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But here we provide you with the ultimate solution to relieve you of your queries and problems. From 1917 to 1991 in the former Russian Empire, and from 1945 to 1989 in the countries it dominated after the war, there was no real private ownership. The defining gesture of a house on the Big Island of Hawaii by architect Craig Steely is a 139-foot-long, four-foot-tall concrete beam spanning the roof. On the Big Island of Hawaii, there’s the relatively dry and forgiving Kona side to the west, and then there’s the Hilo side.
One positive aspect of the area’s rain, beyond the lush waterfalls that lure tourists and locals alike, is the resulting flora rising from the lava. The directive was simple: a three-bedroom, two-bath house with a pool that would take advantage of their view of the Pacific, about two miles away as the crow flies and four by car.
To help him carry out his vision, Steely recruited Hawaii-based contractor Mike Lynch, whom the architect calls “a concrete superstar,” and who had done the concrete work for Steely’s own Lava Flow house nearby.
To help tame the wild site, Mayer, armed with undergraduate and graduate degrees in landscape architecture, laid out a mostly native garden and planted a small coffee grove—“just enough for us, friends, and family,” he says.
The pool continues inward past the guest wing and runs beneath a small concrete bridge separating the public and private spaces. Inside, the house is furnished simply, with vintage finds and low-key modern and Arts and Crafts pieces. As in the other Lava Flow houses—which Steely describes as having in common “few materials, sparse construction, and linear planes that open up the homes to the surrounding lava, sky, and ocean”—little was left to waste.
Now settled into the house, the couple have grown accustomed to—even dependent upon—the intense rains. As you enter the front gate and push through dense, dripping foliage, you may wonder if you’ve made a wrong turn. Appropriately enough, the Strozenbergs’ home recalls one of those high modernist roosts up in the Hollywood Hills—the kind that, in films like The Player and Mulholland Drive, represent L.A.
In the process of creating this leafy hillside retreat, the Strozenbergs were full partners with Weinfeld, from initial sketches to the final choice of materials. This focus on his clients’ unique needs is borne out in the wide variety of work Weinfeld has produced in Sao Paulo. In the case of the Strozenbergs, Weinfeld was collaborating with design-savvy pros: Ticiana is a graphic designer, and Alan is an advertising wunderkind. To nurture a feeling of conviviality, Weinfeld made the kitchen, living room, dining room, and media room all flow together seamlessly.
The Strozenbergs’ insistence on utility extends even to their churrasqueira, or barbecue grill. That same desire for functionality encompasses the forms and materials of the house itself, where Weinfeld and his clients have opted to invest in space and light rather than showy surfaces. But in the end, this austere palette serves to enhance the home’s truly luxurious element: proximity to nature and all its potential. And so, on a tricky hillside lot in a concrete-bound megacity, Weinfeld and his team have carved out a space where rushing cars give way to thick clusters of palms, bamboo, and fruit-bearing trees, which beckon outside every room. In 2012, the brothers Bouroullec collaborated with Danish company Hay on wooden furniture for the Faculty of Humanities at the University of Copenhagen. Anchored to a rocky landscape in Larvik, Norway, this glass-walled home was especially designed as a weekend retreat for an interior architect, an artist and their two children.
B&B Italia Outdoor’s Canasta sofa, by Patricia Urquiola, shares a shady patch in the ground-floor Carnegie Hill garden with three ginkgo biloba trees, an existing fountain with an Italian marble spout designed by Thomas Woltz, and bluestone pavers. Delving into the ecological habitats of New York City while weaving together urban and green spaces, Nelson Byrd Woltz Landscape Architects has created a thoughtful garden space spread over six floors of an 1899 Carnegie Hill town house. The perennial plants on the green wall were plotted out as a piece of verdant abstract art. EM: Can you speak to the analogy [you gave me] that doing an urban garden is like building a bird’s nest? TW: One of the first calls I made was to the head of ornithology at the University of Maryland to ask what birds would need resident ecology [in the garden].
A sofa from Sutherland’s Poolside collection is covered in fabric from Perennials; the illuminated side tables are by Porcuatro for Tango Lighting. EM: The surprising thing is the contrasts of scale at play—making something very intimate where you are most exposed.

