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Este proyecto de The Apartment Creative Agency lo encuentro fascinante, el poder combinar tres departamentos pequenos en una de las direcciones mas exclusivas y codiciadas de la ciudad de Nueva York, es realmente un privilegio, sobretodo cuando la vivienda se encuentra en el piso 61 y tiene una vista panoramica del Central Park, en la mayoria de sus habitaciones. Con un sofa envolvente, una puerta secreta en la biblioteca y un sistema de sonido e imagen en el perimetro de toda la casa, este proyecto se presenta como una oda a los anos 80 durante el cual el edificio fue construido. La cocina y el comedor son los unicos espacios cerrados de hormigon lo que le da un aire teatral, especialmente cuando se ve desde el resto de la vivienda queesta revestida en madera de pino blanqueada y colores tenues. Que ganas de vivir en un departamento como ese y mas si es que tiene la vista al Central Park. Enjoy these juicy illustrations by the deliciously talented Amelie Hegardt for Juicy Couture.
Anja has teamed up with Pantene to illustrate a series of fierce film characters for the MTV Music Awards!
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Based in Manchester, England, Kirsten Shiel is an Irish illustrator with a passion for illustration and design.
I began my career while I was still in my first year of university when I was asked to produce a map for a medieval festival in Austria. My biggest motivators are the illustrators, graphic designers and animators that I surround myself with. My long term ambitions would include things like becoming a regular illustrator for an international magazine and all those big dreams that illustrators are always embarrassed to share.


At the moment, apart from my client work, I am working on a rather ambitious personal project of creating a children’s picture book about Irish legends, which I grew up with. When not working with clients, you can find her working away on ambitious personal projects and series. Mostly I work in advertising and publishing, creating book covers, children’s books, logos and images for social media campaigns.
I begin with little greyscale thumbnails, just with basic geometric shapes to get my ideas out quickly.
I used to work at home, but I find by commuting into work and getting into a routine, I am far more productive than ever before. One of my goals would be to build my audience bigger in order to create a business of selling my prints and merchandise.
These stories are not well known at all, and there are not many books out there about them.
As a rule, I doodle every idea that I have for a project, no matter how bad I think it is, because you never know, it might end up being the best one on paper! The team at Kilogramme were so welcoming straight away, I felt right at home from the outset.
I usually do a warm up in the morning, by doing some composition thumbnails, or colour studies, or life drawing.


I would definitely say that a good friend of mine, Kristian Duffy is a big influence on me. From there, I develop details and characters, scan them all into photoshop and start adding colour and texture from there. He was a part-time tutor of mine while I was in my final year of university, while he was working as Stanley Chow’s assistant, and we remained friends afterwards. I use only the default photoshop brushes, but I go totally crazy for purchasing fonts, I’ve got a mountain of them!
I also do some sketchbook work when I’m commuting on the train every morning, character designs and scenery practice, writing down my notes and ideas.
From there, I continued picking up small jobs while I was in university here and there, mostly private commissions.
When I started freelancing full time, I had more time to market myself and network, so I started getting more serious and bigger clients.



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