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Although this is a basic training module, there are some key concepts that other experienced editors may benefit from. In Final Cut Pro a clip may be dragged directly from the browser window into the viewer window. Play Button: Pressing the play button will play a clip, and you will see the position indicator move forward. Mark Out (O): This will mark an out point where the play head indicator is currently parked. If no IN point is present, Final Cut Pro will use the very first frame of the clip as the default IN point.
After you have mastered the concept of storyboard editing, it is important to understand three-point editing within the Final Cut Pro interface. One of the many choices for editing in Final Cut Pro is the option of editing your show using three-point editing. Notice how Final Cut Pro uses the marked sections of the a€?parasailinga€™ clip when it is edited to the timeline.
Pressing the red over-write, or yellow insert button will place the clip in the viewer window based on where the position indicator is parked. Pressing the over-write button will edit 3 seconds onto the current sequence starting at the position indicator. In this example, pay close attention to where the position indicator is parked within the timeline.
It is important to note that, when using the over-write function, the duration of your sequence will not change.
Pressing the insert button will edit 3 seconds onto the current sequence starting at the position indicator. If an IN point is not present in the viewer window, Final Cut Pro will use the first frame of the clip.
You can verify the amount of media left in the viewer window by looking at the duration box in the upper left corner of the viewer window.
In Final Cut Pro, the timeline window and canvas window are linked together when it comes to navigating around in the timeline. The canvas window will always display the name of your sequence in the top portion of the window.
Final Cut Pro also allows you to manually drag clips from the viewer window into the canvas window. To make a three-point edit, simply drag the viewer window into the canvas window, and move the clip into the overwrite box. In this example, The clip in the Viewer will overwirte the 3 second area that is marked in the timeline.
Instead of having to click on individual buttons or dragging clips to the canvas window, you can use the keyboard shortcut equivalents. The blue replace edit button will automatically fill the area from where the timeline position indicator is parked. In this example, because the audio tracks are locked, using the large delete key only lifts out the marked portion of video. Remember, when using (shift + delete), you will always be changing the duration of the track in your sequence.
To clear an IN Point: Click on the viewer window or timeline window and press (option + I).
To specify a duration, you can type in the exact duration you would like in the clip duration box. To perform the fit-to-fill function, simply drag the clip from the viewer window into the canvas window, and drop it on the fit-to-fill area in the canvas.
A good example of the usefulness of this feature would be when you don't have quite enough original footage. By control clicking on a clip in the timeline window, you can change its speed directly within a sequence. To create a freeze frame in Final Cut Pro, park on a video frame that is in the timeline window or viewer window. Final Cut Pro will automatically mark a 10 second duration of a new clip that is loaded into the viewer window. If you want to use the freeze frame at a later time without having to create a new one, you need to drag the clip from the viewer window into the browser window.
Freeze frames, or still image files with have an ABC icon, instead of a regular clip icon to indicate a still image. Using the match-frame command will automatically match a frame from the timeline and place it into the viewer window.
By using the match-frame feature, you will save time from having to search your browser window to access a clip that you have already used in a sequence. When using the find feature to find something in the browser window, make sure you highlight the sequence in the browser window first. If you are looking for something within a particular sequence, and you want Final Cut Pro to highlight the clip for you in the timeline, your find window will look like this. In this example, any clips that contain the name a€?beacha€™ will be highlighted in the current timeline. The Avid Media Composer and ProTools family is the industry standard video and audio editing solution for film, video and TV post production.
In a GB Labs’ Space environment, Avid projects can be accessed by large workgroups, even when handling very high resolution and uncompressed video files.

Networks that run at 10Gb Ethernet are also fully supported: a 10Gb card is installed in the storage units and clients. Small workgroups (of 2 – 8 editors) can also share projects with GB Labs, either in the office or in the field. Many of our users connect Mini and Midi systems to their network on returning to the facility where data is transferred onto Space Echo or Space LTO for finishing, archiving or back-up.
While Space can hold hundreds of projects and many Terabytes of media, locating old projects and archiving numerous completed jobs can be time-consuming. As many Avid products support massive resolution and high bitrate files, storage capacities can become an issue. With the development of new hierarchical storage management and intelligent tiering, data management over multiple storage arrays is automated by GB Labs technology. Space’s Core 3 OS incorporates Active Directory synchronization whereby system administrators can assign security levels to users and groups of users.
