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Useful tips for vidders (fan video makers) for converting your video for YouTube, or for preparing clips for editing.
Please note: All these tutorials show you how to convert your clips to a file format that is good for editing. If you wish to, trim down your clip to just the scene you want by picking in and out points.
Under a€?Sound,a€? you can pick MPEG-4 AAC and select 128 kbps or above, or can select a€?No Sounda€? (like I have in this screenshot) and eliminate sound from your clip.
Like with the tutorial above, open your file (this time an H.264 MOV file) in MPEG Streamclip. In most cases you will have no sound, so Select a€?No Sound.a€? Otherwise, go with a€?Uncompresseda€? for sound.
Quality can be a 100% but Apple Intermediate Codec only has one quality setting, so it doesna€™t seem to change anything when you fiddle with the quality setting.
Then click on a€?Make Moviea€? and wait for MPEG Streamclip to convert your whole video over! You will follow the same process as outlined above, only instead of Apple Intermediate Codec, youa€™ll select some flavor of a€?ProResa€? from the Compression drop-down menu. If you have Final Cut Pro 6, youa€™ll probably only get to choose from ProRes 422 and ProRes 422 (HQ). Choose the same settings for Frame Size and Sound as are used in the Apple Intermediate Codec tutorial.
Please note again that when you convert your clips over to DV or MJPEG, that the files will be larger in size, and this is GOOD for editing. If you are downsizing a large HD clip to Standard Definition DV, then CHECK the a€?Better Downscalinga€? box. In most cases, pick a€?Progressivea€? as a€?Scan Modea€? (at least this is what I always do) and pick your Aspect Ratio.
If you are converting some other kinds of clips, odds are (that if you are converting clips from a film or recent TV show) that the aspect ratio is still 16:9, but you need to confirm this. Then return to MPEG Streamclipa€™s main window, and click on the a€?Make AVIa€? or a€?Make Moviea€? button (bottom right corner) to have MPEG Streamclip convert the clip over to DV MOV or AVI. If you are converting some other type of clips, consult the aspect ratio tutorial for more help determining what aspect ratio to choose.
Click on a€?Better Downscaling,a€? since you are converting HD clips down to a smaller size. If you are converting some kind of non-HD clip and you know that they are fullscreen (4:3) then pick the numbers 640x480.
Click on the a€?Make Moviea€? or a€?Make AVIa€? button and wait for MPEG Streamclip to convert your clips over!
So, leta€™s say that you have a lot of little clips and you want to convert them all over to some other format. Click on the a€?Add Filesa€? button, then navigate through your computera€™s files for the clips that you want to convert over.
Find the folder where the clips are, and then select one from the top of the list, HOLD DOWN THE SHIFT KEY and then select the clip at the bottom of the list. Check on the a€?Join all the filesa€? if you want all your clips to be joined into one long clip.
Then youa€™ll be asked to a€?Select a Destination Folder.a€? This is where you want all your converted clips to be placed after MPEG Streamclip has finished making them. Then youa€™ll be asked all the familiar questions that you should know by now if youa€™ve followed the other MPEG Streamclip tutorials: Compression, frame size, and so forth. If this is all you want to convert over, click on the a€?Goa€? button and wait for MPEG Streamclip to do its thing. When you click on the a€?Converta€? button, wait while MPEG Streamclip converts, converts, converts! Tutorial keywords: MPEG Streamclip, MJPEG AVI, HD, converting video tutorial, fanvideos, fanvids, vidding tutorial, vids, vidders. Once you pick your compression, MPEG Streamclip will automatically select a frame size which corresponds (either DV-NTSC or DV-PAL). I was interviewed yesterday by a researcher at Harvard's Kennedy School of Government for a case study on the role weblogs played in the downfall of Trent Lott.
Another cool thing about driving to NY is when you get close enough to see big green Interstate highway signs that say New York City. We're getting close to June 14, when, last year, to people who read this site I just disappeared. Ed Cone links to a story from Mark Tosczak, a NY Times stringer, on getting credit for his work. I've given Tim Bray his share of grief, but in this piece about the state of CSS, he nails it.
