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I don’t consider myself a furniture snob, but until recently, I’d not studied furniture from the South beyond pieces featured in “Southern Furniture 1680-1830: The Colonial Williamsburg Collection” by Ronald L. After spending a few days combing through file cabinets at the Museum of Early Southern Decorative Arts (MESDA), I found I’ve been missing a vast array of gorgeous furniture. Christopher Schwarz has helped many of us solve some pretty frustrating problems over the years. After a 6-month wait, the has company finally announced via a blog post the launch of Google Play Music Podcasts.
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Here’s a recipe for creativity: Mix two gifted architects with two seasoned woodworkers, throw in a bunch of money and shake.
The look of Greene and Greene furniture has captured the imagination of many of today’s furniture makers.


Let’s take a closer look at some of the best-known furniture designed by Greene and Greene for lumber baron Robert Blacker in 1908.
From the outside the splines appear to be one large piece of wood reinforced with square pegs. In this composite of two different drawers, you’ll find joints that were made on the tablesaw (Fig. Many Greene and Greene drawers were center-guided with a track running underneath the middle of the drawer bottom. American Woodworker magazine was acquired by F+W Media (parent company of Popular Woodworking) in 2014.
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By this time the collaboration between this group of  architects and woodworkers had fully matured.
They’re joined to the top with a tongue and groove joint that isn’t glued and screws that pass through slotted washers. Every time you push yourself out of a chair you put enormous strain on fairly thin members. That’s exactly what happened in California just before World War I, when architects Charles and Henry Greene worked with cabinetmakers John and Peter Hall building houses and furnishings for wealthy Pasadena clients. The Greenes had taken on ambitious commissions to design houses and furnishings in a completely new style from top to bottom.


But they also invite disaster because the grain of the breadboard end, or cleat, runs opposite to the grain of the top.
As a team they solved problems of wood movement, weak short grain and efficiencies in production that had plagued woodworkers for generations. In addition, interviews by scholars with descendants of the immigrants who worked in the Hall’s shop reveal that many of the Greene’s construction ideas actually came from Scandinavia.
The Halls had built a millwork production shop equipped with large line-shaft machinery where the techniques of making multiples efficiently and quickly were well known. A top should be able to freely expand and contract, but a mortised and glued cleat will restrain it. The short grain in a continuous arm is particularly weak, so Charles Greene strengthened the joint with ebony splines. The half-blind tongue and rabbet probably was an innovation introduced by the Hall’s Scandinavian-trained furniture makers, according to Professor Cooke.
Charles Greene, who specialized in furniture, set up a workbench for himself in the Hall’s shop. Second, once a batch of center guides is machined and installed, each drawer will run smoothly right off the bat. Third, a drawer guided in the center is easy to pull out with one hand because it doesn’t rack.



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