To guard against system outage, Space has extensive UPS (universal power supply) support, but if, despite RAID protection, media is damaged, Space has data automated backup tools to clone files from Space to any other GB Labs storage system using Space Echo or Space Bridge attached to legacy storage.
Space can sustain in excess of 30 XDCAM-50 streams concurrently, making it the ideal HD workgroup platform.
George, if you're seeing that much dust particulate material floating in sunlight, you should consider investing in a room air purifier. I'm in the process of moving my office and this is the sketch up of what I hope my new office looks like. Intel i7-980x Hexacore water cooled by Corsair H-50 on EVGA Classified 762 with 12Gigs RAM and Quadro FX3800 Video Card. That is a Harris multi-display unit that is a rack mounted hardware box (directly under the scopes monitor) with outboard controls on the front panel - no software app.
Just to add a little more to that (), the audio side of the Harris unit is also capable of monitoring surround sound plots. I am not good enough with Google sketch up to have drawn my plan out to exact spec, so while it does look a little high in the drawing, I only plan on having the desk about 29 inches high and it will be 32 inches wide on the base with the to shelf for the monitors only being about 12 inches wide and about 8 inches up from the desk.. We are seeking now those residents in Middle Tennessee, those individuals who have such experience. Anyone else, whatever your chosen discipline, whether it be producer, director, screen or script writer, editor, director of photography, editor, animator, lighting, set decorator, cam operator, or any other discipline, everyone must have a demo reel. A very good way to break into the industry is having available demo reels of actual short films you have participated in and may be seen in actual film credits in your chosen discipline.
In this example, Final Cut Pro shows a duration of 3 seconds has been marked in the viewer window. In the above example, you could have clicked on the red overwrite button or pressed F10 to complete the same action. When performing a fit-to-fill command, Final Cut Pro will automatically adjust the speed of the clip in the viewer window to fit the space marked in the timeline. Avid produces market leading products including Symphony and News Cutter that are used in broadcast, film and video post production across the world.
Within the Avid interface, workstations can now build projects in the newly created network location. Mac or PC edit, audio and graphics stations can be connected directly via 1Gb Ethernet or 10Gb Ethernet; many more can join the workgroup with the use of a multi-port switch. The desktop Midi devices and portable Mini systems have the performance to undertake sophisticated editing jobs from any location. As Space sits on standard IP networks, users can upload or offload data using any workstation.
To increase efficiency, many organizations adopt asset management and project sharing systems, such as SquareBox’s CatDV, Flavoursys from Strawberry, Cantemo Portal or the Metus MAM Library to track, catalogue, search and process files and projects. Space and Space Echo can be expanded in minutes with EX expansion modules that dynamically increase the size of your storage. However the Artist or the dog may take a nip while you are down on all fours if your intrusion is less than welcome. In my case, it gets a signal (HD-SDI) from the output of a router that includes my PC (Nitris DX output) and every other signal source in our facility. We are seeking not only actors who have done major speaking roles, but also full production crews, from producers, directors, script and screen writers, Dpa€™s, lighting personnel, electric, set decorators, hair and make-up artist, editors, to those with experience in marketing and distribution. As a part of your tuition, each class will have completed a short film where they have participated in the whole process, from the selection of a story idea, story development, writing the script, taking the script then into the actual production of the film, and finally the editing, marketing and distribution. By parking the position indicator at the tail of a clip in the timeline, you can easily add additional clips by using the over-write function. Team collaboration is particularly advanced with Avid software: each tool offers sophisticated with bin advanced sharing and project exchange functionality. All users now have instant, uninterrupted access to HD media and project files over the network. Even the latest iMac, Mac mini computers and Mac Book Pro laptops can connect to 10Gbe networks with a PCI network adapter card installed in a Sonnet Echo external Thunderbolt chassis. Simple networking, instant client attachment and sustained performance turns Media Composer into a real go-anywhere workgroup NLE.
If they wish to begin re-editing, it can be switched back to Space quickly for online editing.
If I was working in your new room I'd have to raise the chair so high I'd need oxygen! Like our whole concept of using the power of the mediums of films and television to help shape our culture positively verses negatively?

We need to put together two complete production crews to enable us to always have at least one film in pre-production, one in production and one in post year round.
That is right, now you can learn the whole process of making movies and television productions.