Four years ago: "Salon (justifiably) brags that they've matured to the point where they could send a reporter to Yugoslavia. Cory Doctorow reports on an Apple update that makes it so that iTunes can only stream to people on the same subnet.
On Thursday I'm giving a keynote at the Open Source Content Management conference, or OSCOM. There's been a bit of discussion about my last DaveNet piece, mostly users talking about what they're willing to pay, as if they have all the power. The power of the software developer not to develop is largely silent, so people don't consider it.
A professional software organization for a well-supported product has 10-20 people, maybe as many as 30 to 40.
Let's say you spend 100 hours a year using a piece of software and assume your time is worth $50 per hour. I don't know if this means anything but there are no stories on Google News about Colorado Governor Bill Owens's veto of the state "Super-DMCA" law.
Robert Wiener writes to say that searching for Colorado and veto gets a bunch of hits on Google.
Speaking of Google, I was kind of bored and wanted to see how my investment in John Doerr was doing, so I fired up Google, and lo and behold, my story is #3. I wonder why some weblogs so openly say things that are just plain wrong, that are so easily refuted, without presenting the opposing data, or even suggesting it might exist with a disclaimer like imho, or ymmv, or ianal. Most places I don't expect journalism, but some places I do, and they disappoint often enough to make it noteworthy.
One thread on a respected blogger's site gives the whole weblog tools market to one of the companies. BBC: "Jodi Plumb, 15, from Mansfield, Nottinghamshire, was horrified to discover an entire site had been created to insult and threaten her. Ellen Ullman: "To listen to Mr Engelbart that day almost five years ago was to realize that the computer industry, when it started, was not simply about becoming a chief executive or retiring on stock options at 35. Sjoerd: "It is noisy outside, and 2 riot police cars are racing by, because ADO Den Haag has won the 1st division soccer leage. Flying over Boston or NY it's astonishing how much real estate is used to house dead people. I was sitting in a law school cafeteria yesterday thinking how far away I was from the threat of terrorism. Ben Edelman, a Harvard Law student and fellow at Berkman, has been studying Gator, one of the leading advertising servers. Marketing Profs: "Blogs offer the human voice, which can be loud, controversial, and even wacky. A few people have suggested asking people to send Google API keys they aren't using and rotate them to work around the fatal flaw. BTW, some people said the Nikon took better pics than the Sony I use now, but I don't think so.
Evan Hansen: "Paralyzed by fears of piracy, the record labels have taken years to get their act together for online distribution. Bloki is "a Web site on which you can create Web pages, right in your browser, with no additional software required. Microsoft's decision to support RSS without arguing over what it is looks smarter every day.
Scoble, who works at Microsoft now, says he likes using a desktop app to write his internal weblog. Disclaimer: I've been trying to work on weblog-tool compatibility issues with Google for the last few weeks. T-Enami.org - A Welcome, all who like old Photos of Japan !YOU ARE ONE OF OVER 100,000 VISITORS TO THIS SITE. The Inspiron 14z is a good choice for anyone who wants good speed and lots of features in a relatively small and comfortable-to-use chassis. Dell first introduced its thin-and-powerful range to Australians in June with the 15.6in XPS 15z. The performance of the Inspiron 14z felt swift for the most part and we didn't notice much sluggishness when using it to browse the Web and work in an office suite.
There is plenty of pre-installed software on the 14z, including the 'stage' software you can see on the desktop in this screenshot. As for battery life, the unit's 44 Watt-hour battery lasted 3hr 4min in our rundown test, in which we disable power management, enable Wi-Fi, maximise screen brightness and loop an Xvid-encoded video.


It gets a little warm after prolonged lap usage, as the air vents at the bottom get blocked, but it didn't feel too bad. At the front of the unit there are two speakers, which we found them to be surprisingly enjoyable to listen to.
Taking into consideration all of the Inspiron 14z's features, its more than decent performance, its relatively small body (and also a smaller than usual power adapter) and its sub-2kg weight, it's a laptop that is very enticing.
First impression on unpacking the Q702 test unit was the solid feel and clean, minimalist styling. For work use, Microsoft Word and Excel programs pre-installed on the device are adequate for preparing short documents.
