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Classical film editing has developed a methodology which structures the work process into precise stages – a methodology that is very similar in every country around the world.
The editor considers all the visual and audio material collected on the shoot for each scene and then re-orders it in the way to tell the story best. In the scene above, the editor may decide to open with an aerial shot of Central London and then track in to Buckingham Palace.
Hint: Make the edit points between the scenes very obvious in order to e mphasise the ‘roughness’. The first cut is the rough cut that is accepted by the editor, the director and the producer. Hint: Never be afraid to let the first cut ‘rest’ for a few days so everyone involved can see it with fresh eyes.
The fine cut no longer focuses on the entire film, but on the details of each and every cut.
When a fine cut has been agreed with the editor, director and producer, the sound designer, music composer and title designer join the editor. Elliot Grove founded Raindance as a thought experiment: Can you make a film with no money, no training and no experience, he asked? In 2013 he relaunched the production arm: Raw Talent with the cult film director Ate de Jong. Elliot teaches several courses at Raindance including Lo To No Budget Filmmaking and Writer's Foundation Certificate.
This entry was posted in Directing Tips, Indie Tips and tagged directing, editing, filmmaking, stages.
Lehrer and Gene McGovern. DREAM BUILDERS is the story of two men who rose from the streets of New York to create one of the largest construction companies in the world. Lehrer and Gene McGovern.A DREAM BUILDERS is the story of two men who rose from the streets of New York to create one of the largest construction companies in the world. The next shot might be a closeup of the hands followed by a dissolve shot to the hands of the hobo playing the banjo.
An editor will work on the rushes and assemble scenes for the director and producer to view. This all-important step in the editing process allows for revisions and new ideas to be tried and tested. The fine cut emphasises and strengthens the rhythms and structures identified in the first cut.
When people like his first intern Edgar Wright started making movies he started the Raindance Film Festival to celebrate their work in 1993, the British Independent Film Awards in 1998. Their projects included the restoration of the Statue of Liberty, Euro Disney and Canary Wharf. Larry is known for his affinity for people with extra ordinary dreams.
Their projects included the restoration of the Statue of Liberty, Euro Disney and Canary Wharf.A Larry is known for his affinity for people with extra ordinary dreams.
This is the first time the editor sees the film, and since it is shot out of sequence, it is out of context of the story.
There are dozens of possible combinations the editor can chose for this one simple sequence, each of which create a different mood and tell a different story. Often at this point the editor and director will decide that additional footage of key moments is necessary in order to make more editing choices available during the edit.


Sometimes the editor works alone and shows the day or weeks work to the director and producer, Sometimes the editor and director work together, discussing every nuance. When everyone has agreed with the final cut, the Edit Decision List is sent to the lab where a negative cutter ‘conforms’ the negative to the EDL in order to create a negative that is an exact copy of the final cut. In the past two years he has interviewed people as diverse the billionaire founder of  Vornado Realty, Steve Roth to the architect of the new City Center complex in Las Vegas, the legendary Cesar Pelli. His cult documentary classic, PIN GODS, was given a retrospective in New York City by the curator of the Toronto Film Festival, Thom Powers in 2010. In the past two years he has interviewed people as diverse the billionaire founder ofA  Vornado Realty, Steve Roth to the architect of the new City Center complex in Las Vegas, the legendary Cesar Pelli.A His cult documentary classic, PIN GODS, was given a retrospective in New York City by the curator of the Toronto Film Festival, Thom Powers in 2010. A good editor views the rushes and looks for fluidity of movement and nuances that will later be incorporated into the film.
Detailed fine cut starts out from its proportions, structures, rhythms and emphasises them.
His first feature film, TABLE 5 (1997) was shot on 35mm and completed for a total of ?278.38. His first feature Documentary, Riding The Rails premiered at Sundance and went on to win a Peabody award finding a home at American Experience. His next film Angola: The Farm, won him a Prime Time Emmy award for Cinematography while being nominated for an Academy award and winning The Grand Jury Prize at Sundance.
The film premiered at the Toronto Film Festival and played a limited theatrical run to very favorable reviews. Available on DVD.1992- FREE FALLIN’- 18 minute short about a man who dreams of parachuting off the World Trade Tower. Available on DVD.1992- FREE FALLINa€™- 18 minute short about a man who dreams of parachuting off the World Trade Tower. The short was purchased by MTV and was also recreated as a Volkswagen commercial for German TV in 1997.
In this pre-Spellbound era, Pin Gods managed to make a small bowling-ball sized splash at the Toronto festival, only to fall through the cracks of the distribution system (a fact bemoaned last night by one of Pin Gods’ biggest fans, Stranger Than Fiction programmer Thom Powers).A film about what its director Larry Locke calls, “the small dream,” Pin Gods is an endearingly humane look at four men, each one trying to make a life out of professional bowling with various degrees of success. In this pre-Spellbound era, Pin Gods managed to make a small bowling-ball sized splash at the Toronto festival, only to fall through the cracks of the distribution system (a fact bemoaned last night by one of Pin Godsa€™ biggest fans, Stranger Than Fiction programmerA Thom Powers).A film about what its director Larry Locke calls, a€?the small dream,a€? Pin Gods is an endearingly humane look at four men, each one trying to make a life out of professional bowling with various degrees of success. What do you do?a€? these are the sorts of questions that shape a professional bowlera€™s life.
A founding member of the Professional Bowlers Association, Salvino is at once pragmatic and philosophical. Once you’re on the road, he says, “Your bowling style now has got to be measured and geared, your reference points now are on the tour. Once youa€™re on the road, he says, a€?Your bowling style now has got to be measured and geared, your reference points now are on the tour. So you have to practice on strange lanes.” Salvino knows something about strange lanes, having spent decades on the tour and winning 17 tour titles. So you have to practice on strange lanes.a€? Salvino knows something about strange lanes, having spent decades on the tour and winning 17 tour titles. He’s an effective touchstone for Larry Locke’s terrific documentary, first released in 1996 and screening 4 May at Stranger Than Fiction in New York (when Locke will be on hand for a Q&A). Hea€™s an effective touchstone for Larry Lockea€™s terrific documentary, first released in 1996 and screening 4 May at Stranger Than Fiction in New York (when Locke will be on hand for a Q&A).
As Salvino looks back, the film follows three young bowlers as they head out on the tour, not quite prepared for how hard it will be.