Video projects that are completed and ready for deep archive are written to LTO-5 or LTO-6 tape, using Space LTO, a centralized high-speed system that also resides on the same Ethernet network and will track archived files and projects.
Alternatively, additional Space and Space Echo systems can be attached to the network, via a new Ethernet connection.
As it shares the intelligence and networking protocols of the Space range, it slots straight onto the network and can share data with other Space systems and workstations without delay. Now, whether you have a passion for producing, directing, screen & script writing, editing, animation, acting, director of photography, cam operator, sound, lighting, everything to simply learning the whole process, including marketing the final art and distribution. Randall Maxwell, who brings his 35 years experience in Hollywood and Wilmington NC in the film industry to Nashville to direct this Nashville Operation. Now you have the opportunity to learn this exciting industry right at your own church or school. We are enrolling now for our summer camps, workshops and coming in fall of 2014 our after school programs. A A If you are one of those individuals who already have the professional experience necessary to produce quality films and television productions, now is the time to get your working resumes to us to be considered working for our company.
If your church or school has not already made this remarkable opportunity available to you, contact the proper authority at your school or church and ask them what the possibilities are in them becoming a part of this.
A A We are opening the whole academy fall semester 2014 and moving in our new facilities by August if not sooner. As the photos below you will see we will have all the accommodations neededA  for production of feature films and television productions and for those fortunate enough to attend our academy.
You may want to scrawl down past the next several paragraphs, as they pertain to our professional training. The same applies to anyone interested in securing us for any of your professional production needs. Not that you must come to work for us, as after training you will be more than qualified with professional training, as you will have actually worked on at least four real feature films in your chosen discipline that you can put on your resume, that you can practically chose the production company you want to work for anywhere in the US or abroad. You may choose the discipline of acting, producing, directing, script & screen writing, editing, business of film making, basic film production, camera operator, director of photography, animation, any discipline within the collaborative art of film making.
This is a two year certificate program with the top 50% of our graduating class being offered a two year paid internship with our production company, giving you a working resume in your chosen discipline where you can continue working for Maxima Vision Films or choose practically any other production company within the US or abroad. These workshops also get you working immediately with our professionals who are making movies each and every day. These workshops can be either taken over weekends, camps, taken one day a week at 3 hour classes, or two days at 1 hour and half, both of which you will also be involved in a three hour workshop on the weekend at our production facilities. If you are an aspiring actor, you need to at the very least know how to prepare for a casting interview, as you only have one shot in this business to get it right!A Do you know how much work goes into the production of a film or television production? Please readOur most pressing news as of September 2015, something I hope all readers might read before searching other pages on this site. This is an absolute in this business & like preparing you for a casting interview, these are all a part and included in any of our camps, workshops and classes.If you are an aspiring actor?
Remember, a demo reel is just what the name implies, it is a demo of your acting abilities.
At your own school or church, we can even make available a after school program for the cost of basically any other after school program, but you are learning what you are passionate about, making movies.
Each of these programs will ultimately produce a short student film that you may use on your resume for your chosen discipline, entered into competition with other Christian schools and churches in our upcoming 2015 film festival.
Maxwell will be deciding upon and after this illness passed we will take a look at producing these scripts into feature films or television productions. Maxwell is spending this time taking care of his wife, and not in production, he has plenty of time to read scripts. We are not interested in the number of times you have had an extra spot in a film, or even a speaking role in a student film at some film school. Now, all the services offered at our other production facilities will be available to serve Tennessee.
As mentioned, we are as committed to quality product, films that will help to shape our culture positively, as we are to hiring as much local talents as possible.
We are absolutely committed to producing such quality that in the near future that anyone who has any interest in producing a redemptive story idea, there is only one logical solution as to what company one is to come to for producing such a product, and that is Maxima Vision Films. We feel after viewing how serious we are about those talents we hire above, you will realize how serious we are in producing for you the most professional production money can buy. A A Come now to get involved in our celebration of our opening up our home office in Nashville, Tennessee.
At present we have two major investment groups, one of which has already committed funding four feature films or television productions every year over the next five years. Get involved now with a company who is committed to harnessing the power of the mediums of film and television to help shape our culture positively verses negatively, as Hollywood has for decades. A Ask any professional in the film or television industry how difficult it is to obtain the funding for a feature film or television production. No one in Nashville is even producing a film per year, let alone cranking out four feature films or television productions each and every year, not until now.

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