The Fujitsu LifeBook UH574 allowed for great mobility without being obnoxiously heavy or clunky. Reproduction in whole or in part in any form or medium without express written permission of IDG Communications is prohibited. With over 25 years of brand awareness and credibility, Good Gear Guide (formerly PC World Australia), consistently delivers editorial excellence through award-winning content and trusted product reviews. To follow this tutorial, download the free video encoding app MPEG Streamclip (for both Mac and PC). This tutorial may be useful for some Windows users, particularly those using Sony Vegas and Corel VideoStudio. Expect to use up approximately 1 GB of disk space for every 5 minutes of footage (more or less). If you need audio (and your clip has audioa€”some might not), then choose a€?Uncompresseda€? for Sound. Well, if you are using software that doesna€™t support HD (like Sony Vegas Movie Studio, non-Platinum version) or you have a slower computer that might not deal with HD that well, then this might become necessary.
Smaller clips (like DivX, XviD, H.264, WMV, MPEG) are compressed and do not play well in your video editor, and can eventually cause crashing or other quality issues. It works best if all the clips you want to batch convert are in the same folder (but they can be in various places if that works better for you). Or, if you just want to convert select clips, hold down the Apple (Command) key (Mac) or the Control key (PC) to cherry-pick just the clips you want.
If youa€™ve been following the above tutorials, you will know if you want to convert to MOV, AVI, or whatever. In this case, Ia€™m going to convert to Quicktime (MOV files) but you can convert to AVI, MP4, iPod, just whatever you need. Select whatever options work best (consult the above instructions on this page if necessary). Otherwise, click on a€?Add Filesa€? and locate more clips you want to convert over, repeating the process until youa€™ve added as many files as you need to the list.
You can leave your computer to convert overnight, or just be busy with other things as it finishes converting all your files. It shows the quality differences between a€?regulara€? resolution, a clip made from HD (but converted a€?downa€? to DV MOV or DV AVIa€”as instructed on this page) and a real HD clip. There's something for everyone, whether you like Bill Gates or Richard Stallman, or neither. Bragg's colleagues on the national staff had exchanged phone calls and e-mail messages, angered by comments from Mr. As OSCOM starts, the issues of interop betw content management tools is very hot in the open source world thanks to work by Paul Everitt and Gregor Rothfuss. Using my wingy-dingy new search engine, I found a great reference, a mini-article entitled Oh Lieberman, which should have been entitled Oy Lieberman.
Sure the original author may toil at a money-losing labor-of-love long past the point where it has been proven not to be viable, but what about the people he or she is not hiring, the manual writers, testers, more programmers, a sales person, a marketing person perhaps, to work on ease of use and to keep the website current.
So when you hear yourself complaining about software quality, think about how much money the developer of the product has to fully support it.
They link to one press release from the Music Indistry (sic) News Network commending the governor for the veto. BTW, I wasn't thinking Google might have been holding back, I was thinking the newspapers were. Microsoft's developer program was kaput, everyone who was anyone wanted to develop for the Web, and that led them to Netscape and Sun, and away from Microsoft. Being in a dead software market is no fun, even when you haven't signed on with the dying platform vendor. He's got a Web app that simulates a Gator client, and sends messages back to Gator asking for ads to display on certain sites.
Somehow MS has taught its people not to care about issues that are not related to success or failure of products. I've noticed that it colors how I think about them, not in a positive way, and felt I should disclose that, since I write about them here on Scripting News. That laptop had plenty of nice features and good performance, but its keyboard was a major let-down.
However, we did have to nip some pre-installed software in the bud: the laptop is loaded with a 'stage' interface that resides on your desktop background as soon as you boot, which can actually be quite handy, but we got rid of it. It produced similar results to the other Intel Core i3-2330M-equipped laptop we've seen, Sony's VAIO E Series, and it's a laptop that can be used for office work and multimedia tasks.
It's a good array of features and we like the little drop-down covers on all the ports, which give the unit a very streamlined look.
It does a good job of displaying photos and movies, but because it's glossy it doesn't fair too well outdoors or in office environments — reflections will be noticeable. They were fine for listening to music and watching movies, but because they are so small they can't reproduce deep base tones. It's no MacBook Air, but we'd recommend it to anyone after a small and mobile laptop for everyday office, Web and multimedia tasks.