TW: We pulled off a game of perspective by planting three trees close to the back of the rear wall, which is glass. EM: It’s a great design tactic—a new layer that makes something feel bigger, which is sort of counterintuitive. EM: Is there anything else you wanted to add about your design process at Nelson Byrd Woltz? TW: We often begin with science and research, and it’s such an important part of our practice to understand the biological dynamics of a site and its region. Outside and inside slide seamlessly together in this lovely little loft built of thick wooden beams, textured limestone floors and rough stone walls, all tied together by thin and unobtrusive steel members and spanned, when necessary, with crystal clear glass.
For more on emerging designers, check out Dwell's Young Guns 2016, coming soon in our June issue. The new drawing studio at Arts University Bournemouth in Dorset, United Kingdom comes with a futuristic silhouette. Sending plastic packaging waste to a recycling facility may be better than tossing it on a landfill, but finding a way to extend the item’s use in its current form is almost always a greener (and cheaper) choice. Imagined as a weekend retreat in the Sydney Blue Mountains, Australia, Little Hartley House by Urban Possible addresses the living needs of two avid climbers — a professor and an art gallery owner. The single level, three-bedroom house features an artists’ studio, plenty of entertaining space and a sauna for after a day of climbing. Tokyo-based firm APOLLO Architects completed the design for a mixed-use living and art gallery building in Obu, Aichi Prefecture, Japan. Envisioned as a family retreat for a couple’s retirement, Casa Meztitla makes the most of the rocky landscape at the foot of Tepozteco mountain in Mexico. I think every aspiring furniture designer should take a stab at the ultimate chair concept just because the ideas that seem to come up are usually extremely creative. We have seen a strong push from more designer oriented tiles for not only floor application but wall as well and with that we have seen some outstanding designs in a wide variety of materials.
From the first look it is easy to see the MBRACE is unlike any other designs out there especially when it comes to outdoor furniture.
We bring you with top 20 items to give away on the Valentine’s Day to the woman you adore the most in this world. But while imbibing may help you maintain stamina for the dance floor, it can also ramp up your internal body temperature (likely already elevated by the grueling desert sun).Enter the architects and artists responsible for the latter half of Coachella's proper name. With major projects still ongoing all over the world, the firm had to keep things running strong, focusing on the future while managing grief. With an average annual rainfall of well over 100 inches, the windward portion of the island can be daunting for builders. In fact, it was the native ohia tree, its gnarled gray bark offsetting its brilliant red lehua flowers, that sparked Steely’s design.
They brought Steely inspirations that included Glenn Murcutt’s metal-roofed homes in Australia, and, says Mayer, “a huge file of images.” The architect answered with an open-plan layout roughly divided into public and private halves, partially bisected by an elongated pool and defined by a massive, horizontal concrete roof beam whose concrete supports allow the use of floor-to-ceiling glass on the ocean side. He conceptualized meandering paths of pumice-like lava that give way to spongy lawns and low planting beds that, with the help of the wet weather, will soon grow to blend in with the surrounding ohia. With its purposeful indoor-outdoor composition, the house easily becomes an ideal entertaining hub for the couple. When the concrete mixers needed to pour the remnants out of the truck at the end of the job, “we didn’t want concrete all over the place, and we knew Craig and Rick would need to walk in front of the house,” says Steely. Then, through the thick leaves, you catch a reassuring glimpse of a neat garden and, just beyond it, a long, columned terrace.
And these filmic tendencies are evident even before you reach the Strozenbergs’ front door. Together with fellow Sao Paulo architect Marcio Kogan, he codirected the 1988 film Fogo e Paixao (Fire and Passion), a small cult classic in which the madness of Sao Paulo’s built environment plays a leading role. The serene home’s distance from Sao Paulo’s ceaseless thrum and miasmic traffic can be a valuable thing, indeed. On the one hand, he is responsible for Hotel Fasano (another collaboration with Kogan), whose urbane bars and restaurants are favorite retreats of discerning Paulistanos. And the couple came to the table with two very clear principles: First, they wanted every room to connect with the surrounding gardens. In the living room, you might run across a cluster of recently abandoned toys, while in a back hall, a stack of contemporary art lies in wait for the right patch of wall. Wood-paneled bays provide separation without isolation, and all these spaces in turn communicate with a common terrace and garden.