It’s a question facing each of the bowlers in Pin Gods as they pursue the remarkable success of the PBA’s current star, Walter Ray Williams.
Ita€™s a question facing each of the bowlers in Pin Gods as they pursue the remarkable success of the PBAa€™s current star, Walter Ray Williams.
Winner of multiple titles, Williams appears in the film as a model of cool composure: even when he’s behind during a tournament, he finds ways to come back, to make strikes when the pressure is on, to triumph again and again.
Winner of multiple titles, Williams appears in the film as a model of cool composure: even when hea€™s behind during a tournament, he finds ways to come back, to make strikes when the pressure is on, to triumph again and again. Bob’s wife Mendy remembers, “My parents didn’t agree with his profession at first, you know,” she smiles.
Boba€™s wife Mendy remembers, a€?My parents didna€™t agree with his profession at first, you know,a€? she smiles.
They don’t understand bowling.” Tony’s uncle is sponsoring his first year on the tour, a cost the family estimates at about $1000 a week. They dona€™t understand bowling.a€? Tonya€™s uncle is sponsoring his first year on the tour, a cost the family estimates at about $1000 a week. At his mother’s dinner table in Ledgwood, New Jersey, Tony’s uncle nods, “I don’t feel he’s gonna get blown out,” vowing to support his nephew’s ambition “as long as I can do it.” As his uncle “understands,” Tony feels encouraged when he leaves home for the first time.
At his mothera€™s dinner table in Ledgwood, New Jersey, Tonya€™s uncle nods, a€?I dona€™t feel hea€™s gonna get blown out,a€? vowing to support his nephewa€™s ambition a€?as long as I can do it.a€? As his uncle a€?understands,a€? Tony feels encouraged when he leaves home for the first time.
At each new stop on the tour, the bowlers trying to make the cut to the TV Show (the last five competitors of each tournament) start in again.
The shot is low and long, as 20 or so bowlers throw their first balls, their bodies in a sort of rolling sync.
I’m a killer.’” Each tournament is an opportunity to out-think as well as out-perform your rivals. Ia€™m a killer.a€™a€? Each tournament is an opportunity to out-think as well as out-perform your rivals. If Salvino’s pronouncements suggest the focus and determination needed to succeed on the tour, the film makes the case that greatness in bowling (and elsewhere) can be measured variously, in individual decisions and moments of generosity and appreciation.
If Salvinoa€™s pronouncements suggest the focus and determination needed to succeed on the tour, the film makes the case that greatness in bowling (and elsewhere) can be measured variously, in individual decisions and moments of generosity and appreciation.
And when Bob spends time with his young son at home, he shows another side of himself, delighted to hear the boy laugh out loud.
As different as each bowler’s experience may be, all come together in their understanding of the game. As different as each bowlera€™s experience may be, all come together in their understanding of the game. As Sonny says of his mother, so patient, supportive, and lovely, “I have to do what I have to do, and she understands that. As Sonny says of his mother, so patient, supportive, and lovely, a€?I have to do what I have to do, and she understands that.
Over the years, I was involved with close to 10,000 projects for broadcast and cable networks and many major companies.



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