It is bright and visible from most angles, however heat is an issue, particularly around the Windows button on the front, and on the back where the battery housing is located. Then move the slider bar to your out point, press the a€?Oa€? key to set where you want the clip to end. This is normal and expected and for a more seamless, stable editing experience, you WANT to edit in files of this size. The differences between the a€?regulara€? clip (from XviD source) and HD should be obvious.
To me it was the day I quit smoking, and also the day I checked into the hospital (when I wrote that post I didn't know for sure I'd have to go into the hospital, but I wasn't surprised when I did).
In my talk yesterday I said this was a species of software developer with a lot of power, a beast of the 80s, extinct this century.
Before that I told the story of how XML-RPC came to be, and how Eric Raymond liked it so much.
By making my position public about the equivalent issues in the weblog world, I will be joining with them in requesting that we put aside our differences (I'm not sure there are any) and establish a set of principles on how we build from here. Financiers invested, and gave back to the university so the next generation of technology entrepreneurs could be educated, nutured and launched." It wasn't clear that financiers invested in the companies started by the students, not in the work done at the universities. He met up with the proprietor of that site at a place in NYC called Alt.Coffee on Avenue A in Manhattan. How about a couple of tech support people (so they can take a vacation once in a while, it's a tough job). When you buy a new computer you probably pay a few hundred dollars for software, most of it going to Microsoft.
How much self-respect is there in paying nothing for software that leverages so much of your time? So even if you don't want to pay for the time-leverage software delivers, would you pay money to keep your money safe? Is it based on features, or any deep understanding of how the products work, or the economics of the market?
Hosting is a tricky business, as we found out, there are ISPs who now host MT sites that must somehow be included in their plans, yet there seems to be no mention of them in the FAQ. Here's how I like to look at it -- formats and protocols are tools, details; the important thing is functionality delivered to users. It's a good model for students and home users to consider and you can try before you buy at JB Hi-Fi. We think it's a great model for students and home users who want a regular laptop that's more mobile than a typical 15-incher.
This time around, the 14in Inspiron 14z is smaller, yet still well featured and, most importantly, it has a good keyboard with soft and responsive keys. The left- and right-click buttons didn't thrill us though — they felt too shallow and almost impossible to press.
We're fans of these buttons as they actually do allow for quick access to some useful functions. It also comes with Nero 10, which has various components that run in the background, and it's the default program for media files. That said, we're not sure how they'll hold up with regular opening and closing — the left cover in particular looked like it already couldn't close properly after a day of testing.
It has a chrome trim around the keyboard and its lid and palm rest are made of aluminium while its hinges are metal and its base is hard plastic.
It has a fan that kicks in during full processing loads and it will get your attention in a quiet room, but we didn't think it was overly loud.


They will get muffled if you use the 14z on your lap, but they'll sound clear when the laptop is left on a hard, flat surface. The tablet part, once detached, has a nice weight, and no buttons or switches are located in awkward or intrusive positions. For an explanation for why this is necessary (and why editing in the smaller-sized XviD AVI, DivX AVI, WMV, MPEG, MP4 or other compressed file types is a bad idea), read this tutorial. Smaller, more compressed video files (like DivX AVI, XviD AVI, WMV) will give your software problems (either now or later on down the road). The differences between the a€?reala€? HD clip and the a€?HD converted down to DV MOVa€? may not be quite as obvious, depending on how sharp your eye is and your monitor resolution. The differences between theA  a€?reala€? HD clip and the a€?HD converted down to DV MOVa€? may not be quite as obvious, depending on how sharp your eye is and your monitor resolution. That's all there is to it, except when you really want to get it you should let just a hint of an R back.
Shortly after my reappearance, Seth Dillingham said something really nice and very memorable.
Apparently he went over his allotted time, I wanted to ask him to comment on the opportunities for open source projects to integrate with commercial software. I polished my skills as a user, and watched other people learn weblogs, saw what they got, and didn't. Then I hazarded a guess that if Eric had dinner with Bob Atkinson, one of the co-designers of XML-RPC, that they'd agree on a lot, and probably enjoy each others' company, even though Bob is a senior guy at (you guessed it) Microsoft.