A sacred element of the Brazilian home, it should, by tradition, be fired by charcoal or wood.
The travertine floors in the living area have an unassuming matte finish; otherwise, the house consists of glass and recycled wood, arrayed in simple, largely rectilinear forms—from the concrete slab of the roof to the unadorned pillars that hold it aloft. Inspired by a Bernt Petersen–designed trestle chair that they saw at the university, the updated seat design—in which two halves meet at an exaggerated, elegant seam—is fittingly reminiscent of an open book. We asked Elizabeth Meyer—a leading landscape architecture academic who contributed to Princeton Architectural Press’s released Nelson Byrd Woltz: Garden, Park, Community, Farm—to pose a few questions to lead architect and firm partner Thomas Woltz. We had great clients who described to us how they live, how they want to live, their family structure, and their values. It’s similar to that of Central Park, which is 843 acres, three blocks away; this [relatively] tiny 1,280-square-foot garden could tie into that ecology. The plant community offering protection and a habitat for birds is not unlike this garden providing the same for children. There’s a village of people—from horticulturists to carpenters to ornithologists—thinking hard, being clever, and working hard to make this space. I would love to encourage other landscape architects to embrace science as part of their design practice. While it is not large enough to house the amenities of a true tree home, it is certainly a step up from a simple outdoor couch or recliner – and can be hung at a variety of heights.
Who needs conventional perfection when contemporary perfection incorporates deliberate defects – or put more simply, why not deconstruct your expectations and smash up a lamp! Studio EDAA used volcanic rock and cement blocks to partially camouflage the building walls. Upon further inspection it is obvious that the Wave Cabinet by Artist and Designer Sebastian ErraZuriz is nothing like the typical storage sideboard, not even close. The PAVE STONE rock seating collection is quite possibly the true definition of organic in not only style but actual materials. Usually the sterile boxy metal structures you see out there with their synthetic woven coverings are far less glamorous than this cool model from DEDON.
Lovers and couples celebrate this month’s 14th as Valentine Day, giving each other gifts and showing and expressing their passion and love for one another.
Did this mean public space was done differently, and are attitudes to it different in those countries?
The dining chairs are by the Brazilian designer Sergio Rodrigues and architect Isay Weinfeld designed the sideboard. A late-morning downpour seems to have spent itself and at the end of this unexpected patch of jungle, you’re confronted all at once with a staggering view of Sao Paulo, slashed now with sunshine. Instead of a straight shot down a front walk, Weinfeld leads you on a more complex narrative of unforeseen turns and sudden surprises, as thick tropical foliage postpones, and at times hints at, the big reveal. The Strozenberg residence shares with these homes a common architectural DNA, including an open floor plan, floor-to-ceiling windows, an integration of house and garden, and a huge deck with unimpaired vistas across Brazil’s sprawling, car-crazy metropolis. On the other, he’s the author of Livraria da Vila, a bookstore whose simple whitewashed spaces provide a rare meditative retreat amid the city’s mad rush. On the top-floor terrace, which we call the “sky meadow,” you just see the tops of buildings and water towers when you sit down—a birdlike experience.
Though as easy as it may seem, one can be pretty bad caught up in the myriad number of choices of gifts to give on this day.
Some 14 years after the first Lava Flow house was built, the seventh incarnation in the architect’s series—for Craig Mayer, a Realtor turned amateur coffee grower, and his husband, Rick Penland, a pediatrician—is his first structure dominated by site-poured concrete. The entire scene is framed, as if within a 70mm movie lens, by the Strozenberg family’s long, low-slung, light-filled living room. So we looked at the physical context of Carnegie Hill—its proximity to Central Park and its natural habitat.
Still, that doesn’t stop us from wanting some extra, such as a tiny shelter from Full Moon Tiny Shelters, who create beautiful, minimalist wee buildings under 200 square feet.

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