA KA GHOSLA and India's Oscar entrant in 2014, THE GOOD ROAD to his credit, is all set to make his directorial debut with SHORTCUT SAFAARI.
Touted as the best jungle adventure film, SHORTCUT SAFAARI that attempts to reconnect us with our roots through the eyes of seven children and showcase the natural world in contrast with the humdrum and chaos of daily city life, happened because of the various reasons and thought processes that went behind it. Ask Amitabha for how long he has been toiling with the idea of turning a director and making a film like SHORTCUT SAFAARI and he says, 'There is no definite beginning especially to SHORTCUT SAFAARI.
Amitabha also lists down the pain points that instigated his mind towards directing a film like SHORTCUT SAFAARI. But above all what triggered his mind to come with SHORTCUT SAFAARI was his experience with the devastating floods of Uttarakhand and his visit to Sikkim.
He adds, 'I feel there are certain fundamental cardinals what we may call it as balance of nature, which we are not able to completely connect with or understand.
And if you thought that direction was Amitabha's deliberate progression, then that's not the case. He shares, 'One of the most disturbing experiences in my recent memory has been the floods of UttaraKhand.
Ltd, Kashyap A Shah & Amigos Fin-o-tainment, SHORTCUT SAFAARI aims to deliver a very effective message to conserve Mother Nature.

I feel children are blessed with immense power of imagination and power of abstract perception.
We had gone to Kedarnath with my parents and my daughter, who must be 4-5 year old at that point of time. But SHORTCUT SAFAARI is an accumulation of thoughts, concerns, and ideas that you grow with and grow into. So to engage that mindset, I felt there was a big handicap that we were facing as content providers. But it so happened that by the time I was finishing GOOD RAOD, an opportunity like this came up and it was an opportunity as well as challenge. Further the deteriorating environment is a huge pain point for me as individual and of course for all of us. There is a certain compulsive dependence who we are, where we live and what the entire planet is about.
I had certain visual memory of that experience which became a part of the subconscious mind. This question raised and that is how the essential structure of SHORTCUT SAFAARI fell in place.

It's a very complex relationship and to have this thought that we will invade the space and make space stations, we will colonize mars, it's a good idea but at the same time I don't think its addressing or solving fundamental problems per se. After the floods settled, still that memory use to challenge, shatter and shock me with the imagery flashing on my mind.
It took us about three months to write the film but before we started to write the film there was no structured plan in place. So it was a combination of all these pain points which then culminated into a film,' he says. Before that we had gone to Sikkim where I saw that huge dams and power projects were being built.
Deep down in the valley, they were trying to change the course of the river, under the Himalayas tunnels were being made to divert the flow of river.

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