I've tried to explain the issues in non-technical terms, yet of course as soon as words like APIs and XML appear a lot of ordinary people tune out.
Some of them are great writers and have passion for the truth and aren't serving the same masters that the bigtimes at WSJ, NYT and CNN. It's about a 20-minute drive to the office, not as convenient as living in Cambridge, but very sweet. If you pay nothing for software, you probably won't die from it, but you may lose data, you're virtually certain to waste time, and at some point, money. I have data that contradicts theirs, fairly superficial stuff -- why, on investigation didn't they uncover it? If there are any busdev people I need to talk with at Google, I guess now's the time to do that.
It's one of the few Dell models you'll be able to try before you buy, too, as it will be offered through retailer JB Hi-Fi, initially in black, then in red.
Dell has some wonderfully soft touchpad keys in its laptop arsenal, and we think it should have used them on this model, too. It was the cause of some non-responsiveness when we first started using the 14z and the laptop ran much better when we killed this software.
Also, reading the highway signs I kept seeing Oxford, which I wanted to write as a hex number: oXF08D. And for sure, on May 31, 2002 I had chest pain, and was in denial on how sick I really was. I asked other people for ideas of what made weblogs different from professional pubs and Wikis. They still are, but after SOAP and XML-RPC they could just as easily be running on a server farm. And most of them don't have websites, yet, largely because it is too complicated and expensive to have one.
And if you pay $10 or $20 to use a piece of software, the software isn't paid for if the software isn't generating enough money to be fully supported or developed. Why don't a small number of users of the popular weblog tools work together to create an authoritative review of the category and show us how the products compare.
It takes better pictures than the Nikon if I actually have it with me when I see something photo-worthy. Unfortunately I don't have any money to pay them for this, but I'm afraid that's what they're going to want to talk about. It recorded a very good score of 4260 in 3Dmark06, which is higher than the Sony's score, but its hard drive transfer rate of 24.09 megabytes per second was a smidgin too slow.
However, we did notice some clicking in the bezel around the screen, although we couldn't always replicate it.
You can certainly feel good about giving the money, but you're probably not going to get what you want or think you deserve in the way of support or upgrades for that kind of money. I'm working on a taxonomy of weblogs for the two conferences I'm keynoting in the next two weeks.You can start there if you want but you probably don't need my help.
That's what I liked the most about Ringo, he needed a little help from his friends, and he appreciated it too. If you have a pain inside your chest where your heart is, go to see a doctor now, don't think you can exercise your way out of the corner. In other words, I did something rather unlike a weblog to try to get to the core of what one is. And get this -- this isn't just for Radio users, we created an open system that anyone can ping. The first hit took me to a guy about the right age, living in about the right place, but on further inspection I noted that (gullp) he died.
Since there's no year on it, it's impossible to know if it's the Mitchell Stern I knew as a kid.
OTHERWISE, BEGIN SCROLLING DOWN FOR A TREASURE-TROVE OF RARE AND BEAUTIFUL PHOTOS OF OLD JAPAN. Here I sit 4 hours by car from NY, if I want a good pizza, I have to go there, they don't make it here. ENAMI WEARING SAMURAI ARMOR, TAKING A REST BETWEEN POSES IN HIS YOKOHAMA STUDIO, CA.1898-1900. ENAMI, OTHER WELL-KNOWN JAPANESE PHOTOGRAPHERS WHO OPERATED DURING THE MEIJI-ERA (1868-1912) ARE MENTIONED THROUGHOUT THE COMMENTS.I HOPE YOU FIND THE STORY AND DATA BOTH INTERESTING AND HELPFUL.
