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Whatever crazy story you have about moving to a new place, it isn’t as good as My Neighbor Totoro. A lot happens and not much at all, because Miyazaki imbues the action with a slower, natural rhythm of time passing and life moving, no matter what giant fuzzball lets you fly with him through the clouds. My Neighbor Totoro is proudly what it is – a little lyrical, very sweet, and wonderfully inventive yarn. Check out some of our photos from the official “Make Your Move” opening at the Grove in Hollywood! Synopsis: Make Your Move is a forthcoming Romeo and Juliet-inspired independent dance film about a pair of star-crossed dancers in New York who finds themselves at the center of a bitter rivalry between their brothers' underground dance clubs. On BoA's performance in Make Your Move: 10 years ago, I was once obsessed with a Korean pop star who was same age as myself. It meanders around its movie road map although it delivers, as promised in the ads, romantic entanglements past and present with characters played by Bradley Cooper, Rachel McAdams and Emma Stone. Before the final hula, all of the key characters must take a stand, stake a claim or face the consequences of their actions.
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If the file has been modified from its original state, some details may not fully reflect the modified file. One of Hayao Miyazaki’s most iconic films is also one of his sweetest and most open-hearted. Everything is just so nice, from the fact that in the English dub our heroines are voiced by the two Fanning sisters to that the motion of a character falling, looking glass style, into a hidden forest lair only enhances the beauty of the setting. With a starkly different image than that of her old school idol persona, BoA plays an independent, adventurous, and effortlessly sexy Aya, a Zainichi Korean woman set on following her dreams with her fusion hip-hop Taiko group COBU.
As a long time fan of BoA, seeing her transformation from Valenti to a silver screen actress is certainly moving in more ways than one.
BoA’s pretty much her own boss in real life; her characterization of Aya is accurate and believable.


The wide variety of music and dance styles are sure to entice even the most non-dance friendly of viewers as per writer and director Duane Adler’s time-tested dance romance movie skills. Make Your Move is, as expected, nothing short being a typical chick flick-fairy tale dance film. Boy meet girls, falls in love, have sex after knowing each for just a few days, differences between two of their respective brothers and happily ever after in the end equals to Romeo and Juliet? Cooper is Brian Gilcrest, a onetime member of the Air Force turned military contractor who returns to Hawaii on behalf of billionaire industrialist Carson Welch (Bill Murray). It’s one of those movies that ends and then tacks on another scene and one more for good measure, to tie up loose ends. They called it a disrespectful misappropriation of culture that also simplifies the word rich with meaning. The magic of a forest reveals itself to a family who recognizes its power, and who deserve a little magic in their lives. They meet the little Totoros, basically sentient dust bunnies, who cause a merry kind of chaos. Early on, there’s a particularly arresting shot of a bottle lying discarded in a blue stream.
It is when Donny, played by Derek Hough, shows up and takes her head on in a club tap dancing battle that her world is pulled asunder.
Watch out for TVXQ’s Yunho’s cabaret-style solo dance (it may or may not have been my favorite part of the movie)! But when compared to other recent releases of the genre, the choreography of the Taiko drumming-tap dance crossover are just not impressive enough, not to mention about the boring cinematography.
Brian is fresh from the plane at Hickam Air Force Base when he spies his former girlfriend, Tracy Woodside (Ms. She announces, more than once, that she’s one-quarter Hawaiian, slipping in the fact that her mother was Swedish, which would account for her fair hair and skin and green eyes. They followed the Media Action Network for Asian Americans, who complained to the New York Post that Caucasians were overrepresented on screen.


There’s the same subtle ecological undertones woven in here as are found in other Miyazaki films.
There’s no significance to it, just an image as aesthetically refreshing as mountain water. But it runs on Totoro logic, the strength of the animation and the score working in concert to continually delight the viewer.
I found myself awed at the sheer amount of tap, contemporary dance, and fusion cultural performances in what felt like a short 110 minutes; BoA’s tireless work ethic is an impressive point of this film. The much anticipated big screen debut of Korean veteran pop star Kwon BoA is also disappoints with a cringe-worthy performance, one that even her dancing skills and cuteness cannot compensate. She also proved that she could potentially be an actress after taking on a tom boy-ish, two-faced role in an episode of a Korean sitcom. Their Granny alludes to little sprites, and then they actually find the Totoros inside their new house – and then slightly bigger Totoros, and then Big Totoro, who may or may not be in charge of the forest but is certainly in charge of fun. I wonder what happened to this former idol of mine 'cause I certainly didn't see her in this movie. No mad Norwegian lumberjack or comically short business tycoon is threatening the integrity of the forest, although everyone is aware it needs to be preserved.
Nature, or Kids work with Nature to stop Stupid Men, well, there are plenty of animated and live-action films along those lines. Totoro behaves the way a real lazy summer would play out for a couple kids new to the neighborhood – just with, you know, wood spirits. The Studio Ghibli style of big, earnest anime eyes and expressively beautiful backgrounds are never better suited to a setting than they are here.



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