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This blog is exclusively dedicated to the trials, tribulations and successes of Indian Freelance Writers and the art of weaving words. If you thought editors are those who just love picking on other people’s mistakes, you may be right. Another very crucial thing an editor often forgets is that it is ok to leave a piece as it is when it has the essence of what needs to be conveyed (of course, correct grammar being a given). About Nandini: Nandini is an engineer-turned-writer, possessive bibliophile and a travel junkie. So I just read a review of Sora’s Quest that inspired me to drop $2500 on book editing. When I started out publishing, I was pretty confident with my grammar skills (still am.) But in a long manuscript, things can get sloppy. Writer.ly is pretty amazing, but I caution authors to be thorough when considering a copyeditor. Feel free to air and share your views, experiences, tips, opinions and what have you and do mail in if you wish to write a guest post. To do a good editing job, you as an editor need to have excellent knowledge of the subject.
She loves collecting random bits of information about any place she visits, and weaving a story out of it.


I had three friends read through the book who had strong grammar, but there were still plenty of awkward sentences and word misuses that slipped by. In my mind, if an editor is making basic comma mistakes on their own blog, I don’t want them editing my book.
There are tons of professional freelance copyeditors on that website, and with the implemented bidding system, you will get a competitive price.
I knick myself out looking for obvious errors such as typos and homonym goofs, as well as more obscure flaws like redundancy errors, plot holes, and weak grammar whenever I take on a project. When I posted my project on the marketplace, I received a lot of offers from people who, when I checked their websites, showed inconsistent use of commas, hyphens, etc. When a writer turns in a piece, you will need to understand what aligns with the publication’s requirements and what changes you will need to make.
Read through their emails with a keen eye, check out their websites, read their own writing (if they have any.) Are there typos? Sure it would be nice to charge $2500 per project, but many authors seeking editors out there do not have that kind of cash on hand, especially in this current economy. I’m sure these editors all meant well and had experience in the editing field, but again, authors should be careful not just to jump on a price. Without a good editor, an article or publication will likely end up half-baked, and nothing ruins a good read like bad editing does.


When you’ve decided to go ahead, decisions need to be taken regarding keeping sources anonymous, or where you should post the piece. It’s how we gauge our audience, our success, and the things we still need to improve. Find someone with a background in Journalism or who has worked on magazines and newspapers (these kinds of publications need to be word perfect.) If they have experience with long manuscripts, all the better. Did you know that publishers often have “house styles” they implement on all of their books?
A real editor takes every sentence into consideration and you might pour 40, 50, 70 hours into a manuscript.
Keep abreast of latest technology: Can you imagine staring at the computer screen wondering what you’re supposed to do? It’s a little hard to believe, but a lot of editors are still not comfortable with computer software and tools that they need to use for their daily jobs.
Yes, technology does change before you blink twice, but you need to make an effort on an ongoing basis to keep pace.



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