FOR THOSE WHO ARE HERE PRIMARILY TO LOOK AT THE IMAGES, I HOPE THAT YOU EXPERIENCE SOME ENJOYMENT IN GAZING AT A FEW OF ENAMI'S"LOST PICTURES" OF OLD JAPAN. Think of all the bandwidth that's wasted by search engines looking for changes on pages that never change. THOSE THAT LIVE FOR DISCOVERING NEW DATA AND CONNECTING THE DOTS WILL NO DOUBT FIND SOME EYE-OPENING REVELATIONS HERE.A OF COURSE, WE ALL LOVE KIMBEI KUSAKABE AND THE REST OF THOSE ILLUSTRIOUS JAPANESE PIONEERS OF PHOTOGRAPHY WHO GOT THEIR START LONG BEFORE ENAMI OPENED HIS OWN MEIJI-ERA STUDIO. THEIR BEST WORK IS ENOUGH TO TAKE YOUR BREATH AWAY.HOWEVER, ENAMI ALSO HAD HIS FANS AND FRIENDS, BOTH AS A PERSON AND AS A PHOTOGRAPHER. AS YOU SCROLL DOWN THESE PAGES, FOR A FEW MOMENTS YOU MAY STEP INTO ENAMI'S SHOES, AND TAKE A PEAK THROUGH HIS LENS.A LIKE SO MANY OTHERS --- SOME NOW FAMOUS, BUT MOST BEING FORGOTTEN --- ENAMI DEDICATED HIS LIFE TO CAPTURING, AS BOTH ART AND DOCUMENT,A WORLD THAT WAS QUICKLY VANISHING BEFORE HIS EYES. AS THIS SITE IS A PERSONAL HOMAGE TO ENAMI, YOU WILL FIND SOME AMATEUR ELEMENTS, AND THE OCCASIONAL PITFALL. AT ALL TIMES, PLEASE "EAT THE MEAT, AND SPIT OUT THE BONES" WHILE DIGGING FOR VISUAL TREASURE.DISCOVERING THE OCCASIONAL GEM OF A PICTURE, OR ODD BIT OF INFORMATION, WILL HOPEFULLY MAKE THE SCROLLING WELL WORTH IT. The general wording seen above was fairly common to all photographic self-promotion during the Meiji-era, and actually contains less specifics than some of his studio ads which he placed in various guide books of the time.
OGAWA, who was actually a year younger than Enami, was still his "elder" in terms of experience. It was photographed by Enami's friendly competitor and neighbor Kozaburo Tamamura, whose studio was located at No.2 Benten Street.
It would be built in 1894 just down the street on the right hand side, and appear in endless views and postcards as the most recognizable landmark of Benten Street. Other images of Enami's studio -- both interior and exterior views -- are shown farther down on this page.A  While offering many of the same services and productions as his contemporaries, he also engaged in other activities that made him unique.
Further, while no photographer did "everything", Enami worked and published in more processes and formats than any other Japanese photographer of his time.
A He was one of only a few photographers born during Japan's old Edo-Bakumatsu period, who went on to photograph right through to the Showa period of Emperor Hirohito.Enami was also one of the few to experience, and then successfully outgrow his roots as a traditional maker of the classic, large-format "Yokohama Shashin" albums. While successfully embracing the smaller stereoview and lantern slide formats, he added to that a portfolio of Taisho-era "street photography" that maintained his own unique and artistic content. Enami and Kimbei Kusakabe are now the only two Japanese photographers known to have a surviving list of their commercial 2-D images. While Enami's 2-D portfolio contained a sprinkling of older, public domain images, his 3-D images and slides made from them were wholly his own.A THE 3-D CATALOG "S 26.
Girls Looking at Pictures" A Maiko and two Geisha Looking at Stereoviews in Enami's Yokohama Studio. One of over 1000 cataloged 3-D images of old Japan.A THE "CATALOG OF COLORED LANTERN SLIDES AND STEREOSCOPIC VIEWS"A  Not surprisingly, Enami matched his older Catalog of Meiji-era Prints with a separately published catalog of his classic STEREOVIEWS. In the case of the 3-D Catalog, the lantern-slides were all made directly from one half of the stereoview negatives. The Cover and two sample pages of the Stereoview Catalog are shown just below in the Enami Activity List numbers (6) and (9).
ENAMI'S ACTIVITIES and CONTRIBUTIONS TO THE WORLD OF JAPANESE PHOTOGRAPHYA A  For the moment, based on a wide range of primary sources, it is now clear that T.



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